Premiered on March 1st, 2019 as part of YCM's 25th edition.

Performers: Orkest de ereprijs. 

with soloists Laura Ginström (mezzo), Francisca Branco and Ana Maria Lopes (sopranos) under the baton of Rob Vermeulen.

Texts: Linda Gabrielsen and Juhan Liiv.

kj/ærlige ord - for 3 voices and ensemble

The amazing De Ereprijs performing some of the movements of my Hamburger Club Music.

Hamburger Club Music takes material from my Hamburger Suite, written for Ensemble Resonanz. Every movement is related to aspects of the city of Hamburg, all of which are rather odd and not on your list of must-know facts about the city.
"Passepied Firestarter" is based on a Passepied from a Telemann Suite, a composer who lived in Hamburg but is never celebrated, apparently because there is a lack of organised Baroque music in the city.
"EU-Beitrittslandtanz" celebrates two ethnic minorities which can be found in the city. 
"Hamburger Hafen Massengutumschlag" is the translation of an import/export diagram of Hamburg Harbour in 2013.
"Schnulze" is a very German word for a slow cheesy song. Apparently, the word was first officially used in a TV production meeting in Hamburg in the late 1940s.

Hamburger Club Music (2018)

we only speak of other things w/ orkest de ereprijs

• Finno-Norwegian composer
• Ph.D. in composition (EMTA, Estonia), M.Mus (NMH, Norway)
• Found in Oslo, Skien, Bergen, Helsinki or Tallinn

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