Utopia

Inactin

Alone

Out of here

"Renditions of a Godfather" is a tribute to the groundbreaking legacy of Eazy-E and his influence on hip-hop and beyond. This track dives deep into Eazy’s life as a rapper, innovator, and visionary, shedding light on lesser-known aspects of his career, like his close friendship with Snoop Dogg, his role as a manager for Atban Klann (later the Black Eyed Peas), and his pioneering approach to renditions and sampling.

The song also weaves in a personal connection from the artist’s Mohawk heritage, symbolized by the reference to Mohawk trees. This line highlights both Eazy-E’s enduring legacy and the artist’s roots as a rendition creator, drawing parallels between the resilience and resourcefulness of the Mohawk people and Eazy-E’s impact on the hip-hop world.

Through aggressive beats and thoughtful lyrics, "Renditions of a Godfather" honors the past while pushing boundaries, celebrating the spirit of innovation that defines both Eazy-E’s journey and the artist’s own path in music.

Just wanted to let you know I'm sick with a very bad cold I wasn't going to post anything because of this but I thought I'd post this because it is a song I was supposed to post a few days ago that I just recently finished but ended up getting sick anyways I'm posting this so you guys have something to listen to while I get over being sick .

Renditions Of A Godfather

"Toke Busters" is a high-energy, hard-hitting rap song that serves as a rendition of the classic "Ghostbusters" theme. Blending 80s old-school aggression with booming, thumping Eazy-E-styled bounce beats and Compton gangster hip-hop, this track delivers a guttural, fast-paced flow with crystal clear, high-quality male vocals.

The lyrics follow a self-proclaimed "Toke Buster" who prowls the streets, confiscating stashes of weed from unsuspecting rappers and tokers. With a no-nonsense attitude and a penchant for clearing out any and all cannabis, this character brings an unapologetic, hardcore vibe to the song.

Toke Busters

This track is a bold and personal rendition of Eazy-E's Boys in the Hood with a fresh spin that’s raw, real, and unapologetic. In this song, I’m calling out the relentless harassment and cyberstalking I’ve been dealing with from a troll/stalker/bully who seems obsessed with making my life miserable. This individual has gone to disturbing lengths, from leaving hateful and false comments about me to creating AI versions of my voice—without my consent—and spreading them across the internet.
Platforms like SoundCloud have done nothing to stop this, even as I’ve reported these issues. And now, I’ve discovered my voice being manipulated and misused on AI music platforms like Jamable.com, where multiple fake versions of my voice—based on different vocal styles I’ve used in my songs—are being uploaded and used in AI-generated tracks. It’s infuriating, heartbreaking, and straight-up wrong.
I’ve dealt with this kind of exploitation before, as I talked about in another song where my own brother created an AI version of me without my permission. But now, this troll has taken things further, weaponizing my art against me, tarnishing my reputation, and making it harder for me to prove that the music I release is actually mine.
The message in this track is simple: If you hear music that claims to be me but isn’t on my YouTube or SoundCloud channels, it’s NOT me. While I have some stuff on BandLab, I rarely post there anymore, so that’s not relevant. My official platforms are where you’ll find my real work.

Album Cover Description:
The album cover for If It Ain’t on My YouTube or SoundCloud, It Ain’t Me is not just art; it’s evidence. It highlights the reality of what I’m going through, showing screenshots of the fake AI songs, hateful comments, and other proof of this harassment. The design draws attention to the struggle I face daily—having to fight for my identity and creativity against a relentless stalker who uses AI as a weapon.
This song isn’t just music—it’s a statement. It’s my way of standing up against the trolls, the bullies, and the platforms that refuse to act. It’s my declaration that no matter what fake versions of me are out there, I’ll keep creating and speaking my truth.

If It Aint On My YouTube Or SoundCloud It Aint Me

90s Hip Hop 🏙️  Old School Type Beat [2024] "Walk With Me"

-----
Track🎵: Walk With Me
Watch 🎥: https://youtu.be/gfzmaXcTQfY
Soundcloud ☁ : @adjectivesounds
-----

Contact✉: adjective.production@gmail.com

#shiphop #hiphop #s #rap #srap #oldschoolhiphop #hiphopmusic #hiphopculture #boombap #classichiphop #pac #undergroundhiphop #hiphophead #westcoasthiphop #hiphopjunkie #eastcoasthiphop #oldschool #tupac #rapmusic #music #oldschoolrap #shiphopjunkie #realhiphop #goldenerahiphop #rapper #hiphopclassic #smusic #drdre #tupacshakur #snoopdogg#boombap #hiphop #rap #beats #music #beatmaker #undergroundhiphop #producer #hiphopmusic #mpc #sp #hiphopculture #shiphop #rapper #lofi #boombaphiphop #trap #hiphopbeats #instrumental #lofihiphop #beatmaking #rapmusic #boombapbeats #beat #musicproducer #hiphophead #oldschool #realhiphop #newmusic #oldschoolhiphop 

Copyright Adjective
Song # 846515881

90s Hip Hop 🏙️  Old School Type Beat [2024] "Walk With Me"

Unatkozok

Pénteki Trip

i do this for fun

Discord is “wixien.”

