extraterrestrial observers or guardians who have long monitored Terra's wounded biomes

Faer'ynth kwe vadis thym'zarael, centur'vox cedarae unchain'd millennia, Vorath'korr blades eclipse'd lunarae descend, crimson'oth carve emerald'vein eternal

[Development - gentle string quartet enters, piano clusters, slow rising tension]

Walbr'yn umbra cradle castle'throne zyr'cedar vast sere luminous, Iron'kweht decree monumental'qor felled, aurynth'dust profane stellar'wind scatter.

[Crescendo Build - orchestral swells, added woodwinds and harp, dynamic rise, increasing intensity]

Yellow'orphinae fairy'veil mist glossolal' hymn watershed's anima once sang, Root'bleed silenced proph'zara now, blockad'hand mortal tremble forgotten'fyre ward.

[Climax - full chamber orchestra, powerful swells, rich textures, peak energy]

Central walbrana luminth'groves chronovae'pulse living bind time bark breath, Profane harv'store canopy'throne tore, somnara'echo sun-bleach grave trap.

[Breakdown Tear-Down - sudden reduction to prepared piano echoes and electronic textures, sparse]

Fairy kweel silver'current quintara'truth fern'hall through once carry, Defil'storm uncaring iron mourn quiet, iridescent'grief shard downstream bear.

Elyndral walbran emerald'repose guardian celestial'run bark inscribe arise, Blade'cold vow ruin topple, velithar'tear despoil throne rain fall.

[Rebuild - guitar melody returns prominently, layered with subtle strings, gradual swell]

Fairy headwater amphith'rone ancient fir pillar otherworld mosque form, Shadow'greed geometry shatter, wind fractured litany recite only now.

Thaloryn central grove aurynth'thread moss mycel'dream weave elder, Industry hydra sever unraveled essence liminal wreckage conspire linger.

[Final Crescendo and Release - massive orchestral climax then fade to solo guitar]

Noctivelle fairy walbryn remnant wounded eternelle'fyre pulse fade gleam, Abused ancients stump scar dream silent conspiracy awaken Terra anew await

Abused ancients stump scar dream silent

soundtrack is a part of the soundtrack that collects music written and composed by composers to accompany particular moments in the film. All tracks of a soundtrack are original, that is, composed in exclusive function of the film. The soundtrack enhances the emotion of the film by creating a sound atmosphere for each scene.

slower

Classical guitar Instrumental, complex ambient avant-garde ethereal future classical electronica

Luna Fracture Dawn

A modern cinematic orchestral journey that moves from intimate dawn to a luminous seaside arrival, evoking wonder and a peaceful, resolved sense of discovery.

From First Light to Shore

Faerynth huumiis sučas ʔiisaak unchained, millennia cedar gleam in mist.
Vorath iron ḥaak̓ał descend profane, crimson sap carves guardian vein despair
Walbryn castlethrone huumiis vast sere luminous, ancient fir stand eternal.
Iron decree monumental sučas felled, aurynth dust scatters on wind's profane breath.
Yellow orphinae fairyveil mist glossolal hymn, watershed anima sings once in ʔiisaak.
Root bleed silenced proph now blocked, mortal hand trembles at ward of the deep forest.
Central walbrana luminth groves chronovae pulse, living time bark breathes kuuma.
Profane harvest canopy throne torn, somnara echo traps sun-bleached grave.
Castle giant nyxal leviathan slumber, vast liminal gate guards č'a'ak silver.
Vorath chain ancient vow severed, hollow trunk kuuma curse whispers through bark.
Fairy č'a'ak silver current quintara truth, fern hall carries once sacred flow.
Defil storm uncaring iron mourns quiet, iridescent grief shards bear downstream.
Elyndral walbran emerald repose guardian, celestial run bark inscribes arise.
Blade cold vow ruin topples, velithar tear despoils throne kuuma fall.
Fairy headwater amphithrone ancient fir pillar, otherworld form stands in ʔiisaak.
Shadow greed geometry shatters, wind fractured litany recites only now.
Thaloryn central grove aurynth thread moss, mycel dream weaves elder interconnection.
Industry hydra severs unraveled essence, liminal wreckage conspires to linger.
Noctivelle fairy walbryn remnant wounded, eternelle fyre pulses fade gleam.
Abused sučas huumiis stump scar dreams silent, ʔiisaak awakens anew—await renewal.

