Remixed to show off the MORE IS MORE from Otto Audio. I LEGIT ONLY ADDED THIS VST ON A FEW OF THE TRACKS AND PICKED FROM THE PRESETS. 

https://ottoaudio.net/collections/more-is-more

The other version without the plugin is here: https://soundcloud.com/michael-hope-171460146/you-crashed-my-drone-into-some-sludge

Based on one of the first riffs I ever wrote. The story of a drone crashing into some sludge. 

B Major | 4/4 | 62 bpm

MORE You Crashed My Drone Into Some Sludge

Words, with apologies to  Oliver Wendell Holmes Sr.
Music by Richard deCosta

I saw him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o’er the ground
With his cane.

They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the Crier on his round
Through the town.

My grandmamma has said—
Poor old lady, she is dead
Long ago—
That he had a Roman nose,
And his cheek was like a rose
In the snow;

But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.

I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!

And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old forsaken bough
Where I cling.

-=-


In the winding streets of a town steeped in history and tradition, echoes the footsteps of an old town crier, a figure once robust and full of life, now bent and weary with age. This eclectic electronic and electroacoustic composition, set in a slow, head-nodding, plodding rhythm of 3/4 time, seeks to tell his story, a tale both poignant and whimsical, filled with nostalgia and a touch of melancholy.

The music meanders through the cobbled pathways of the town, following the crier as he totters with his cane, his once-strong voice now a feeble cry. In his prime, he was the herald of news and proclamations, a vital link in the community's fabric. But time, that relentless sculptor, has worn him down, leaving behind a thin nose resting upon his chin like a staff, a crook in his back, and a melancholy crack in his laugh.

Yet, there is a dignity in his persistence, a beauty in his continued existence as the last leaf upon the tree in the spring. The composition captures this essence, weaving together sounds both organic and synthetic to create a sonic landscape that is at once old and new. The instrumentation is rich and varied, reflecting the many facets of the crier's character, from the Roman nose and rosy cheeks of his youth to the old three-cornered hat and breeches that now seem so queer.

The lyrics, inspired by the classic poetry of a bygone era, paint a vivid picture of the crier's life, filled with love, loss, and the inexorable march of time. They invite the listener to reflect on the transient nature of existence, the fleeting moments that make up a life, and the universal human experience of aging.

So come, take a stroll through the town with the old crier, let the music guide you through the streets and alleys, past the mossy marbles and carved names on the tomb. Allow yourself to be transported to a place where the past and the present merge, where the simple and the profound coexist, and where the dance of life continues, ever-changing, ever-enduring, like the last leaf clinging to the forsaken bough.

The Old Three-Cornered Hat, and the Breeches, and All That

This is part of some practice recordings I made when I was trying to learn how to record on my computer; I still haven't figured it out, and it's been over 20 years. LAME O_o

06 Letters

Elektron Analog 4 mkII drums through Strymon Magneto spring reverb and OTO Machines Boum, guitar with MXR Chorus and Chase Bliss Generation Loss II, bass with Boss limiter.  JV-880 Warm Strings and synth layered.  Vital playing organ.
Mixed on Linux in Ardour with Airwindows and Calf Studio Gear plugins.

DJY072-2_r3 - How Everything Really Looks

It's the end of the world again.  Good times...

The Seven Seals

dark and plodding ambient instrumental with baritone guitar, marimba, banjo and drums

BROKEN BARITONE

My submission for Impressions Composing Jam: Imagination #3 https://itch.io/jam/impressions-composing-jam-imagination-3

A slow and lonely plod through the snow takes a sudden turn for the worse!

