Very Acoustic, Track 1

Demo-Entwurf von Can You Forgive Her?
Die Basis steht – braucht aber noch Arbeit.
Ich mag die Akustikgitarre, Das Picking ist folkig, die Akkorde haben leicht jazziges Feel. Aber da geht bestimmt noch mehr. 
Insgesamt ein wenig leer. Was fehlt noch? 
Bin gespannt auf eure Ideen!



Demo sketch of Can You Forgive Her?
The basic structure is there – but it still needs work.
I like the acoustic guitar – the picking feels folky, the chords hint at jazz. But there’s definitely more to explore.
But there's definitely room for more: Overall it feels a bit empty – what’s missing?
Looking forward to your ideas!

Can You Forgive Her?

Very Different, Track 2

Demo-Entwurf von I Wouldn‘t Normally Do This Kind Of Thing
Die Basis steht – braucht aber noch Arbeit.
Was fehlt noch? Bin gespannt auf eure Ideen!


Demo sketch of I Wouldn‘t Normally Do This Kind Of Thing
The basic structure is there – but it still needs work.
What else might be missing? I’m open to ideas!

I Wouldn‘t Normally Do This Kind Of Thing

Very Different, Track 5 

Demo-Entwurf von Dreaming of the Queen
Die Basis steht, aber braucht noch Arbeit.
Grundsätzlich gefallen mir die Streicher. Im Detail aber noch nicht ganz rund. Etwas fehlt noch. Auch der Gesang muss überarbeitet werden.
Bin gespannt auf Ideen!


Demo sketch of Dreaming of the Queen
The basic structure is in place, but still needs work.
There's potential in the string parts, but they still need something to really click. Looking for other additions. Will have to work on the vocals, too.
Open to suggestions!

Dreaming of the Queen

What if the Pet Shop Boys and Scissor Sisters had children... and 40 years later, those children still hadn’t moved out?

An unapologetically camp, synth-laced anthem for the generation that vibes harder than it budgets, Left to Your Own Devices is a glittering middle finger to late-stage capitalism, avocado inflation, and the eternal Wi-Fi sponge that is your adult child.
Blending crisp retro arpeggios, dancefloor melancholy, and lyrical snark sharper than a landlord's eviction notice, this track bathes generational trauma in neon light — and expects you to pay the electric bill.

Left to your own Devices

Lahm delivers an emotional reinterpretation of Pet Shop Boys’ classic Always on My Mind, blending nostalgic melodies with modern Melodic House & Techno.
A tribute to timeless synthpop, reimagined on the dancefloor.

Follow for more: https://linktr.ee/Lahmmusic

Always on My Mind (Lahm Remix)

Pet Shop Boys Popmix - 85-91 Part I

Pet Shop Boys Popmix - 85-91 Part II

Pet Shop Boys Popmix - 85-91 Part III

Pet Shop Boys Popmix - 92-99 Part I

Pet Shop Boys Popmix - 92-99 Part II

Pet Shop Boys Popmix - 00-10 Part I

Pet Shop Boys Popmix - 11-20 Part I

Pet Shop Boys Popmix - 11-20 Part II

I got a vocoder! I put it to its first use on my version of one of my favorite Pet Shop Boys songs. I was ambitious, and may have over done it, but it sure was fun!

I Wouldn't Normally Do This Kind Of Thing (Pet Shop Boys cover)

Very Different, Track 9

Demo-Entwurf von To Speak is a Sin
Die Basis steht - braucht noch Arbeit.
Ich mag das Rhodes, aber da geht noch mehr - bin halt kein Keyboarder. Was fehlt sonst noch?
Bin gespannt auf Ideen!


Demo sketch of To Speak is a Sin
The basic structure is in place - still needs work.
I like the Rhodes part, but I’m not a keyboard player – it’s the best I could manage. What else might be missing?
Open to suggestions!

To Speak is a Sin

Very Different, Track 6 

Demo-Entwurf von Yesterday, When I Was Mad?
Die Basis steht, aber muss noch gefeilt werden; besonders der Übergang zwischen der 6/8 Bridge und dem folgenden Chorus.
Im Moment noch zu voll, muss ausgedünnt werden. Die verzerrte Ukulele in den Instrumentalparts ist es wahrscheinlich noch nicht.
Bin gespannt auf Ideen!


Demo sketch of Yesterday, When I Was Mad
The basic structure is in place, but still needs work, especially the link between the 6/8 Bridge and the Chorus is not smooth enough.
Instruments/Parts: A little too much of everything. The fuzz ukulele might not be the final answer in the instrumental parts.
Open to suggestions!

Yesterday, When I Was Mad

Pet Shop Boys – Leaving (Moody Blues Version)

In this soul-drenched reinterpretation, "Leaving" sheds it´s synth-pop shimmer for slow-burning blues. A smoky male voice draws out every ache in the lyrics, backed by aching guitar bends, brushed drums, and late-night piano chords. It’s heartbreak at closing time. Intimate, resigned and quietly devastating. A song for the hours when goodbyes echo the loudest.