Nuu-chah-nulth forest protest song

Trombone playing Elephant Dawn smiles in Swahili land

In the moonlit ruins of forgotten empires
Where columns of Palmyra still whisper secrets to the stars
A timeless enchantress rises upon a woven carpet of crimson and gold
Her hair dances with the night wind  
She summons ancient melodies from her oud
Each note a falling star
Above her luminous ouds drift like constellations come alive
Wooden bodies glowing with inner fire
Strings humming in harmony with the cosmos  
Beneath the endless velvet sky
The passionate cry of flamenco guitar awakens
Weaving Spanish fire with Arabian melancholy  
What begins as a gentle lament
Spirals into ecstatic union
Microtonal bends meet fierce rasgueado
Desert winds entwine with gypsy soul  
The music breathes, soars, defies gravity!
Carrying the listener across centuries
From Andalusian moonlit patios to the cradle of civilization
Where East and West once shared the same heartbeat!
(Close your eyes... let the floating strings carry you...)
This is no mere duet…
It is a celestial rendezvous
A dream made audible
Under an eternal sky!  
Close your eyes...
Let the floating strings carry you...
Into the eternal sky...

"Levitated Lament – Oud x Flamenco Fusion"

A cozy and gentle lullaby that creates a sense of comfort and safety. Perfect for bedtime stories, newborn content, child-related projects, and sleep videos.

Twinkle Twinkle Little Star

Sacred Places is an immersive sound journey designed to evoke the feeling of stepping into temples, landscapes, and inner spaces that exist beyond time.

Through evolving atmospheres, gentle harmonic movement, and spacious ambient textures, this journey invites deep relaxation, introspection, and quiet exploration. The intention is not to guide you somewhere specific, but to create a space where stillness, reflection, and presence naturally arise.

This piece can be used for meditation, sleep, breathwork, contemplation, or simply resting inside sound.

Close your eyes.
Breathe slowly.
Every place becomes sacred when you arrive fully.

Produced and curated by JaZen.

Sacred Places

淡路（あはぢ）島　かよふ千鳥の　鳴く声に
いく夜寝覚めぬ　須磨の関守（せきもり）

源兼昌（78番）　『金葉集』冬・270


[Verse 1]
From Awaji Island, far away,
The crying birds are heard,
Across the dark and restless sea
Their drifting voices stir.

The sound keeps traveling through the night,
Through wind and open air,
And reaches Suma’s silent shore —
I’m lying there.

[Chorus]
How many nights
Have I been listening?
How many nights
Have I been lying awake?

Here on Suma’s shore,
Watching through the darkness —
Still I remain,
Still I remain.

[Verse 2]
Awaji sleeps beyond the tide,
The waves are moving slow,
But I have been hearing all their cries
Across the water flow.

I have been waiting through the hours,
The moon above the sea,
And every call returns again
In memory.

[Chorus]
How many nights
Have I been listening?
How many dreams
Have I been losing this way?

Here in the silence,
Time is passing slowly —
Still I remain,
Still I remain.

[Bridge]
I have been watching
The darkened sea,
While distant birds
Keep calling to me.

[Final Chorus]
From Awaji Island
Their voices carry,
Across the water
They reach my shore.

How many nights
Have I been listening?
How many nights
Will I wake once more?

Here on Suma’s shore…
Still I remain.

....................................................................................................................

Creator’s Note — Grammar Focus

This song focuses on the present perfect continuous tense (have/has been + verb-ing), especially in questions such as “How many nights have I been listening?” and “How many nights have I been lying awake?” This tense is used to describe actions or states that began in the past and continue up to the present, often emphasizing duration and ongoing experience.

By repeating these patterns in a musical context, learners can develop an intuitive sense of how English expresses time, continuity, and persistence. The rhythm and melody are designed to reinforce the structure naturally, helping listeners internalize the grammar through sound rather than memorization alone.




(78) Sleepless at Suma

"Drops" is an intimate dialogue between piano and violin, capturing the precise moment first rainfall touches the earth. The piece opens with delicate, crystalline staccato on the piano, mimicking rhythmic water droplets, while the violin weaves through with fluid, nostalgic legato lines. It is a brief but evocative study of nature’s quiet rhythm—transitioning from the stillness of a cloud to the steady flow of a stream.

Drops

This song is a quiet offering drawn from the mystical landscape of The Seven Valleys, a very mystical, Sacred Text within the Bahá’í Faith, revealed by Bahá’u’lláh.  It is a Work of profound love and the cleansing away of the veils of self.  It speaks of a longing — a tender serenade sung from the Valley of Love, where reason falls short in humility as the heart listens and learns a new language, of spiritual love.

Set to subtle violins and traditional instruments and close-mic voices, the song unfolds slowly in Persian and English, like a love poem between beloved ones. The lines of this Sacred Text speak of the mystical realms of love and bliss when we enter into communion with God. Persian verses lead with words of intimacy and spiritual surrender, with English lines appearing like quiet echoes for the listening heart.

