Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub. 

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Liner notes by Steve Barker 
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Osman Murat Ertel: electric saz 
Didi Kern: drums percussion
Flip Philipp: percussion
Ulrich Troyer: analog synthesizers, analog drum-machines, sampler, field recordings, dub effects
 
Arranged by Ulrich Troyer 
Written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz recorded by Osman Murat Ertel at Saniki Studio, Istanbul 

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick 
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel 
 
Kindly supported by: City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bolzano/Bozen (IT)

Transit Tribe

06 FELTUNER HÜTTE Feat. Osman Murat Ertel

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub. 

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Liner notes by Steve Barker 
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
 
Osman Murat Ertel: electric saz & guitar
Didi Kern: drums, percussion
Ulrich Troyer: analog synthesizers, analog drum-machines, e-bass, sampler, dub effects
 
Arranged by Ulrich Troyer 
Written by Osman Murat Ertel & Ulrich Troyer 

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz & guitar recorded by Osman Murat Ertel at Saniki Studio, Istanbul 

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick 
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel 
 
Kindly supported by: City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bolzano/Bozen (IT)

07 AVRUPA KÖPRÜSÜ feat. Osman Murat Ertel

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub. 

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Liner notes by Steve Barker 
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Susanna Gartmayer: contra-alto clarinet (8)
Didi Kern: drums, 
Ulrich Troyer: analog synthesizers, analog drum-machines, sampler, field recordings, dub effects
 
Written & arranged by Ulrich Troyer 

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna 

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick 
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel 
 
Kindly supported by: City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bolzano/Bozen (IT)

08 EUROPABRÜCKE feat. Susanna Gartmayer

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub. 

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Liner notes by Steve Barker 
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
 
Reinhilde Gamper: zither & bass-zither
Martin Mallaun: zither
Flip Philipp: c-marimba
Ulrich Troyer: analog synthesizers, analog drum-machines, dub effects
 
Written & arranged by Ulrich Troyer 

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna 

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick 
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel 
 
Kindly supported by: City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bolzano/Bozen (IT)

09 ANCIENT ATOLL feat. Reinhilde Gamper, Martin Mallaun & Flip Philipp

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub. 

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Liner notes by Steve Barker 
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
 
Didi Kern: drums, percussion, voice
Ulrich Troyer: analog drum-machines, sample, field recordings, dub effects
 
Arranged by Ulrich Troyer 
Written by Didi Kern & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna 

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick 
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel 
 
Kindly supported by: City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bolzano/Bozen (IT)

14 TRANSIT TRIBE feat. Didi Kern (Bonustrack)

We’ve reached episode 10 already, to celebrate I invited the fantastic Femdelic to showcase some of her Funk and Boogie collection.
Berlin original Femdelic, who by now has become one of Germany’s biggest names in the Disco and Funk scene, brought along a juicy selection of vinyls for our hearing pleasure.

One Love!

THF Radio is a community radio broadcasting from the former Tempelhof Airport in Berlin. Follow us: @thfradio

RootsWorldwide Radio #010 w/ aaronovsky (ft. Femdelic) // 04.12.2024

LateNite and Profile had the pleasure to play a groovy (Schüssel) vinyl set at famous Groove City Recordstore in Hamburg. Enjoy!
Recorded: 5 December 2024.

From Here To Funk

LIVE @GrooveCityRecordstore

Good evening luvs
mixtape paradiso door 17 is open now, spot on Mirko Hecktor, Terra Magica records ,live @ Waxsafari , Perle. Munich. Deep dance music  at its best by one of the true enfant terribles of the Munich scene : author/ editor in chief (THE Mjunik Disco bible!), DJ/ music producer, choreographer/ theatre director, cultural manager, curator and former ballet dancer.
Catch him if you can & have a good trip
sincerely yours
Tom
ps: https://terramagicarec.bandcamp.com/


Dec 17 Mixtape Paradiso advent calender Mirko Hecktor Terra Magica @ Perle Munich 2024-

Happy new year, everone!
For episode 11 of my radio series, I was lucky enough to prerecord a DJ set together with my friend Ottoman, better known as Disco Atlas.
On his recent trip to Berlin, Ottoman brought along a spectacular selection of 7" of deep, folkloric moroccan music from the 50s-80s.

Enjoy a intense sonic trip into different regions of the Atlas mountains, fishing villages and exorcistic pilgrimage places.