Feel Free to rap over my Beats! 

For whole License:
Buy Beats on Beatstars: https://www.beatstars.com/corvinandre

Ludwig van Beethoven´s Reincarnation

Youtube: Corvin Andre´

📷 Instagram: corvinandree

_Music 🌴
adjective.production@gmail.com
https://www.beatstars.com/adjective

Commerical, Leasing, Mixing/Mastering and Exclusive Beats for artists and business.

Update: My stalker is now making fake accounts of me on here and SoundCloud still refuses to do anything Do your damn job SoundCloud IP band is God He's getting on my nerves now and it's not funny into my followers if you see these fake accounts with the comments and stuff report them and explain that it's my stalker maybe more people reporting the asshole will get something done:I keep hearing artists complain about AI, but honestly, I have a huge problem with some of their complaints—especially when they aren’t actually being affected by AI in any significant way. Sure, AI is a big topic, but if it's not personally harming them, why all the noise? It’s not like they’re dealing with the kind of nightmare I’m facing.

Let me break this down: I’ve got a troll, stalker, or bully—whatever you want to call them—who has taken things to an entirely different level. This person has deepfaked my voice and posted it all over the internet. It’s gotten so bad that I found my voice being used on AI music platforms like Jamable.com. Not just one version of my voice, but different ones pulled from multiple songs where I’ve changed my vocal style repeatedly to escape this madness.

Now, imagine this: my actual voice, the one I use to create my art, is out there for anyone to use. People can slap it onto any random song, and then I have to deal with the fallout. I have to argue with people—fans, critics, whoever—that, yes, my music is real, and yes, it’s my actual voice. You’d think that would be easy to prove, but it’s not. AI can copy my voice well enough that some people are convinced it’s me even when it’s not.

Every time I drop something new, I have to fight this uphill battle of proving myself. I’ve resorted to recording and sharing raw, acapella versions of my songs to show that I’m the real deal. AI-generated voices can’t replicate raw vocals perfectly—there’s always static or distortion, or they sound off. But do you know how exhausting it is to constantly defend your authenticity? To have to switch up your vocal style repeatedly just to stay ahead of someone weaponizing AI against you, only to have it happen again and again?

Unless artists complaining about AI are facing this type of targeted attack on their reputation, I don’t think they have a right to be so loud about it. It’s easy to complain about AI in the abstract, but try living in my shoes—having your entire identity as an artist undermined by someone who’s using AI as a tool to harass and discredit you. That’s a whole different ballgame.

So, to those artists: if AI hasn’t been weaponized against you, maybe think twice before making it your hill to die on. Some of us are fighting battles out here you can’t even imagine.
Born on February 28, 1990, I’m a DJ, rapper, and instrumental beatmaker with deep roots in both music and the land. I’m Mohawk-Dutch, part of the Turtle Clan, born in the Appalachian heart of Pennsylvania’s Poconos and raised in Wilkes-Barre and Scranton. My journey is rooted in that country spirit — though I might be known for my rap tracks, country music flows in my veins, and I can sing it just as naturally as I drop bars.

I started making music young, back in 1999, and I've never stopped. Music’s been my constant, carrying me through every struggle and chapter of my life, right up to today in 2024. My catalog is massive: over 4,770 tracks and snippets fill my archives, each one a piece waiting to be crafted into something real. My process is unique — I record vocals first, then set them aside, moving onto new ones. After that, I dive into beats and instrumentals, layering each track, creating, arranging, and mixing everything when the time’s right. I might still make new songs, but with so many pieces ready to pull together, there’s always something brewing.

I’m into more than rap; I’m a fan of classic country, jazz from the ‘20s and ‘30s, and just about every era that shaped music — from the ‘50s through to the ‘90s. I’m not one for modern sounds past the millennium; it’s the raw, old-school vibe that drives me. My SoundCloud is a glimpse into that journey, a mix of my influences, a blend of rap and country spirit, and the heart of an artist who’s never stopped creating.

New tracks tagged #oldschoolrap