MUSICIANS
John Beckmann: all music, lyrics, and production
Lawson Mars: vocals and backing vocals
Lux Astralis, New York: recording studio

MEOW NOW

I got mad at my friends and made a diss track (frank ocean on the beat),

the one who sniffs

A simple and inspiring chamber music track featuring piano and short strings, and with a timeless, classic sound. Suitable for optimistic and positive video scenery. Tasteful / Stately / Timeless / Uplifting music. [The 'Radio Edit' version has been edited to reduce the 'intensity' of the most dramatic/climax part of the track. This could make it less suitable for drama, advertising etc. where you need a build-up to a climax, but more even-going, more suitable for just listening.]

For licensing, contact
https://www.LynnePublishing.com


Stately Gardens

A positive and optimistic pop music track with a dreamy vibe, creates a feeling of success and accomplishment. Great music for travel videos, commercials, films with an inspiring message.

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Up In the Air

A happy and upbeat pop music track with funky guitars and finger snaps creating an exciting groove and inspiring you to do great things with good friends.

For licensing, contact
https://www.LynnePublishing.com


Win the Day

An uplifting but easy-going indie-pop music track that inspires you to achieve success and brings a feeling of happiness. Great music for commercials, promos and motivational videos.

For licensing, contact
https://www.LynnePublishing.com


Infinity

Sometimes Today Is the Day. Depends on you.

Today Is the Day

Add a cheerful and playful atmosphere to your content with this quirky, childlike tune. It features a humorous trombone melody and a human whistle in the choruses. The composition also includes a bright ukulele, soft percussion, bass guitar, acoustic piano, xylophone, and bells. It’s perfect for kids’ videos, cartoons, cooking tutorials, comedy moments, home living reels, and much more.

Purchase this track by the links below:

AUDIOJUNGLE:
https://1.envato.market/jeD1ae

ENVATO:
https://1.envato.market/K02xvx

GUMROAD:
https://svaudio.gumroad.com/l/qvjrl?a=720219731

MUSIC BAY:
https://www.music-bay.net/downloads/happy-weekend/

AddMusic:
https://addmusic.tw/music/view/45326

100AUDIO:
https://100audio.com/en/download/4039506/?ref=22373

Monkey Yin Yue:
https://houzi8.com/music/1787240

VFINE MUSIC:
https://www.vfinemusic.com/music-detail/730279fc39df70a8001

Happy Weekend

Get ready to be entertained by this upbeat and funny old-school piano ragtime logo! It’s the perfect touch for comedy videos, children’s content, cartoons, and much more. Bring a burst of joy and laughter to your projects!

Purchase this track by the links below:

AUDIOJUNGLE:
https://1.envato.market/o4GWaE

ENVATO:
https://1.envato.market/bOqzBP

Funny Piano Stinger

Instrumental jam inspired by the Flaming Lips song "The Gash"

Blaming Flips - 8:14:25, 5.12 PM

A bright, light and family-friendly musical underscore. An innocent, homey and positive mood, with a transparent production. Good for family content, kids, pets, community, charity and more. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Brightness Calling

Discover the vibrant and joyful Mexican culture with this uplifting folk-style tune featuring emotional melodies. The composition includes two trumpets, acoustic guitars, and a bass guitar. It is perfect for Mexican-themed videos, travel clips, cooking videos, and more.

Purchase this track by the links below:

AUDIOJUNGLE:
https://1.envato.market/jeQMgn

ENVATO:
https://1.envato.market/kO97XM

Sombrero Story

im not midas
ruin everything i touch
but if I tried I guess
I could be enough 

but sometimes I see something holy
when time is moving so slowly

lie with me on the backseat 
tell me all of your past dreams
and in this moment I am happy
sitting in your backseat
drawing hearts on the glass
in this moment you have me 
want this moment to last
(on my back, feet on the dash)
in this moment I am happy

and if u knew me
knew me really 
would it be a different story
and if u knew me
knew me really 
would u even like me fully? 

and if we could switch places
with all of the strangers 
faces we drive by on this road
maybe we would feel whole

and sometimes I see the beauty
in your eyes and it moves me 

lie with me on the backseat 
tell me all of your past dreams
and in this moment I am happy
sitting in your backseat
drawing hearts on the glass
in this moment you have me 
want this moment to last
in this moment I am happy

and his car is a spaceship
im far away from this
and just for a moment 
I am happy 
happy
happy
in your backseat

in this moment i am happy :)

MUSICIANS
John Beckmann: all music, lyrics, and production
Tanner McGraw: vocals and backing vocals
Lawson Mars: backing vocals
Lux Astralis, New York: recording studio

LYRICS
I’d really like to see you,
I’d really like to see you,
One of these days,
One of these days...

