https://t.me/CYBERPUNKGOTHBOY - WWW
https://t.me/PAWSOG_bot/PAWS?startapp=X8WvuacZ - WWW
xx.xx.2024 soon

CYBERPUNKGOTHBOY - OCTOPUS SPOT(Prod. jxny!)

Welcome to WebAssembly Unleashed with hosts Joel Moses, Oscar Spencer, and Matt Yacobucci. Join us to discover who’s recently experienced impressive performance improvements using WebAssembly, how maple whiskey is related to Wasm runtimes, and what is the process of innovation.  This month our special guest, Matt Butcher, CEO of Fermyon, shares his incredible journey through the tech industry, his insights on WebAssembly's potential to revolutionize cloud computing, and the innovative work Fermyon is doing with Spin. Explore the evolution from startup to large-scale enterprise and gain valuable perspectives on community building and technological advancements.
  
Chapters:
00:00 Introduction to WebAssembly Unleashed
00:49 Firefox's WebAssembly Performance Boost: https://www.howtogeek.com/firefox-75x-faster-running-webassembly/
01:59 Excitement for Upcoming Community Group Events
02:19 Interview with Matt Butcher: Background and Fermyon
05:22 The Birth of WebAssembly at Microsoft
10:01 Wasm Runtime From Browser to Server 
16:38 Deis Labs Projects and the Pattern of Innovation 
20:04 Failed Projects and Lessons Learned
22:04 Career Journey: From Hewlett Packard to Fermyon
22:21 The Vision Behind Fermyon
24:11 WebAssembly and Cloud Efficiency
27:39 The Birth of Fermyon
31:26 Community Building and Challenges
39:27 What led to Spin?
43:05 Conclusion and Final Thoughts
Episode 5 w/Gilad Bracha: https://youtu.be/BQjTShpa8VM?si=DMDyh5U--BaQ_FGE

For more from F5's Office of the CTO visit the following sites: 
Blogs - https://www.f5.com/company/octo
Reports - https://www.f5.com/services/resources/reports
  
Meet Your Hosts:
Joel Moses | https://www.linkedin.com/in/joelmoses/ | https://community.f5.com/t5/user/viewprofilepage/user-id/398372
Oscar Spencer | https://twitter.com/oscar_spen | https://www.linkedin.com/in/oscarspen/
Matthew Yacobucci | https://www.linkedin.com/in/matthew-yacobucci-323b4b2/

Turning Wasm Research Passions into a Business – Ep 12 – WebAssembly Unleashed

''1OAK'' by februxry

produced by octo,
written by februxry,
vocalists: februxry,
lyricists: februxry,
mixed by februxry,
mastered by februxry,

#scfirst
#februxry
#octo
#volturi
#hailmary
#velli
#heyvelli
#heygwuapo

1OAK

https://soundcloud.com/mo1ow

https://on.soundcloud.com/poxTyFky5hkD5EDk8

molow ⇀ mean it? (prod. octodog + aeros + condos)

like comment & repost

all socials: @chaseprimo

out of spite prod. zieas & octo

Join Joel Moses, Oscar Spencer, and Matt Yacobucci as they discuss the latest news and recent developments in WebAssembly, such as Zig 0.140 and projects like running Linux inside a PDF file. This episode features special guest Nick Fitzgerald, a notable contributor to WasmTime and CraneLift, who explains the concept of garbage collection in programming. The discussion covers  garbage collection in the context of WebAssembly, diving into algorithms, their implications, and challenges in implementation. They also touch upon the future of WebAssembly in embedded systems and the broader applications of these technologies in various programming languages like Java and Python. Don't miss this engaging and informative episode!
	
Chapters: 
00:00 Welcome to WebAssembly Unleashed
00:57 What's interesting this week in WebAssembly? 
02:12 Linux PDF: A WebAssembly Feat
03:29 Understanding Garbage Collection with guest Nick Fitzgerald
05:20 Reference Counting vs Tracing Garbage Collection
	A Unified Theory of Garbage Collection paper: https://courses.cs.washington.edu/courses/cse590p/05au/p50-bacon.pdf
7:22 What's driving the push to get GC into WebAssembly right now?
10:25 What makes Garbage Collection implementation so difficult?
12:09 Challenges in Garbage Collection Implementation
15:19 Are you bound by the language runtime GC or by the Wasm runtime?
19:32 Challenges in Type Systems Implementation
22:59 Object-Oriented Hierarchies and Python
24:34 Garbage Collection Proposal Insights
31:35 Will the end users have extra work?
32:50 Can GC help with Ahead of time Compiling?
35:11 Fuzz Testing and Bug Fixing
36:05 Custom Page Size Proposal
38:03 Future of Garbage Collection Algorithms
	
