All tracks used with kind permission of its creators.
Recorded live at Resonance FM, London, U.K. November 2005.
Tweaked and mastered at Comando Digital, Rio de Janeiro, Brazil, May 2006.
Sonar Calibrado is Maga Bo and Filastine.

22 Maga Bo - Poema Sem Sal Featuring Kalaf

23 Timeblind - Pwana

24 Pitcho - Boucan (Dr. Das Bhajni Ragga Remix)

25 Maga Bo vs. Spectre - Chill Spot

26 Burhan Ocal and the Trakya All Stars - Melike Featuring SmaDJ

27 Zuco 103 - Brazilectro (Amazonia Mix By DJ Git Hyper And Schmid)

28 Tahir - Get Live

29 Malorix - Belsalama

30 Andre Abujamra/Xis - Noís Eh Sampli

31 Tassa Riddim

35 Sonar Calibrado - Dance Of The Garbageman

36 AudioFile Collective - Namaskar

PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)
PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)
PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)
PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)
PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)
PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)

PANDEIRO NEURÓTICO - BOTA NA BOCA (DJ FK)

PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)
PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)
PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)
PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)
PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)
PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)

PANDEIRO AGRESSIVO - CATUCADAO NA TCHECA (DJ FK)

PANDEIRO AGRESSIVO DA HOLANDA - QUEM MANDOU USA A BALINHA DA NOVA HOLANDA (DJ FK)
PANDEIRO AGRESSIVO DA HOLANDA - QUEM MANDOU USA A BALINHA DA NOVA HOLANDA (DJ FK)
PANDEIRO AGRESSIVO DA HOLANDA - QUEM MANDOU USA A BALINHA DA NOVA HOLANDA (DJ FK)

PANDEIRO AGRESSIVO DA HOLANDA - QUEM MANDOU USA A BALINHA DA NOVA HOLANDA (DJ FK)

PANDEIRO TURCO - TOUCA DA ED HARD, ELA QUER SENTAR PROS TURCO (DJ FK)
PANDEIRO TURCO - TOUCA DA ED HARD, ELA QUER SENTAR PROS TURCO (DJ FK)
PANDEIRO TURCO - TOUCA DA ED HARD, ELA QUER SENTAR PROS TURCO (DJ FK)

PANDEIRO TURCO - TOUCA DA ED HARD, ELA QUER SENTAR PROS TURCO (DJ FK)

➡️ SE INSCREVA-SE NO CANAL DO YOUTUBE 🔥
➡️ https://www.youtube.com/@djlddeengenheiro/videos 🔥

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10 MINUTOS DE PORRADEIRO GRAVUDÃO NO RITMO DE JAPERI [ DJ LD DE ENGENHEIRO ] 2025

Labyrinthe est une évocation, en 10 temps 3 mouvements, de mes courses enfantines dans le dédale de la médina de Fès. 
Khalid Kouhen : Composition, percussions et vocal, Marylène Ingremeau : vocal, David Patrois : vibraphone, Jonas Knutsson : Saxophone, Johann Berby : électrique bass, David Venitucci : accordéon

Labyrinthe

Pandeiro - Mags
All other instruments - Felix Fiedorowicz
Mixed & Engineered by Martin Harrison
Produced by Mick Hobbs
This track was recorded three times round, this is just the first section. I have posted this here as tribute to Mick and hope that at some stage the track can be finished.

The Internationale (edited, demo only)

