Underflow

Bless The Telephone, originally written by Labi Siffre, as interpreted by Belgian singer Angèle on the omnichord. Snippet published on her TikTok page.

bless the telephone - angèle (labi siffre cover)

hold yr terror close cover

Listen To Me Please

Ellie-Elle

In the spring of 2025, I bought the new Omnichord OM-108 and have been making music with it and my effects boxes.  So far, I’ve released an album, “Omniessence”, and I even made a one-off vinyl picture disc via Kunaki.  It’s my first vinyl record.

I have at least 20 additional Omnichord-based songs ready for future releases.  Two them are earmarked for my ad hoc soundtrack to the Oyoram pubic art installation in Des Moines.  “TimePiece” is an 800 sq ft, 162 LED panel, “clock” moving artwork, located on the side of the Fitch Building (304 15th Street), where my art studio is located.  If that kind of public art interests you, do a search for it.  My soundtrack will be broadcast via a 100mw FM mono transmitter to the nearby area, although I will distribute the soundtrack to Bandcamp and the streamers.

Because I already have an Omnichord, and I’m busy this weekend, I thought I’d skip the browser-based part of the Junto and provide a track that was recently completed:  Mr Bond’s Waltz.

“Mr Bond’s Waltz” was a 57 second section between a series of mistakes that ended up being too good to delete.  It was totally improvised and recorded live.  The Omnichord OM-108 was run through my physical effects chain of boxes:  Empress Reverb, Empress EchoSystem, and a Hologram Microcosm, and direct into a Tascam audio recorder.  Then editing in a simple audio editor.  That’s it.  

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/

For more about me, visit https://www.markrushton.com


Mr Bond's Waltz (disquiet0726)

Recorded, edited, mixed & mastered in 27 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Sample instrument & effects

Photography/Art - Jim Lemanowicz, 25 Oct 2025, Grand Central Station, NYC, NY, USA

Music & art © 2025 Jim Lemanowicz

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This original version of “To The Restricted Limits Of Some Regular Pursuit” was submitted as part of Disquiet Junto Project 0726: Work It The Assignment: Chord of Omnis. The Assignment: Make music with a browser-based Omnichord as your sole sound source.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

Discussion at https://llllllll.co/t/disquiet-junto-project-0726-chord-of-omnis/ 

Patreon - patreon.com/blisterpop
Soundcloud - @blisterpop
YouTube - www.youtube.com/@JimmyLem
TikTok - www.tiktok.com/@jimmlem
Bluesky - jimmylem.bsky.social
Linktree - linktr.ee/blisterpop

To The Restricted Limits Of Some Regular Pursuit (disquiet0726)

sound art for disquiet0726.

More on the 726th weekly Disquiet Junto project, Chord of Omnis — The Assignment: Make music with a browser-based Omnichord as your sole sound source — at https://disquiet.com/0726/.

a soft OM (disquiet0726)

Disquiet Junto Project 0726: Chord of Omnis
The Assignment: Make music with a browser-based Omnichord as your sole sound source.

Step 1: In the early 1980s, an instrument called the Omnichord was introduced by Suzuki. There is now a browser-based version at onlineomnichord.com.

Step 2: Make some music using only the online Omnichord as your sound source.

[Disquiet Junto 0726] Unfeigned Intoxication

for a disquiet junto prompt, using only an Omnichord as the only sound source. 

sampled into deluge, played through some effect pedals, no creative effects after that.

omni [disquiet0726]

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

Artist and non-musician making sound art with found objects.

I've been trying to make music since I was 13 
...I'm trying y'all bare with me 

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

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Home-baked, human-made music from my little corner of England. 

It's not perfect, but it's real.

I make way too much electronic music.  This account is solely for my contributions to the Disquiet Junto.  Follow me at Spotify, my mailing list, or my podcast, all linked here.

New tracks tagged #omnichord