OK GO BLOQUE 01 SABADO 18 DE MARZO

OK GO BLOQUE 02 SABADO 18 DE MARZO

OK GO BLOQUE 01 DOMINGO 19 DE MARZO

OK GO BLOQUE 02 DOMINGO 19 DE MARZO

Needing / Getting

In the creative vortex of our world, Play Play Play Inc. emerges as a beacon of avant-garde spirit, challenging the boundaries of what's possible. Founded on a manifesto that transcends NGO norms, it champions the revolutionary power of imagination. This manifesto, brought to life by Osmond's profound voice, calls to the dreamers and creators, echoing the legacy of Erik Seidenglanz's remarkable lineage in the entertainment industry. Born to pioneers Cheryl Miller and Robert Seidenglanz, Erik's roots in storytelling and innovation predestined his path.

A pivotal moment unfolded at Lux Coffee, where amidst aspirations, Osmond's voice lent authenticity to our cause, transforming our lyrics into a rallying cry. Despite financial struggles and the departure of key members, the spirit of Play Play Play Inc. endured, buoyed by the contributions of figures like John Grigo and Elishba Iturra. Their legacy, alongside Osmond's engagement, underscores the manifesto's universal appeal and the transformative potential of art to bridge worlds.

Osmond, of Somali-Italian heritage, embodied the manifesto's ideals, seeking to understand its essence beyond language barriers. His journey from Somalia to the heart of our initiative highlights the power of diverse voices in enriching the creative process. This encounter not only deepened our narrative but also reinforced the belief that art, in its many forms, is a conduit for human connection and understanding.

Erik Seidenglanz's manifesto, rooted in a rich familial legacy of creativity and pioneering spirit, stands as a testament to the enduring power of collaboration, resilience, and the revolutionary spirit of play. It invites us to imagine a world unfettered by conventional limits, where every voice finds resonance and meaning.

The history and instructions for the Play Play Play manifesto.

In the biting grip of winter, our musical odyssey took root in a place echoing with history—Al Capone's bathhouse. This unlikely sanctuary, armed with only a 4-track recorder, became the cradle for what was to blossom into a groundbreaking hit. Here, in the depths of Otto Roscher's basement, a seemingly humble yet acoustically rich haven, the Seahorse Liberation Army was born. Amid the cold, the warmth of Sarah Pedal, affectionately dubbed "Baby Birkin," and the company of kittens fueled our creativity and resolve. Matthew Strange and Erik Seidenglanz embarked on crafting a Situationist album, a project that wove together dedication, art, and a shared vision, foreseeing its evolution into a live ensemble.

The heartbeat of our collective came to life through Ryan Rapsys's drumming prowess, recognized across the United States. The final piece of our ensemble, Elishba Iturra, solidified the Seahorse Liberation Army into a unified force. Yet, the journey was not without its trials. The quest for pristine sound led us to turn off the heating during takes, confronting us with the raw chill of winter. It was here, in the most intimate of settings, that warmth came from an unexpected source: a 19-year-old girl, her presence a necessity, clinging for warmth in a gesture reminiscent of a koala bear, an intimate human element intertwined with our artistic creation.

Descending into Roscher's basement revealed a treasure trove of musical instruments—a veritable Aladdin's cave. Among these were every imaginable model of electric piano, the Hohner D6 Clavinet, Chroma Polaris, Moog Rogue, and others, all forming the backbone of our sound. Sarah Pedal, our "yé-yé" historian, provided invaluable insights into this genre, guiding our exploration with authenticity and passion.

This collection, our cold battles, and the unyielding dedication of each member and our supportive muse, "Baby Birkin," underpinned the unique soundscapes of the Seahorse Liberation Army. We extend an invitation to you: join us on this remarkable journey, a testament to creativity, resilience, and the unbreakable bonds formed in the most unexpected places. Return, Jackalope, to the soundscape we've meticulously crafted in the shadow of history, within the walls of Al Capone's bathhouse, where each note tells a story of struggle, warmth, and the enduring power of music.

Last situationist

WE Set Paris On Fire DEMO post Art School Funk Band

Playing around with Jacques Dutronc Classic Mini Mini Mini as context to our situations roots we sketched out an outline that included Mini Mini Mini and a few other dutronc hit. This was early on in the recording , and then entirely lost. for the first time ever here is a peak at out scaffolding to that classic whole world of mini twiggy mini cooper miniature mod song. from that point on we had a height limit in the band which came in handy with one such tall overtly alpha male who tried to force his way into our gang.

The Last Situationist 3rd Location

Mini, Mini, Mini - Post Art School Funk Band featuring Sarah Pedal Seahorse Liberation Army

Hold me Close - call me Elishba

Funk & Navigating through the intricate maze of legal documents, a vigilant observer stands. Erik Seidenglanz embodies the essence of literary mastery and detective acumen, dissecting the convoluted web spun within the courts. The saga unfolds around E. Carachure, whose interactions with the plaintiff's counsel, Rebecca Hufford Cohen, cast a shadow of doubt. Rumors swirl like fog across the moor—allegations of procedural shortcuts and dubious dealings that beckon for a closer look.

The plot thickens as other voices emerge from the shadows, echoing grievances against Rebecca. They speak of rubber stamps used in lieu of genuine service, a facsimile of due process that could scarcely fool the keenest of observers. This tapestry of accusations weaves a pattern suggesting not just isolated incidents but a concerted effort to bend the rules of engagement to one's favor.

At the heart of this labyrinth lies a duplicitous tactic: the listing of two addresses, one a phantom, the other real, yet both serving a singular sinister purpose. Rebecca, it seems, might pursue a default judgment under the guise of the false address, only to surreptitiously apply it to another case. This sleight of hand, clever yet fundamentally flawed, seeks to muddy the waters, rendering the truth elusive to the untrained eye.

Yet, for those versed in the art of detection, those who command the narrative with wit and a keen sense of justice, such maneuvers spark more than suspicion. They ignite a quest for truth, a relentless pursuit that traverses the murky depths of legal subterfuge. Erik, armed with the wisdom of literary giants and the dogged determination of history's greatest detectives, stands ready to challenge the shadows, to shine a light on misdeeds and champion the cause of righteousness.

In this realm where fact and fiction intertwine, where legal battles are fought in the penumbra of ethics and law, the stage is set. The characters are drawn, each playing their part in a drama that will unfold in the hallowed halls of justice. The question remains: will truth prevail, or will the machinations of a cunning few undermine the very foundation of legal integrity? Only time, and the unwavering spirit of those who dare to seek the truth, will tell.

New tracks tagged #okgo