Born in Fes, Morocco and living in France since 1978, Khalid Kouhen is recognized as one of the most talented percussionist of his generation. The richness and skill of his craft as well as the varied flavors of his instrumentation are highly coveted in the contemporary music scene.
Khalid is very accomplished in contemporary music, jazz, pop, world music, and in many traditional repertoires, such as Brazilian, Afro-Cuban, Indian… He became famous, in the ranks of Archie Shepp, Chico Freeman, Glenn Ferris, Claude Barthelemy, Pandit Shankar Ghosh, El Hadj N’Diaye, Majid Bekkas, Karima Skalli, Paddy Kelly…
Musician without borders and an inspired improviser, he excels both in the compositions and arrangements for percussion ensembles.You’ll be happy to discover his upcoming work “Sillage,” developed and recorded in collaboration with vocalist Marylene Ingremeau and a few other prestigious artists such as Jonas Knutsson, soprano saxophone, and Sandip Chatterjee, Indian santoor.
Khalid Kouhen was born under a star of cultural diversity. His family, of Arabo-Judeo-Sudanese ancestry, carried a great passion for music and the richness of its traditions. His South Sudanese grandmother was an initiated master of Gnawa dance. At home, a yearly tradition of a ritual celebration was held which united artists, family, and friends. Present throughout the celebration were dance and music. Between his father on the ghazia tabla and his mother on the bendir or tarija, Khalid started playing percussion at the age of six and participated in the polyrhythmics of the ensembles. Initially just for fun, percussion quickly became his life’s passion.
At the age of 20, Khalid came to France to pursue his scientific studies at the University of Rennes. In his luggage were his Moroccan ghazia tablas. The multicultural melting pot that is a French university sharpened his desire to expand his human and musical horizons. It was at that time when his life took a decisive turn…
In 1982 he decided to delve into the art of rhythm and percussion in the manner of the grand masters of traditional music of different cultures. He received training from the following artists:
Nicia Ribas d’Avila musicologist and head percussionist at a Brazilian school of samba. From her, Khalid mastered the instruments of the batucada (surdo, caixa, pandeiro, tamburim…). His career was brilliantly adorned by the first place “gold Repinique” which he received in 1984. He obtained the position of head of drums within the school “Tia Nicia,” the first school of batacuda in France, and later directed percussion ensembles.
Pierre Cheriza Fènèlus master voodoo drummer of Haiti, with whom Khalid explored the Caribbean and Afro-Cuban repertoires and developed his skill on the congas and bongos.
Pandit Shankar Ghosh, distinguished master of Indian tablas, with whom Khalid trained since 1996. Meeting this virtuous artist and passionate pedagogue was a turning point in Khalid’s life. He created for Ghosh a class for Indian tablas in France which motivated the creation of a DVD of methodology for the tablas. Khalid had the privilege to perform by his side in France and India.
AN ECLECTIC CAREER
Since, he has not ceased to nourish the musical experiences in his life and collaborating with musicians of different talents.
Jazz and World Music
Archie Shepp, Chico Freeman, Glenn Ferris, Marc Ducret, Olivier Ker Ourio, Claude Barthélemy, David Patrois, David Linx, Hervé Celcal, Allie Delfau, Manuel Hermia, Olivier Cahours, Mohamed Beddiar, Henri-Caude and Robert Portal, David Venitucci, Barbara Cadet, Jonas Knutsson, Haim Isaacs, Guo Gan, Aurélie and Vérioca, James Germain, Carlos Nascimento
African music
Manfila Kante (mandingo music of Mali)
Stanislas Tohon (singer, percussionist from Benin) and his guests Jacques Higelin and Manu Dibango
Adam Chisvo (master of mbiras, “thumb piano,” from Zimbabwe)
El Hadj N’Diaye (singer from Senegal)
Faytinga (singer from Eritrea)
Nana Magagula and Bholoja Mbongiseni (singers from Swaziland)
Stewart Sukuma (singer from Mozambique)
Moroccan music
Majid Bekkas, Nabil Khalidi, Rachid Zeroual, Driss El Maloumi, Karima Skalli
Indian music
Pandit Shankar Ghosh, Bickram Ghosh, Prabhu Edouard, Meeta Pandit, Hindol Deb, Michel Guay, Ananda Gopal Das Baûl
Pop
Paddy Kelly, Mathilde Renault, Chloé Mons.
Theater and dance music
“Les Cerberes” and “Medea,” two theater pieces directed by Serge Noyelles, under the musical direction of Marco Quesada. Creation and recording of dance music for choreographers and dancers Carolyn Carlson, Julie Dossavi, and Nupur (kathak dance)
TRANSMISSION
Experienced pedagogue, Khalid Kouhen routinely dedicates himself to the transmission of his art. In 1993 he created TOUCOULEURS, a school of percussion in Rennes which offers elite instruction for different traditional percussion (Brazilian, African, and Indian). He teaches master classes, training, and musical workshops in France at the conservatory of Rennes, Charleville-Mézières, schools of jazz and contemporary music at CIM in Paris and EDIM in Cachan, and even in other countries, including the USA, Swaziland, Mozambique, the Caribbean…

↓↓↓↓↓↓↓↓↓↓↓↓↓
rumo a 2k de seguidores ✅

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“Speaker-bangin’ before all else” (XLR8R) with “some of the smartest ears in the game” (Chicago Reader), “few can make a room explode like Maga Bo” (Flavorpill). A purveyor of “international sonic weaponry and rhythm knowledge” (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world’s grittiest corners, from Addis Ababa to Zanzibar. 