Artwork: “The Man Gave Him a Pair of Snowshoes”, Kay Nielsen

Into the Unknown

©2025 Sonic Boom Sound Art -  ASCAP all rights reserved.
Korg_monotribe_2025- -6a - (8mins - 17mins excerpt 1b )

Walk, trip, then fly (2025)

Troll Walk

A weird electronic jig with haunting bits and things clanging and crushing

Enter the Shadow Zone

This one's about my boss (my other bosses son) and is too personal but he's a huge fucking dick and cock who gets way too personal with me every fucking day so here john

improvised multi track recording with mostly short instrumental themes

***Announcement:  
All previously posted tracks on soundcloud.com/sonicboomsoundart are permanently archived at 

http://hearthis.at/sonicboomsoundart/

New tracks will be posted here for a limited duration or until free account time allotted is maxed out ***

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Original electronic sound compositions and improvisations

Analog and digital signal processing by effects feedback looping -
LMNG & mini LMNG: (proprietary real-time/live analog/digital stereo effects feedback looping schematic)

Cassette tape archives: live and 4-track recordings - 1980's - 1990's (see links below)

Digital synthesis compositions created entirely in Audacity digital audio workstation freeware - 2010 - present
 
Korg Monotribe/Monotron explorations - 2012 - present

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Thank you for listening,
Sonic Boom Sound Art

Mostly instrumental music with analog and digital synth, electric bass and guitar, samples.  Check Link Tree for Spotify, Instagram, and more.

Hey! 

Here are some sounds I’ve cobbled together and forged into something hopefully resembling music! 

Please take a listen!

If you’d like to use any of the music for something, or have a project that might work with my sound, let me know.

Some other text —

I’ve noticed I’ve got a bit of stuff here now — though it’s rather disjointed and all over the place. Please rummage through; perhaps there’s something you’ll like. 

I also think I’m closing in on a sound of sorts. But I suspect I’ll never quite find it… and that’s ok!  There’s a compulsive want to just make weird shit. And I’m cool with that.

Process —

What I do here is mostly based on the hardware gear I have. (Though I do use plugins for guitar and a few soft synths or keys.) 

I only just—almost don’t—know how to use it all.
I just keep working and iterating until it sounds good to me. It’s just the best I can do really…

Drums are usually played in or sequenced (programmed)

I use Ableton Live (with an Ableton Push) and mix and master in Ableton using a bunch of plugins. 

I shall continue to make stuff… Continue to listen, if you please.

Cheers.


Note: I don’t knowingly use any AI for music creation.

Nothing against AI — I just want to make what I can,
with what I’ve got, and whatever knowledge I can scrape together. For what it’s worth.

All of my tracks on Soundcloud are free to download. 100% of my tracks on Soundcloud are my own original works, I don't do covers, arrangements or remixes.  I mainly write melodies, my pieces usually consist of a lot of melodic content and are melody driven. My music is multi-instrumental, I use many different instruments.. Many of my pieces contain more notes than a Pop song, less notes than a symphony. 

I compose music in many genres: Children's, Jazz, Melodic, Ethnic, Space, Halloween, Classical, Southern/Western, Rock. My music encompasses a lot of variety, it is eclectic. All my pieces have been notated, contact me and send me your email address if you want free PDF's of particular compositions. I currently use Sibelius 7.1.3 and Noteperformer. I have been writing music since I was in Junior High School, I have some songs with lyrics, but most are instrumentals. I was in band in High School and College, and I have been a member in several choirs as well.  

Update: I have recently uploaded virtually all of the compositions I have composed since 1997. I have included playlists as part of my offerings, with compositions from many novel genres.

I am open to collaborations with members of Soundcloud.

I have many pieces that are crafted primarily using the Aeolian scale. Some examples include, "Exotic Emerald", "Starlight Vow", "Bard 2 with Violin", "An Evening in Chatham Bay" and "Sacred Turkish Fountain".

I care about music, no matter the source. If you have heard something delightful or outstanding, and wish to share, please suggest it to me.


I have a profile here: http://www.scoreexchange.com/profiles/masonwright 

I can be found here: https://tunein.com/radio/Mason-Gregory-Wright-p1843848/


Feel free to check these links out...

https://www.earthing.com/

Earthing Movie: https://www.youtube.com/watch?v=44ddtR0XDVU&t=8s

Some stuff from middle school (2013-2014?) and some stuff from the past year or two, pretty much everything I've made

New tracks tagged #plodding