[verse 1]
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love

[verse 2]
Our love is dead, but the dead don't go away
They made us what we are, they're with us everyday
Our love is dead, but the dead they're still alive
In memory and thoughts, and the context they provide

[chorus]
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love

[chorus 2]
Our love is dead, (our love is dead)
But the dead are here to stay (don't go away)
They made us what we are (that's what we are)
They're with us everyday (oh everyday)
In the darkest nights (in darkest nights)
The memory keeps us strong (it keeps us strong)
And if our love is dead (our love is dead)
It won't be dead for long (no not for long)

[bridge]
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love

[outro chorus]
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love
Believe in love
Don't go away

[outro]
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love
I know when enough's enough and you're leaving
You've had enough time to decide on your freedom
But I can still find some hope to believe in love
Believe in love

Original Song by: PET SHOP BOYS https://soundcloud.com/petshopboysofficial/leaving
Rework: BONDLEZZ (Torsten Ulrich Galts)

LEAVING - PET SHOP BOYS rework (moody-blues-edit)

Artist: Pet Shop Boys
Album: "Please"
Original Release Date: 1986

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJs/Producers, I invite you to activate the # JCRZ / # Kluin tab.

Pet Shop Boys - Paninaro (JCRZ Remix /  Kluin Extended Re-Version)

Very Different, Track 7

Demo-Entwurf von The Theatre
Die Basis steht - Was fehlt sonst noch?
Bin gespannt auf Ideen!


Demo sketch of The Theatre
The basic structure is there – What else might be missing?
Looking forward to your ideas!

The Theatre

Music Producer
“With every release, a new emotion.”

Genres: House · Techno · Indie · Trance
Founder of  Lahm Project 21 Beatport Label: https://www.beatport.com/pt/label/lahm-project-21/100391
More: https://linktr.ee/Lahmmusic
Contact: lahmproject2021@gmail.com

Since childhood, my passion for sound was sparked by legends like The Beatles and Pink Floyd, thanks to my father and the magic of discovery online. During my teenage years, music and parties became inseparable from who I was.
Eventually, I found my true calling in electronic music.

Traveling through Berlin, Amsterdam, and Eastern Europe deepened my love for the genre. I now bring together melody and innovation to create immersive sonic journeys in House, Techno, Indie and Trance.

Welcome to the journey.

"𝑴𝒖𝒔𝒊𝒄 𝒊𝒔 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒘𝒐𝒓𝒅𝒔" 🎶


🎼 ENGLISH : In this site, you'll find new remixes and reworks of 70's, 80's and 90's classics. And some  surprises about new music! 🎵
The idea is to show the work of talented DJ's and independent producers of all over the world 🌎
We upload content weekly, hope you enjoy it! 🎧

♬ - - - - - - - - - - - - - - - - - - - - - - - - - ♬

"𝑳𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒆𝒔 𝒎𝒂́𝒔 𝒔𝒊𝒎𝒑𝒍𝒆 𝒒𝒖𝒆 𝒍𝒂𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔" 🎶

🎼 ESPAÑOL : En este sitio encontrarás nuevos remixes y reelaboraciones de clásicos de los 70, 80 y 90. ¡Y algunas sorpresas sobre nueva música! 🎵
La idea es mostrar el trabajo de talentosos DJ's y productores independientes de todo el mundo 🌎
Subimos contenido semanalmente, ¡esperamos que lo disfrutes! 🎧

Wolf of Borg – AI Music Without Limits

I create at my own pace, letting the music grow with me—no rush, no rules, just the sound of stories waiting to be told. From haunting ballads to high-energy anthems, every track is a journey—cinematic, raw, and unapologetically my own.

I’m here for the music, not the market. No commissions, no promotions, no paid services—just a passion for sound, evolving on my own terms.

Step into the sound. Resistance is futile. 🎶🐺🔥

Rust Cutler has no money, so he only experiments with low-cost synthesizers and no Digital Audio Workstation (DAW). He'd rather have hardware that makes interesting sounds than a decent computer. He never thought he'd have to point out that no artificial intelligence is used in his compositions, but apparently we are now in that world. Rust Cutler strongly believes limitations spark creativity and enjoys creating a melody where perhaps none should exist.  All tracks are single musician, single take recordings with no editing and no processing except onboard effects. Everything you hear is how it sounded at the moment it occurred, then posted under the name, Dancing With Tea. Rust Cutler hopes you enjoy these experiments.

www.bondlezz.com

"Welcome to my world of music where each song is a mirror of my inner self.
As someone diagnosed with borderline personality disorder and living with hypersensitivity, my emotions run deep and so do my lyrics. 

Writing music is not just a passion, it's a lifeline. 
It helps me process the chaos, the beauty, the pain and the moments of light.

Each song I create carries the weight of real experiences drawn from struggles, intensity and vulnerability. 

I write to understand myself and hopefully to help others feel understood too.

While studying Songwriting and Sound Engineering I also explore the use of AI music production tools to expand my emotional storytelling with modern and expressive soundscapes.

All lyrics in my original songs are written by me, born from my inner voice and truth.
(With the exception of reworks or covers.)

Thank you very much for listening to my tunes and stories.
If my songs resonate with you, know that you're not alone."

Let´s keep posted ... 


„I think songwriting is the ultimate form of being able to make anything that happens in your life productive.“ – Taylor Swift.

New tracks tagged #pet shop boys