Did you miss the WebAssembly Unleashed episode with Gilad Bracha? Check it out here:
What WebAssembly can learn from JAVA’s history | Ep5 | WebAssembly Unleashed https://youtu.be/BQjTShpa8VM?si=S4sHWZeRqVIbCdn_
	
For more from F5's Office of the CTO visit the following sites: 
Blogs -  https://www.f5.com/company/octo
Reports -  https://www.f5.com/services/resources/reports
	
Meet Your Hosts: 
Joel Moses | https://www.linkedin.com/in/joelmoses/ | https://community.f5.com/users/joel_moses/398372 
Oscar Spencer | https://twitter.com/oscar_spen | https://www.linkedin.com/in/oscarspen/ 
Matthew Yacobucci | https://www.linkedin.com/in/matthew-yacobucci-323b4b2/


The Future of WebAssembly Garbage Collection | Ep 17 | WebAssembly Unleashed

deep from the data box excavated // old work 2011

Octopussy 2011 - XilanT

Join hosts Joel Moses, Oscar Spencer, and Matt Yacobucci as they dive deep into the world of formal verification with special guest Chris Fallin. In this episode of WebAssembly Unleashed, the team discusses the importance of formal verification in software development, particularly for WebAssembly. Chris, a co-author of the Cranelift compiler and Mozilla alum, explains the concept of formal verification, its significance, and how it can be applied to ensure software correctness and security. The conversation covers a range of topics including type safety, the use of SMT solvers, the challenges in formally verifying compilers, and the potential role of AI in generating formally verified code. Don't miss this insightful discussion if you're keen to learn about cutting-edge techniques to make software more reliable and secure.

00:00 Welcome to WebAssembly Unleashed
00:57 Community Updates
01:41 Guest Introduction: Chris Fallin
02:18 What is formal verification and why is it important?
03:10 Formal Verification in WebAssembly
06:28 Challenges and Real-World Applications
07:52 Tools and Techniques for Verification
20:22 Future Directions and Broader Implications
28:21 AI and Formal Verification
30:44 Lack of Formal Verification Consequences

Did you miss the WebAssembly Unleashed episode 16 with Bruce Gain? Check it out here: https://youtu.be/Gjd8l1Sz9qY?si=QGixwObXJgvex9DS

For more from F5's Office of the CTO visit the following sites: 
Blogs -  https://www.f5.com/company/octo
Reports -  https://www.f5.com/services/resources/reports

Meet Your Hosts: 
Joel Moses | https://www.linkedin.com/in/joelmoses/ | https://community.f5.com/users/joel_moses/398372 
Oscar Spencer | https://twitter.com/oscar_spen | https://www.linkedin.com/in/oscarspen/ 
Matthew Yacobucci | https://www.linkedin.com/in/matthew-yacobucci-323b4b2/

Unlocking the Secrets of Formal Verification in WebAssembly | Ep 19 | WebAssembly Unleashed

2011core (interlude)

cire - out my window (p. @b6 @octo @zachcs)

DevCentral is F5's online Community of Technical Peers dedicated to learning, exchanging ideas, and solving problems – Together.

We host audio podcasts created by our Community, for our Community.

The point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against. 

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 -I focus on-
oldschool Tekno, Hardtek, Tribe, sometimes drum&bass, little bit acid 303, melancholic / melodic Techno eaven UndergroundTechno. all that with industrial touch

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I started enjoy freepartys 2005. 
Since then I hardly want anything else. its the Tekno family.
The first Tekno artists/systems/labels my brain picked up: 
wako, sp23, ifp, lego, nw23, circus alien, teknambul, 69db, wakuum, mem pamal, heretik, dsp, crystal distortion, metek, teamtrash, matu, fky, msd, okupe, 9mm, banditos, micropoint, turbotek, ben tetrips, x-tech, adam vandal, suburbass, utopeak, desert storm, co2, capsule corp, asystematik, lsdf, infrabass, arobass, foxtanz, aristocrad, hocus-pocus, zone33, alchymist, triphaze, uniko, Acid Anonymous,  jeff23, vinka, hujer maslo, R4G3, labo14....
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.....https://www.youtube.com/watch?v=HWSEIwoSeLI.....
.........short lucky successful scratch demo..........
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........('(...´...´.... ¯~/'...')
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..........''...\.......... _.·´
............\..............(
..............\.............\... SysteM
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genre: 	Tekno, Free Tekno, Teknival
scene: 	Techno  (born in Detroit)
Tekno - 	early 90s

