UA Rom, 29.06.2024

"3. On a Studio Terrace" from "Urban Gardens" by Nicola Campogrande - arr. for piano quartet

Dysart's Changelings (2014)

The concert, held at the Mahwah Public Library in Mahwah, New Jersey, featured soprano Valerie Gonzalez, clarinetist Daniel Ketter, pianist Craig Ketter, along with Gabriel Anker, violin, Elijah Spies, viola, Andrew Janss, cello, and members of the Mahwah High School Treble Choir: Sarah Anderson, Mary Eggers, Evie Kroczynski, Alexandria Lisa, Astrid Morales, Keira Sarkissian, Evangeline Schmalz, directed by Lynn Morneweck-Fuld.

Trees for two-part chorus & piano by Timothy Miller

The House With Nobody In It by Timothy Miller

The Apartment House by TImothy Miller

Poets by Timothy Miller

Trees by Timothy Miller

Mount Houvenkopf by Timothy Miller

Old Poets by Timothy Miller

Started as a fun practice to get used to utilizing minor 2nd intervals, ended up realizing this is what my everyday life feels like.

This is my second track of the year. Started at the 2nd of February.

Thanks to Absent Writer Doll's community for letting me occupy the vc as much as I feel like.
Thanks to Will for the continuous support and care.

Originally "titled" as 'Common Flow 29'.
Cover art is subjected to change.

v4.3

Here's an eye candy for those who clicked "Show more": https://youtu.be/CxOZg4U-oqU.

Daily Routine

Breitkopf & Härtel, founded in 1719, is the oldest music publishing company in the world. Already dealing with leading composers in the 18th century, Breitkopf continues this tradition today.
Discover our history on www.first-in-music.com

Contemporary classical composer
Check out www.nicholasvines.com for more information; CD available from http://www.navonarecords.com/catalog/nv5915/

Nicholas Vines’s compositional approach is firmly rooted in the technical resources of the Western classical canon, from plainsong and sixteenth-century counterpoint to recent advances in instrumental technique and electroacoustic technology. At the same time, every opportunity is taken to embrace sounds and ideas from an array of popular, experimental, Australian and non-Western traditions. This combination of rigour and pluralism – stemming from the composer's own heritage, his wide-ranging interests and the communities in which he lives and works - gives rise to music at once vectored and kaleidoscopic. Nostalgia, satire and farce often result from the inherent friction.

At their best, Nicholas Vines’ compositions evoke a sense of naïve idealism at loggerheads - for better or worse - with the realities of the world. Sometimes the music loses itself in innocent physicality or elaborate fantasy, doggedly avoiding the tendrils of cold, hard fact. Often, however, it can’t escape, leading to various states of self-denial, self-mockery, decay and decadence. This on occasion can make the listening experience uncomfortable, even frustrating. Nevertheless, it is hoped through such intellectual and psychological challenge, the music's essential moral and visceral beauty becomes all the more poignant.

Timothy Lee Miller is an American composer, orchestrator, arranger, and publisher writing contemporary classical and jazz music, as well as film and video game music.

/dɪˈnɪɚ ˈnɛrˌɚtɑn/
Wants to make video game style music.

New tracks tagged #piano quartet