One of these days,
We’ll meet there,
Where the crossroads
Kiss the sky,
Too bold to say goodbye,
Too shy to say I love you.

One of these days, I’ll find you,
Through the cracks of time’s refrain,
In the echoes of old laughter,
That washes away the pain.

The wind will whisper secrets,
The stars will light our way,
And all the words unspoken,
We'll have a fire gently burning.

One of these days, we’ll meet there,
On roads the restless paved,
Where the wild wind knows our names,
And the stars write their confessions.

I’d really like to see you,
I’d really like to see you,
One of these days,
One of these days...

ONE OF THESE DAYS (Alternative)

► Purchase license and download this music here:
Pond5: https://bit.ly/4mLeBx5
Audiojungle: https://bit.ly/45UvuzF

► You Can Find More Music by Lesya NZ Here:
One Link to All My Music: https://li.sten.to/lesyanz
Spotify: https://bit.ly/46LOQ7x
Amazon: https://bit.ly/3U0GE0r
Apple Music: https://bit.ly/3SkBsmG
Deezer: https://bit.ly/3kuiM23

Over The Sea is positive and dreamy track with a romantic mood, featuring piano, groovy drums, strings, acoustic guitars and bells. Best for inspirational traveling videos & motivational stories, workout, TV programs, ads or promos, presentations and more. 

► Follow me on:

YouTube Subscribe: https://bit.ly/3Wforgx
Facebook: https://www.facebook.com/Lesyanz
Instagram: https://www.instagram.com/lesya_nz_
TikTok: https://www.tiktok.com/@lesya_nz
Twitter: https://twitter.com/NzLesya

Donate to Lesya NZ via Paypal)
https://www.paypal.com/donate/?hosted_button_id=HL5F6MYMRHQ2E

Over The Sea

Over The Sea - Inspiring and Positive Music for Videos by Lesya NZ

When I hear this tune I see red roses in my mind's eye. This is a track from 2021, one of my very first tracks. It was made in Ableton. I really like this one, it was made during a time when I was at my most creative.

Eliza - Red Roses

Cinematic orchestral arrangement that builds into uplifting harmonies and possibilities. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com



Horizon Unfolding

Little Boy In the Kindergarten Room

Smooth Lounge Project is a new musical project dedicated to capturing the essence of elegance, relaxation, and late-night sophistication. Blending smooth jazz, lounge, and chill vibes, the project creates the perfect soundtrack for quiet evenings, intimate gatherings, or simply winding down with style. Every track is crafted to feel timeless yet modern—warm tones, refined grooves, and just the right touch of class.

The debut single, “Midnight & Martini”, sets the tone for what Smooth Lounge Project is all about. Imagine a dimly lit lounge at midnight, the clink of glasses, a martini shimmering in golden light, and jazz musicians lost in the moment. With its smooth flow and rich atmosphere, the track invites listeners into a world of sophistication and calm—where every note tastes like velvet and every beat lingers like the perfect sip.

👉 Promo: https://distrokid.com/hyperfollow/smoothloungeproject/midnight-and-martini

Midnight and Martini

virus from the cornfields, uploaded 2 ur computer

ig haerongray
tt haerongray
yt haerongray 

booting…  
███▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒  
origin: [unknown.agri.node]  
corruption spreading ∞  
emotion.wav not found

Hello and welcome! I'm an independent composer, musician, music teacher and producer from Düsseldorf/Germany. I played guitar and/or keyboards in various (rock/prog/indie/fusion/whatever) bands for years. Now I spend most of my time hanging out in the studio, creating tracks for video and TV content. Trying to be versatile, mixing and matching all kinds of genres I like. And I still don't use gen AI for my music.

It was quite a long way to get to this place. But now I'm here. Just listen.

Thank you for listening! I am composer and performer from Ukraine Lesya NZ (Lesya Parkhomenko). Music is my life and passion. I`ve been working as the composer and song writer for years composing and performing music of different styles. 
Stream my music on Spotify, Amazon, Deezer and GooglePlay!
Thank you for yours interest to my music!

A producer, songwriter, and sonic architect, John AI Smith thrives on artistic evolution. Starting as a singular force in music, he has expanded into ten distinct artist identities—each representing a unique soundscape, from melancholic folk to bass-heavy electronic beats.
Rather than conforming to a single style, John AI Smith embraces a genre-fluid approach, crafting music across atmospheric indie-folk, cinematic storytelling, trance, trap, synthwave, and beyond. 