Hardtechno is the official music genre of rave culture. about raves - real raves 

The raves in the UK in the early 90s were free, renegade, seasonal, and run by ontological anarchists armed with the philosophical weapons of Hakim Bey and Robert Anton Wilson. In the winter months they broke into empty warehouses and occupied them for the night (rave culture loves recessions -- it means more unused urban spaces). In the summer they organized roaming flash mobs to crash police barricades and set up in farmer's fields. They rarely asked permission. What they were doing was illegal so they had to keep moving, and what developed from this radical hedonism was the concept of the mobile soundsystem.

Often situated on the back of flatbed trucks (what the Brits would call lorries) and caravans, the mobile soundsystem became the key to the rave experience. If the rave got busted or shut down by the cops or an angry farmer with a gun, the soundsystem packed up, moved over to the next field, and unloaded the party again. Repeat all night (or week) as necessary or until the drugs wear off. ^^  There were no cell phones or Internet back then so people were kept in the know via pirate radio stations and secret info-lines (ie: recorded messages on telephone answering machines).

These soundsystems had names like the rave promoters of yore -- Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew -- and it was these soundsystems that became famous in their own right. The people would locate where their favorite soundsystem was playing on a given weekend and then track it down like rock groupies. It's probably a weird concept to fanboys of certain DJs or producers (or even labels or promoters, you corporate whore), but the point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against.

The organizers and owners of the soundsystems aimed to reclaim public space and occupy them as Pirate Utopias. Being more political-minded and radicalized, they looked nothing like their friendly Acid House forebears: Skinheads wearing jackboots, camo pants and combat fatigues. They had to look scary -- they were the promoters, owners, drug dealers, DJs, and security of their own parties. Just because these are free parties doesn't mean you are free to do anything.

And the music? The music was mostly produced live on the fly, like jam bands at Grateful Dead festivals. It was cheap, simple, disposable, looping thumping Techno music that went on for hours with no break; (today its different cause many analogue homestudios existing) blistering fast with an abrasive industrial edge, squealing 303s, a sample or two, and terrible sound mixing/mastering. This lo-fi grungy filthy Techno was the punk rock of electronic music. It was never called Hard Techno until years later, before Hardcore got its act together.

The free rave scene finally reached critical mass at the infamous Castlemorton festival from May 22-29, 1992. A rave that lasted seven days with an estimated 100,000 people in attendance. All aforementioned soundsystems were there. It was the rave to end all raves, a worse-organized, more anarchic catastrophic Woodstock. And like Woodstock many old Brit DJs and producers today will tell you that they were there when they probably weren't (and if they were, they're not supposed to remember anything anyway). Even still, everyone who went insists that it was wicked.


Castlemorton (allegedly)
The Authorities had had enough. Thirteen members of Spiral Tribe were arrested and after a long show trial the UK government passed the Criminal Justice Act of 1994, outlawing all raves (or what it called "any party that plays music with repetitive beats") and beefing up law enforcement to take the problem seriously.

Essentially the bill singled out and outlawed certain lifestyles -- specifically the "techno traveler" kind. The leftover members of Spiral Tribe and other soundsystems fled the country in voluntary exile, and they are still around today as the Free Tekno scene, a traveling circus that backpacks around Europe throwing free parties or Teknivals.


What a Teknival might look like. That smoke in the distance might possibly be tear gas. Teknivals get raided a lot. You're not a real participant in this scene until your party gets busted by the Police and you have to outrun the dogs.
Back in the UK the rave scene decided if it wanted to survive it had to go legit and comply with the laws. 1994 is a pivotal year: Everything after this year is safe, boring, and club-friendly, making shitty Eurotrance music for grandmothers and 8-year-olds, the edges completely smoothed out of what was not just a vibrant and revolutionary form of music but a lifestyle and culture.

Finding music of the very early free party scene is actually quite tricky because not a lot of it was recorded or pressed to wax (or, that is, not a lot compared to how much was made live in dozens of raves every weekend for years). And what music I do have was released well after the rave scene was crushed. And it's kind of hard to catalogue music that has no name, no label, no artist, no identification. It is Temporary Autonomous Zone music -- it exists only where it is needed, which is at a free rave. Not a music guide.
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____________________________
TEK TODAY MAYDAY
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know how it works
but don't understand it
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origin unknown
not recognized
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stand for something
don't know for whom
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the genuine underground
never recorded as a copy
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New tracks tagged #octo