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A new update mandates that DMARC (Domain-based Message Authentication, Reporting, and Conformance) will be required for PCI DSS (Payment Card Industry Data Security Standard) compliance by 2025. This regulation signifies a crucial step in bolstering email security standards for organizations handling payment card data. DMARC plays a pivotal role in preventing domain spoofing and email phishing attacks by verifying the authenticity of incoming messages, thereby reducing the risk of fraud and unauthorized access to sensitive financial information. The requirement underscores the growing importance of email security in protecting financial data and preventing cyber threats, emphasizing the need for robust measures to safeguard sensitive information and maintain compliance with industry standards.

New Update: DMARC to be Mandatory for PCI DSS Compliance by 2025

Can DCB and DES be complementary for complex percutaneous coronary intervention (PCI)? Dr Rasha Al-Lamee and Dr Juan Iglesias explore this question and more during this educational podcast episode. They'll also be explaining when and how you can use DCB and DES in the same patient.

This podcast series is supported by Medtronic.

Ep 7: Hybrid Use of DCB and DES in PCI

Rencontre autour de la question du patrimoine vivant lié ou relatif aux mondes créoles et autochtones des territoires d'Outre-mer francophones

Avec : 
- Alice Fromonteil, Chargée de mission patrimoine culturel immatériel à la Maison des Culture du monde
- Thomas Mouzard, chargé de mission pour l’ethnologie et le Patrimoine culturel immatériel au ministère de la Culture
 - Clarisse Da Silva, artiste kali’na, militante, étudiantes aux Beaux-Arts

Rencontre animée par Elodie Saget, responsable des fonds sonores et audiovisuels du musée du quai Branly - Jacques Chirac.

Le patrimoine culturel immatériel s’incarne avec une force particulière dans les mondes créoles et autochtones des territoires d’Outre-mer où l’histoire coloniale a longtemps dévalorisé, voire interdites certaines pratiques culturelles. Bénéficiant désormais d’appuis institutionnels et associatifs, les représentant.e.s des communautés porteuses des patrimoines culturels immatériels sont les acteur·rice·s essentiel·le·s de la transmission et de la médiation de cet héritage et de ses pratiques, riches, vivantes, en perpétuels adaptation, constitutives de la fabrique des mondes contemporains.

Que recouvre le patrimoine culturel immatériel ? Quelle est son histoire institutionnelle ? Quels sont ses enjeux et son actualité et ses enjeux, spécifiquement dans le cas des patrimoines immatériels portés et incarnés par les femmes ?
Thomas Mouzard (chargé de mission pour l’ethnologie et le Patrimoine culturel immatériel au ministère de la Culture), Alice Fromonteil (Responsable du Centre français du patrimoine culturel immatériel à la Maison des Cultures du Monde) et Clarissa Da Silva (artiste kali’na, porte-parole de la Jeunesse Autochtone de Guyane) échangeront sur la question du patrimoine vivant des (lié ou relatif aux) mondes créoles et autochtones des territoires d'Outre-mer francophones pour ouvrir l’ensemble des programmations du temps fort organisé par le musée à l’automne 2024.

Plus d'infos sur les espaces, ressources et sa programmation :
https://linktr.ee/mediathequequaibranly

Qu’est-ce que le patrimoine culturel immatériel ? le jeudi 3 avril 2024

Rencontre le samedi 12 octobre 2024 au salon de lecture J. Kerchache avec Lénablou docteure en anthropologie de la danse, danseuse, chorégraphe, pédagogue.
Rencontre présentée par Elodie Saget.

Depuis 2012, les corps, les rythmes et les chants du Gwoka qui résonnent et électrisent les Léwòz du samedi soir ou le matin à la rue Piétonne de Pointe-à-Pitre, sont inscrits au Patrimoine Culturel Immatériel de l'Unesco.

Le Gwoka se compose de danses, de chants responsorials et de percussions emblématiques de l’identité guadeloupéenne, les tambours ka, sur lesquels les musiciens frappent des rythmes qui unissent tous ceux qui sont autour d’eux.
 
Lénablou, danseuse, chorégraphe et anthropologue, est héritière et porteuse de ce patrimoine vivant. Elle l’anime et lui donne un souffle nouveau en façonnant la Techni’ka en résonance directe avec la danse Gwoka. Elle porte et pense le lien indéfectible de cette pratique avec l’histoire de l’esclavage et l’histoire coloniale qui a morcelé les corps. Lénablou porte une parole restée longtemps inaudible par l’écriture et par la danse, elle continue à incarner la puissance de ceux qui ont fait l’expérience du chao et qui sont parvenus à rétablir l’équilibre. La Techni’ka est une résilience, une praxis mémorielle. Ce nouvel art corporel, représente la perspective nouvelle et dynamique d’une tradition réinventée, forme contemporaine de transmission d’une culture endogène/créole qui conduit à une fortification de la culture caribéenne.

En savoir plus sur la médiathèque du musée, sa programmation, ses espaces et ses ressources 👉 linktr.ee/mediathequequaibranly

Du Gwoka à la Techni'ka - Une histoire poétique et philosophique de la danse caribéenne le 12/10/24

🚨Small biz owners, beware! In 2025, compliance is no longer optional—even for you. From HIPAA & PCI DSS to FTC rules, skipping security measures can cost 💸thousands or even your biz's rep. Stay ahead with risk assessments, staff training, and airtight data protection. Don't wait for fines—protect your future NOW!

The Compliance Blind Spot_ What You’re Missing Could Cost You Thousands

This podcast discusses an appeal to the Tax Appeals Commission concerning a customs debt levied against an Appellant by the Revenue Commissioners. The core issue revolves around the Appellant's claim for Great Britain Preferential Origin (GBPO) for imported goods, which would reduce the customs duty rate to 0%. The Respondent initiated a Post Clearance Intervention (PCI) and audit, asserting that the Appellant lacked sufficient documentation to substantiate their GBPO claim, resulting in a customs debt of €8,961. The document outlines the legal framework, including the Union Customs Code (UCC Regulation) and the Trade and Cooperation Agreement between the EU and UK, which dictate the requirements for proving origin and making preferential tariff claims. The Commissioner's determination ultimately upholds the customs debt, concluding that the Appellant failed to provide the necessary evidence to support their GBPO claim based on either a statement on origin or importer's knowledge.

171TACD2025 - Customs & Excise

In the heart of Paris's museum land, neighbouring the Louvre and the Musée d’Orsay, a few minutes from the Grand and Petit Palais, the Palais de Tokyo and the Musée d’art moderne de la Ville de Paris, the Musée du quai Branly has an exceptional location on the banks of the River Seine, at the foot of the Eiffel Tower. The arts of Africa, Oceania, Asia, and the Americas now form part of the historical and artistic grand tour of the capital. The Musée du quai Branly is an innovative cultural institution - museum, educational and research centre, and public living space all in one. Built on one of the last available sites in the heart of Paris, the architectural design of this original project is the work of Jean Nouvel.

New tracks tagged #pci