One love!

THF Radio is a community radio broadcasting from the former Tempelhof Airport in Berlin. Follow us: @thfradio

RootsWorldwide Radio #11 w/aaronovsky (ft. Disco Atlas) // 01.01.2025

A new mixtale of krauted avant folk, outernational tape loops and magnetic field recordings!

1. Angus MacLise
2. Aeson Zervas
3. Christopher Trapani, Zwerm
4. Rat Heart Ensemble
5. Garth Erasmus
6. Angus MacLise
7. Gaister
8. Das Ende der Liebe x su dance110
9. Gosheven
10. Symposium Musicum
11. Sandy Chamoun / Anthony Sahyoun / Jad Atoui
12. Inre Kretsen Grupp & Prins Emanuel
13. A Taut Line
14. Aly Eissa & Ayman Asfour
15. Gaister
16. Laura Cannell & Andre Bosman

Basswald #33: Witchtape

www.johneckhardt.de

Whether performing today’s most challenging double bass repertoire, developing his own music, or working sound systems with his bass guitar or a set of turntables - John Eckhardt is testing the limits of being a bassist on planet earth in the 21st century, working towards a broader vision of what bass always was and can become in the future.

Seeking to combine scope with depth, John Eckhardt is constantly involved in the creation of new music and has both collaborated with a wide spectrum of artists and created his personal brand of solo projects. He worked with composers ranging from Helmut Lachenmann and Pierre Boulez, top new music groups from Ensemble Modern, Klangforum Vienna and musikfabrik, improvisors from Evan Parker, Elliott Sharp and Peter Evans, to today’s new blood in a wide field of today’s music.

John Eckhardt has performed on over 40 recordings, among them five internationally acclaimed solo releases. These share an interest in low frequency and spectral immersion, spatial depth, and themes of repetition and evolutional process. 

The Evan Parker produced “Xylobiont” (Psi Rec. 2008) turned into a work in progress with 40 solo double bass recitals all over the world up to today. “Forests” (Depth of Field Music, 2014) expanded these themes into a set of branching, overdubbed bass string quartets. Along with high resolution audio and 200 photographs, they were released on a wooden USB memory stick in a transparent box containing actual forest material - nearly selling out an edition of 250 within one year. 

As Forresta, John Eckhardt performs on bass guitar and live electronics, and released “Bass, Space & Time” (Depth of Field Music, 2016) in a special edition of 100 moss-green, marbled double-vinyl records in a hand made, embroidered carton box. Each contains a foto print as front cover chosen by the listener from 100 images of John Eckhardt’s corresponding photographic project. This music is also the musical foundation of visual bassic, his long standing collaboration with analog light projection artist Katrin Bethge.

Driven by curiosity and passion for different styles, cultures and artistic means, John Eckhardt keeps drawing new connections and expands a bass cosmos of unusual dimensions. The latest addition is his Basswald DJ project that presents a diverse spectrum of bass music with a special ear for sound system culture. It is accompanied by a steady flow of downloadable podcasts.

John lives within earshot of the Hamburg harbor.

welcome visitor!
this little haven here  is basically   playground for my everlasting Vinyl Archaeology odyssey arround the world. Spiritual World Jazz, Disco Reggae, Brazilian Boogie, Cuban Funk,Jesus Disco, East European Modal Jazz, Afro Synth ...I´d like to go deeper in the game.mixtape style.

ATCQ, Moodyman,Theo Parrish,Larry Levan, UR,quality Deep House, Marvin,Stevie..I love & spin ya all in the clubs for more than 2 decades now,but here´s is my private space to share some different sounds & inspirations...and off course some new productions:
pl note: 
7 Samurai = Marc Frank & Tom Wienland
Sound Voyage = Niko Schabel & Tom Wienland
Panoptikum Arkestra = Marc Frank & Tom Wienland

see the sun!
tw

Disco, House, Latin, Funk, Rap, Reggae, Afro and more...
All Mixes also available on Mixcloud!
Members: @LateNite79, @Chris-Cutter, @Dj_Profile, @Paul_Prime

Community radio broadcasting from the former Tempelhof Airport, Berlin

The full archive is available on our website or on MixCloud.

If you want to play a show or apply to join, please fill out the form linked below. For collaborations or further information, please visit our website.

New tracks tagged #outernational