The punny title alludes to my long interest in making music where pitches arise compositionally rather than precompositionally, so not where the composer commits early to a fixed scale or temperament.    The challenge then lies in achieve some harmonic coherence absent such an over-abiding framework.

I chose the simple "Columbia-Princeton" timbres to let timbre get out of the way and let the pitches and their complex ratios shine.  If that makes the piece a bit of a pastiche, fine.

Without Frets [electronic]

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

New tracks tagged #not scale based