Here, love is not metaphor or sentiment, but a glowing radiant fire in the heart and soul--transforming, purifying, and enrapturing. 

This song is offered as a love serenade to the One Beloved of all hearts — for moments of stillness, inward turning, and remembrance, where the soul senses that it is being called home.

Valley of Love - Radiant Beauty of the Loved One - جمالِ درخشانِ محبوب

Chased the high of first love's spark,
hearts on fire in the dark,
wrote bad poems, cried in cars,
thought romance was the north star.
But lovers leave, and feelings fade,
still we chase that serenade—
is that the point? Or just a game?
We laugh, we hurt, we do it again.[Spoken interlude – mature female, confident, slight smirk]
Darling, you think love's the answer? Cute. Keep looking. The universe has more jokes up its sleeve.
Climbed the ladder, grabbed the gold,
big house, big car, stories told.
Bills paid, status on display,
but the mirror asks: "Is this the way?"
Power feels good for a minute or two,
then emptiness whispers back to you—
success is sweet, but tastes like dust.
What's the meaning in all this rush?
Money? Fame? Please. Those are shiny distractions. Dig deeper, sweetheart. The real question's still waiting.
Oh, the wonders of this crazy life,
birth and death and joy and strife,
stars above and dirt below,
we search for truth, but where to go?
Philosophers scream, poets sigh,
gods stay silent in the sky—
is it love, is it pain, is it art?
Or just beating this damn heart?
Read every book, learned every name,
quantum strings and ancient flame.
Traveled far, tasted every sin,
meditated till the world caved in.
Knowledge piles, but wisdom hides,
enlightenment's just ego in disguise.
We laugh at the cosmic comedy—
all this seeking, what do we see?
Listen close now. After all the lovers, the fortunes, the wisdom, the wars, the births, the goodbyes… after every grand question and every tiny miracle…
You still stand here, wondering.
And maybe that's the funniest part.
You've been barefoot all along, haven't you?
No—wait.
Not yet.
So here's the punchline, soft and true,
after all we've put ourselves through:
No grand theory, no sacred scroll,
no equation to complete the soul.
The meaning isn't up above,
nor locked in books we think we love.
It's right here—simple, wild, and free:
take your shoes off… just go barefoot, be.
That's it, love.
Feel the earth.
Everything else was noise.
Now walk.
Barefoot.
And smile.

You still stand here, wondering_Barefoot Ghosts Laughing

A happy, fresh, light upbeat instrumental with an acoustic and ukulele guitars, human whistle, bells, claps etc.

Peaceful

Simple Harmony is a peaceful instrumental orchestral composition inspired by nature, warmth, and gentle emotional movement.
Pure music only — no vocals, no choir, just sound and atmosphere.
Soft progression, natural resonance, and a calm, uplifting ending.
Created with a focus on harmony, simplicity, and emotional clarity.

Simple Harmony

Bright uplifting music with acoustic guitar, whistling, ukulele, claps, sweet singers, piano and nimble drums. Creates the perfect mood and gives energy charge. Enjoy and be happy!

Toyshop

Crystal Waters  is a heartfelt, cinematic anthem inspired by nature’s beauty and the urgent need to protect it. https://www.youtube.com/watch?v=DggDs_oWycQ

Crystal Waters

A lone guitar goddess, crowned in starlight, flees the dying day on an ancient woven carpet older than empires. As the sun bleeds molten gold into the western sea, she ascends toward the triad of luminous moons — each a different hue of longing: rose, violet, and bone-white. Her remaining guitars, faithful spectral companions, drift weightless around her like orbiting constellations, humming forgotten melodies that only the void can remember. The music is both farewell and promise: the last sunset song before the eternal night begins.

Lunar Lullaby on Persian Wings_escape to otherworldly destination

Timberhill Studios
Electronic music project by Roger Tømmerås.
Blending original productions from FL Studio with modern AI-assisted creations, shaped with my own musical direction and lyrical ideas.
On Facebook,Timberhill studios.
Also on Spotify,and U Tube for videoes
https://www.youtube.com/channel/UC_sAW4t9lybrc-Oc5-mg4Cw?view_as=subscriber

https://open.spotify.com/artist/5ixX8ib7U6ofWSqURdDM9j?si=tpxsU3V4QsKp4FtEZwkCQg

I am Nobody Epic.
A conduit for the unspoken.

My music holds fear, joy, sorrow, rage,
the quiet chaos underneath.

I translate silence into signal.
The world's noise, returned unfiltered.

No rules. No school.
Only pressure seeking release.

I work alone.
The process sharpens the sound.
The source remains human.

