VAI PASSANDO A XEREQUINHA NA TROPA DA PARMA [ DJ JL DE SANTA LUCIA ]

Ogni istante

Max Testa - Dance all night

Max Testa - Obsession

Max Testa - Roberta (sax)

Max Testa - Ride Car

Max Testa - My heart is your

Max Testa - I wanted to be

Max Testa - Exterminate

Max Testa - Balla la notte

Max Testa - Roby e Max

XTREME SENTA PRA TROPA DA PARMA KKKKKK - MCs MOISES DA TORRE, TCHULIN E WL

==SETMIXADO 002 DELUXE DO BAILE DO TEXAS [[PROD LC22]] TXR 2025

FUGA NOS CANA x E A PARMA CRLH - NEGRITIN, BIEL DO FURDUNCINHO E DG DO BROOKLYN

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

In August of 2022, Irene, my wife and soulmate of so many wonderful years, passed away. The following years were the most difficult years of my life as I was devastated and overwhelmed by grief. Several years prior to Irene’s passing, I had started on a large orchestral work reflecting on our life together with our son, Peren, during his childhood years. This work is still in progress, but stylistically it has had a great impact on the composition of my Pieces of Love and Remembrance as it foreshadows much of what I expressed in Seeking Serenity, Part I. I started to write down ideas here and there during the more lucid moments of my grieving. Then in early 2024, I received an invitation from PARMA Recordings to write a short 5-minute piece for piano and orchestra. I immediately jumped at the opportunity, and Seeking Serenity, Part I is the work I composed for this occasion.

Although I do not generally, and did not with Seeking Serenity, attempt to tell a story or narrative of some kind, listeners of my music often reflect on how my music evokes in them certain feelings, images, or extra musical references. This was particularly true of Irene, and I so miss how she would relate to me about her feelings and impressions while listening to my music. Indeed, I am overjoyed to learn that listeners can get caught up in the emotions of my music as they follow their own unique journey guided by what they hear.

On a very personal level, I can identify with the piano solo which strives to find some point of repose or comfort, seeking this not in despair but in the hope of finding and rekindling love, belonging and the strength to continue on. The opening arpeggiated passages underscore the direction of this sentiment. The orchestra for its part is like, dare I say, Irene who is gently beckoning me on to find that place of repose and acceptance, full of color, bright sounds, and signposts pointing the way. By the end of Part I, the solo finds itself in a delicately balanced and restructured statement of motivic material alluded to previously, and in a high, bell-like register of the piano, echoed and enfolded finally by an orchestral texture not unlike wind chimes reverberating into infinity.

Journey to Serenity

Pieces of Love and Remembrance: Seeking Serenity, Part I

What could have been a special night for Inter Miami turned into an ugly one on and off the field.

Co-hosts Franco Panizo and Jose Armando discuss Inter Miami's 3-0 loss to the Seattle Sounders in the Leagues Cup final, the postgame brawl, Luis Suarez's spitting actions, Lionel Messi's crucial miss, Benjamin Cremaschi's reported move to Parma, and more.

Messi's Miss, Suarez's Spit, an Ugly Final | Episode 239

That Girl DJH

prod. @C1RO 
Master y todo el resto por mi.

NUBES!

Biografia
Discografia completa su:
www.maxdeejay.it

(IT)
Nato a Genova nel 1970 e attualmente residente a Parma.
Esperto in informatica, comincia a fare audio-montaggio nel 1986 e a lavorare come DJ nel 1988.
Inizia ad ascoltare e mixare musica Afro, Funky, Dance'70, Dance'80, '90 e poi Rock '70 / '80 / '90, Punk, Ska, Dance commerciale e House.
Trasmette su Radio Onda Emilia nel 1989.

(ENG)
Born in Genoa in 1970 and now lives in Parma.
Expert in computer, he begins to make audio-montage in 1986 and to work as Dj in 1988.
Start listening and mixing Afro, Funky, Dance'70, Dance'80, and then '90 Rock '70 / '80 / '90, Punk, Ska, Dance Commercial and House.
Broadcasts on Radio Onda Emilia in 1989.

Resident @:

★"Alibi" (Sala Baganza-PR)
★"La Fratta-Buena Vida Dance Club" (Montechiarugolo-PR punto di riferimento per la “Dance '70”).
★"La Casaccia" (Berceto-PR 1992>1995 e 2002>2005)
★"BeBop" (Felino-PR)
★"Astrolabio" (Parma)
★"Med Club" (Colorno-PR)
★"Baba Yaga" (Stradella di Collecchio-PR)
★"Matilda" (Medesano-PR)
★"Andreas" (S.Andrea Bagni-PR)
★"Pintajota" (Parma) (Riferimento nazionale per il Rock in Italia)
★"Crazy Bull" (Parma)
★"Downunder Pub" (DJ resident da 6 anni, riferimento nazionale per il Rock in Italia)
★"Moto Racer" (Calestano-PR)
★"Dream Pub" (Calestano-PR)
★"Bagatto" (Felino-PR)
★"Black Queen" (Ranzano-PR)
★"Egyptus" (con Dj Cavallo ex cantante dei Litfiba e Dj Benny Benassi)

(IT/ENG)
In onda su/Broadcast on:

-"Radio Onda Emilia" (PR)
-"Malvisi Network 87,5" (PR)
-"Radio Circuito 29" (MN)
-"Radio Bruno" (RE)
-"City FM" (PR) con il programma “Party City” (Best dance ’70-’80-’90)

★"Bò Live" (Fidenza-PR)
★"Exodus" (Reggio Emilia)
★"Vox Club" (Nonantola-MO) in onda su "Radio Bruno (RE)" (riferimento nazionale per il Rock in Italia)
★"New Classic Club" (Poviglio-RE)
★"Vittoria Disco Live" (Parma)
★"Gasoline Road Bar" (Lentigione-RE)
★"Mafalda" (Parma)
★"La Terrazza" (Corniglio-PR)
★"NonSoloLatte" (Parma)
★"Invidia" (Parma)
★"Ex Novo-Jumbo" (S.Guinaro-PR – ex discoteca più grande d'Europa)
★"Mirò" (Reggio Emila)
★"Key West" (Reggio Emilia)
★"Altaluna" (Reggio Emilia)
★"Italghisa" (Reggio Emilia)
★"Grooviera" (Parma)
★"Kitchen" (Parma)
★"Antica Corte del Macchione" (Parma)
★"Arena Dei Pini" (Tizzano-PR)
★"Piccadilly" (S.Andrea Bagni-PR)
★"Taro Taro Wine Bar" (Collecchio-PR)
★"Villa Boschina" (Fidenza-PR)
★"Le Follie" (Parma)
★"L'Alternativa" (Parma)
★"Carnevale di Borgotaro (PR)" sul palco del Palasabione il 18-2-2012 (oltre 3000 persone)
★"Jamaica" (Parma)

★ 1° Moderatore italiano di Atomix Virtualdj.
★ Precursore dell'utilizzo del pc in consolle con l'utilizzo di 2 Eks XP10 e un portatile.
★ Ideatore e co-fondatore di Virtualdeejay.net
★ Moderatore del forum di assistenza italiano di Forumattivo.com
★ Iscritto alla Siae (Società Italiana Autori ed Editori) come "Autore" e "Compositore"
★ Responsabile ASSODEEJAY (una delle 4 associazioni di categoria riconosciute da Siae e promotore della Licenza "DJ On-line" - www.assodeejay.it)
★ Speaker di "Paradise City" , la storia del Rock '70-'80-'90

(IT)
L'arte di fare musica con passione e la tecnica per esprimerla, (sia questa con Vinile, CD o Personal Computer) si sposano in un connubio di suoni, emozioni e ricordi che viaggiano nel tempo attraversando continenti, epoche musicali, mode e miti in un repertorio vastissimo.
Questo è MAX DEEJAY !

(ENG)
The art of making music with passion and technique to express it, (either with Vinyl, CD or PC) are combined in a mixture of sounds, emotions and memories that journey through continents and eras of music, fashions and myths a vast repertoire.
This is MAX DEEJAY!

Partnerships with record labels:
Sergio Mauri (Colorsound), Alex Cundari (Kalambur), Claudio Guidi (Smilax), Francesco Pini and more...

By Roberta Rossi (Art Manager)

Produtor Musical/Funk 
instagram @elicevintedois_
dj do baile do texas/txr - jpa

Composer of contemporary classical concert art music.  Peter's is a unique musical voice with singing dynamism and expressive color.  His works include pieces for orchestra, ensembles, voice, piano, and electronic/digital media.  Peter’s music embodies a hybrid stylistic approach and incorporates influences as diverse as Elliot Carter and Earle Brown, Rachmaninoff and Schoenberg, or Xenakis and Bach.  Visit his website to learn more about his music and background.

Born in Genoa in 1970 and now lives in Parma. Expert in computer, he begins to make audio-montage in 1986 and to work as Dj in 1987. Start listening and mixing: Afro, Reggae, Funky, hits 50s ,60s , 70s, 80s, Rock , Punk, Ska, Dance and House.

Resident @: ★”Astrolabio” (Parma) ★”Baba Yaga” (Stradella di Collecchio-Parma) ★”Pintajota” (Parma) for 4 years - National reference for Rock in Italy. ★”Downunder” (Noceto-Parma)9 years, national reference for Rock in Italy. ★”Egyptus” (Busseto-Parma) 2 years with DJ Cavallo former singer of Litfiba and DJ Benny Benassi ★”Bò Live” (Fidenza-Parma) ★”Vox Club” (Nonantola-Modena) in onda su “Radio Bruno” (RE - riferimento nazionale per il Rock in Italia) ★”Key West” (Reggio Emilia) ★”Arena Dei Pini/Arena Sunshine” (Tizzano-Parma) ...and many others...

Broadcast on: ★”Radio Circuito 29” Viadana (Mantova) ★”Radio Studio 54 ” (Firenze) the most important radio in Tuscany with an Afro-Electro-Funk music program. ★”Radio Base” (Piadena-Cremona) ★”Malvisi Network 87,5” (Roncole Verdi-Parma) ★”City FM” (Parma) with the “Party City” program (Best dance '70s-'80s-'90s) The art of making music with passion and technique to express it, (either with Vinyl, CD or PC) are combined in a mixture of sounds, emotions and memories that journey through continents and eras of music, fashions and myths a vast repertoire. This is MAX DEEJAY!

By Roberta Rossi (Art Manager)

New tracks tagged #parma