Maga Bo’s sophisticated approach to international sounds comes from in-person, on-site collaboration with other artists. He has worked on location in Morocco, India, Ethiopia, Senegal, Zanzibar, and South Africa, to name just a few, while delving into a whirlwind of local styles: chaâbi, asmari music, taraab, manganiyar folk music, masqanda, and mbalax. All instruments and vocals come straight from the source. His original riddims and recordings, enriched by the presence of live vocalists and percussion, and enhanced by the philosophies of hip-hop and dub, take the global bass DJ set to a new level, one driven by first-hand experience searching open-air markets instead of just searching the web. 

His current work explores the contours of Afro-Brazilian culture and includes collaborations with the brightest talents in Brazil’s vast musical landscape. An immigrant himself, Maga Bo put down roots in his adopted hometown of Rio -- a cultural melting pot like no other where he has produced baile funk MCs and played drums in his neighborhood samba school. Journeys to Brazil’s northeast region have resulted in recording sessions with unsung folklore heroes Grupo Bongar and Samba de Coco Raízes de Arcoverde. 

A globally in-demand performer, Maga Bo has graced stages from India to Ethiopia to Brazil, at major summer festivals across Europe, and on tour in North America and Australia. He has performed at WOMAD UK, WorldWide, Sydney Festival, WOMEX, Transmediale and Mundial. He’s collaborated with Buraka Som Sistema’s Kalaf, Max Normala aka Ninja of South African rap-rave outfit Die Antwood, Ethio-Jazz godfather Mulatu Astatke, Bollywood star Shilpa Rao, and Brazilian chart toppers BaianaSystem and BNegão, and released critically acclaimed remixes for Asian Dub Foundation, Batida, Bomba Estéreo, Poirier, Filastine, and Systema Solar. 

Maga Bo’s groundbreaking debut full-length album, Archipelagoes, was released on DJ /rupture's Soot Records in 2008 after recording sessions in Senegal, Tanzania, Morocco and South Africa with heavyweight local rappers and musicians. His second full-length, Quilombo do Futuro, landed at #1 on the iTunes Brazilian music chart and #1 on the Rhapsody world music album of the year. The album was lauded by the New York Times as “a cultural manifesto riding on rhythm” and by National Public Radio (NPR) as “defin[ing] a kind of virtual refuge for traditional culture, giving it a welcome place in the techy global music soundscape of the 21st century." 

His track, ”No Balanço da Canoa,” garnered over half a million views on Youtube and was featured in Grand Theft Auto V and the opening ceremony of the 2016 Olympics in Rio de Janeiro. He’s released music on Jarring Effects, Tru-Thoughts, Ninja Tune, Sound Way, ZZK, Cumbancha and many others. 

He currently releases confrontational, bass-heavy digital roots music from all over Brazil on Kaxambu Records and is an integrant of the live tropical-electro soundsystem band, Sociedade Recreativa. 

Having performed and worked in over 50 countries, Maga Bo walks the walk of the real globalization. Music is the weapon in a world of cultural appropriation, wide-spread poverty and mass migrations. 

Maga Bo bookings - booking*at*magabo.com

Fé
💻•OSASCO Z/O
💻•Parcerias via direct 👥🤝🏻📬📦
🗣𝐃𝐉 𝐅𝐊 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 🔊🎶🚀🔥
🗣𝐈𝐀𝐄 𝐃𝐉 𝐅𝐊 𝐒𝐎𝐋𝐓𝐀 𝐏𝐎𝐍𝐓𝐎 𝐏𝐎𝐑𝐑𝐀🔊🎶

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