No need to call for attention.
If it reaches you, it was meant to.

If it moves you, you are awake.
So am I.

Nicola Porcu 
artistic name: nikproteus

The contact with music begins as a child listening to hours of music on the radio.
At 7 years he studied piano and began to compose his own songs.
At 15 he studies drums and percussion.
He began a musical career that led him to play in various musical groups throughout Italy.
In the meantime he begins to study composition and work with computer programs.
Over the years he dedicated himself to the study of mixing and mastering and began studying bass and ukulele.
Now after years of experience in the music industry, has a vast musical repertoire of different genres and is dedicated mainly to music for film and video of various kinds, working with several musicians, directors and music platforms.

I’m JaZen.

Sound has always been more than music to me. It’s structure. It’s movement. It’s nervous system regulation. It’s emotion without language. I’ve spent years studying how vibration affects the body, the mind, and the subtle space in between.

Everything I create flows through what I call SoundMatrix Technology™.

SoundMatrix isn’t just a concept — it’s a process. I layer specific frequency anchors (including 111 Hz and select Solfeggio tones), subtle binaural shifts, delta-wave modulation, white and black noise fields, and slow-evolving ambient textures. The goal isn’t stimulation — it’s alignment. I design tracks to be loopable, voice-safe, and nervous-system aware. Every element has a purpose: grounding, expanding, regulating, or releasing.

My guided meditations are built on the F.O.C.U.S.E.D. Mind Meditation Method™ — a structured inward journey:

F — Feel: We begin with embodied awareness.
O — Observe: Detachment from thought and reaction.
C — Connect: Harmonizing heart and mind coherence.
U — Uncover: Seeing beyond surface identity and conditioning.
S — Surrender: Emotional embodiment as if transformation has already happened.
E — Engage: Integrating insight into presence.
D — Deepen: Expanding awareness into stillness.

Each meditation follows that arc intentionally. There’s a reason for the pacing. A reason for the silence. A reason for the frequency shifts.

I also created Body Energetic Frequency Tunings (BEFT). These sessions focus on specific emotional and organ-based energetic themes — using tone clusters, harmonic layering, and subtle modulation to support release and recalibration. It’s not medical. It’s vibrational support. The body responds to rhythm and tone more deeply than most people realize.

When it’s time to move, I build immersive journeys through SoundMatrix SYNERGY™.

SYNERGY is a conscious dance arc:
Settle → Your Rhythm → Nourish → Empower → Resolve → Ground → Yin & Yang (Dissolve / Float).

The BPM, key, and energy levels are intentional. The ascent is gradual. The peak is earned. The descent is just as important as the rise. It’s designed for embodiment — not performance.

At the core of all of this is something simple:

I love sound.
I love meditation.
I love the way vibration can change a room without saying a word.

I don’t chase trends. I build experiences.
Some are for stillness. Some are for movement. All are built with intention.

If you feel music in your body, if you understand that frequency shapes consciousness, you’ll probably resonate with what I’m doing here.


Welcome to the SoundMatrix.

All "SWAYGROW MUSIC "composed and played by Roger Bruderlin on MIDI and Romantic Classical Guitars.  @  Earlymusicalinstruments.com

Natinu Music is a world-fusion music project creating cinematic, heart-centered songs that blend global musical traditions with themes of prayer, unity, hope, and spiritual reflection.

Drawing inspiration from cultures across the Pacific, Africa, the Middle East, and the Caribbean, Natinu Music weaves together children’s choirs, layered community vocals, organic percussion, strings, and ambient textures to create soundscapes that feel both ancient and timeless.

These songs are not just compositions — they are offerings.  They aim to uplift the spirit, bring comfort, and remind listeners of our shared humanity and our connection to something greater.  Many pieces are inspired by sacred writings, poetry, and messages of peace, expressed through a warm, reverent, and cinematic musical language.

Natinu Music is for moments of reflection, healing, wonder, and collective joy.  The name "Na'tinu" means "consciousness" in Papiamentu, the language of the People of Curaçao .

Amit is a composer and multi-instrumentalist whose work bridges the gap between grand cinematic storytelling and the intimate warmth of Middle Eastern heritage. With a mastery of the guitar, piano, and flute, Amit’s compositions are deeply atmospheric, shaped by the contrasting forces of the desert wind and the Mediterranean Sea.
Specializing in music for film and television, Amit creates evocative soundscapes rooted in emotional honesty. His style is a subtle fusion of cultures—where ancient oriental echoes meet modern orchestral textures. In Amit’s world, music is more than a backdrop; it is a narrative journey where every note is a story waiting to be told

New tracks tagged #peaceful,