His projects include following artists and their spotify links:

John AI Smith - https://vshrt.in/ITRa
Chill Fader - https://vshrt.in/zCwt
Calisnor - https://vshrt.in/stNU
Isak Evermore - https://vshrt.in/pEJx
Obscyron - https://vshrt.in/cfTh
OrchraX - https://vshrt.in/dJZO
Strengevind - https://vshrt.in/cQej
Vargkald - https://vshrt.in/wrrK
Bassvoid - https://vshrt.in/Nnak
Nordskygge - https://vshrt.in/sShw

With SoundCloud as his creative playground, John AI Smith invites listeners into a boundary-defying musical universe. Whether crafting immersive electronic beats or heartfelt folk melodies, his work remains centered on innovation, emotion, and sonic exploration.

Drummer who has the occasional moment of creativity

ROYALTY-FREE BACKGROUND MUSIC

Welcome to the comprehensive music world created by S-AUDIO & V-AUDIO.
Explore our entire portfolios via the links below:

https://1.envato.market/AudioJungle-SAudio
https://1.envato.market/S-Audio-Elements
https://1.envato.market/AudioJungle-VAudio
https://1.envato.market/V-Audio-Elements
https://audiostock.jp/artists/52107
https://audiostock.net/artists/6097
https://100audio.com/en/vendor/50871/?ref=44099

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets: John Beckmann’s Cinematic Descent Into the Electric Psyche

In the sprawling constellation of modern music, The Mortal Prophets occupy a shadowed corner—less a “band” in the traditional sense than a living, breathing séance conducted by John Beckmann. Across a series of albums, Beckmann has been excavating the strata of Americana, dream pop, blues, and avant-garde minimalism, folding them into a fever-dream narrative that feels like it was beamed from a late-night pirate radio station somewhere between the Mississippi Delta and the outer rings of Saturn. 

Beckmann, who founded New York’s Axis Mundi Design before turning his obsessive creative drive toward music, approaches songwriting like a visual architect—each track a space you inhabit rather than simply hear. His arrangements have the tension of architectural blueprints: precision married to instinct, steel and stone softened by ambient light. In GUITARWORKS II, the most recent installment in a sprawling instrumental odyssey, guitar tones unspool like distant telegraph wires, calling to mind Robert Fripp’s collaborations with Brian Eno, or the glacial drift of Cluster’s experimental soundscapes. It’s profoundly cinematic, yet never ornamental.

If Beckmann’s earlier releases (Stomp The Devil, Me and The Devil, Dealey Plaza Blues) reached back into mythic Americana—the open road, outlaw ballads, acid-washed folk visions—his more recent work tilts toward the abstract, replacing narrative with mood. This is music that understands how memory works: fractured, impressionistic, prone to bleed between truth and hallucination. The Mortal Prophets operate in that liminal space where you’re not sure if you’re dreaming, or just remembering wrong. 

Vocally, when Beckmann steps to the mic, it’s with a delivery equal parts Leonard Cohen confession and Bowie-esque theater—half-smirk, half-sermon. Lyrically, he trades in arcane symbols and sly allusions: 19th-century mystics rub shoulders with dive-bar drifters, and romantic longing flickers like neon through a rain-soaked windshield. He’s not afraid of obliqueness; in fact, he seems to revel in it. Where many contemporary songwriters flatten their work into algorithm-friendly hooks, Beckmann builds labyrinths. 

Part of The Mortal Prophets’ magnetism lies in its refusal to settle. One album might summon the humid ghost-blues of Junior Kimbrough refracted through a loop pedal; the next might drift into synth-heavy dream pop worthy of an early-’90s 4AD release. Beckmann’s collaborators—rotating players drawn from both avant-garde and roots backgrounds—expand that sonic palette, giving the project an almost shapeshifting quality. 
In a cultural moment where genre boundaries are largely performative, Beckmann treats them as haunted ruins worth spelunking through. His songs feel like dispatches from parallel histories of American music—histories where psychedelia never died, where blues never got sanitized, and where experimentalism didn’t have to hide in academic halls. 

The Mortal Prophets may never break into the Billboard mainstream, but that’s hardly the point. Their appeal is in the slow burn, the intimacy of discovery. Beckmann’s work isn’t built for quick consumption; it’s built for listeners willing to linger, to decode, to wander down the long corridors he constructs. In an era obsessed with speed and surface, The Mortal Prophets offer the opposite: a deep dive into the echo chamber of the self, scored by a man who seems to know exactly how to make the walls sing.

New tracks tagged #optimistic