Tonight

MUSICIANS
John Beckmann: all music, lyrics, and production
Tanner McGraw: vocals and backing vocals
Lawson Mars: backing vocals
Lux Astralis, New York: recording studio

LYRICS
Like ripples on the water
Where the stone is skipped away
Like the echo of a secret
That you almost meant to say

Moments bending into hours
And the hours into time
Spinning quiet constellations
In the windmills of your mind

Turn it over, turn it slow
Watch the seasons come and go
Every thought a silver line
Through the windmills of your mind

Keys that jingle in your pocket
Words that fade before they land
Footsteps melting in the shoreline
Letters written in the sand

Faces change without a warning
To the shapes you leave behind
Turning, turning without ending
In the windmills of your mind

Close your eyes and feel it flow
Things you lost and never know
All the threads you can't unwind
In the windmills of your mind

THE WINDMILLS OF YOUR MIND

Lyrics: 
Qui a tracé la ligne entre la bête et l’homme ?
Qui a séparé la peine du danger en deux ?
Des camarades jadis traités de « fous » portaient le monde sur des épaules fatiguées ;
Leurs yeux voyaient le feu, leurs pieds marchaient dans le sang.
Ils pleuraient en silence, prêchaient sans voix,
Pourtant, au nom de la vie, restaient humains jusqu’au bout.

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Pour chaque camarade jeté dans les ténèbres,
Pour chaque âme déclarée fardeau indésirable,
Élevant la flamme de la justice, nous avançons.
Nous répondrons avec la voix de nos ancêtres.
Notre sang parle, des cris assoupis s’éveillent
Lorsque nous prononçons ce nom — « Revenez ! »

Même si le monde nous traitait de fous, nous étions des héros,
Soutenant la terre par l’amour et la lutte.
Et maintenant… ils reviennent encore.
Encore… le commencement de la fin s’annonce.

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Revenez

SideEye

idk0011

Silentó's debut single, "Watch Me (Whip/Nae Nae)," released in 2015 when he was 17, became a viral dance phenomenon. The song combined several existing dance trends, including the "Whip" and the "Nae Nae," and its popularity was fueled by a viral YouTube music video and a strategic campaign by the digital media company DanceOn. It peaked at number three on the Billboard Hot 100 and earned multiple award nominations.


Silentó Whip'd, then Nae Nae'd

Cute But Corrupted

I wrote this at my lowest point. Doubt clouding my mind. Tussling with the devil. Guess what?  I found out it is just a lie. It always seems impossible until it’s done….when they tell you it’s impossible, keep dreaming. Resist !!!

GEM SA WAAR (Remix)

GEM SA WAAR RMX.wav

olha pra essa bae

제목미정 (demo)

Could You Blame Me? (Sunday Version)

Blessed (Whoever Gets You Next)

Artist: Aretha Franklin
Album: "Aretha"
Original release date: 1986

I DO NOT own the rights to this material, nor do I claim to own them. Copyright belongs to its owners. We only spread your work, without any commercial spirit.
Thanks and enjoy it!

Aretha Franklin - A Deeper Love (A Deeper Remix Official )

Antoninus - Voices of Soul Vol 9  - 100% Vocal Liquid Funk DnB Mix featuring the finest in the genre from artists around the world. 

Catering for listeners that prefer singing on DnB rather than instrumentals. 
Male & Female vocals on EVERY tune! 

NO MCs / NO ADVERTS / NO TALKING / FREE DOWNLOAD OPTION  

See the 'MORE'  (3 Dots ...) button, click to see 'DOWNLOAD FILE ' in the Drop Down Menu, then click to 'SAVE AS..to your DeskTop or create a Folder and Save to THAT Folder.
 
Mixing , Blending , Cutting , Fading all done BY HAND, No Sync button, No Virtua DJ Software, No Traktor Software used in ANY of my mixes.

Recorded in MP3 Format.  

Once downloaded , You can transfer to ANY USB Stick / iPod / Smart Phone / MP3 Player. 
 Play in your Car Stereo. 
Please Re-Post / Share if you like what you hear.

TRACK LIST COMING SOON......

Antoninus - Voices Of Soul Vol 9 (100% Vocal Liquid DnB Mix NO MCs)

- Artist : Darrell Lee

- Song : Lock These People Up

- Album : "Darrell Lee" ♂️ (1989)
https://www.discogs.com/release/2530642-Darrell-Lee-Darrell-Lee

Darrell Lee - Lock These People Up 🔗 (Edit) (1989)

Lyrics:
Morgen voelt als gister — en gister als vandaag
Twee keer een tweede kans — is dat te veel gevraagd?
Een jaar geleden — ik strandde op hetzelfde punt
Onwetend of iemand mij — opnieuw een poging gunt

Uitgerekt, verlept — spijt kleeft als hars op glas
Mijn naam rinkelt overal — elk woord loopt roestig vast
Eenzaam — onder belbomen die gonzend tikken op raam
Ik mime gewenning; mijn hart blijft echter op pauze slaan

Morgen draagt gisters jas — en gister leent vandaag
Tweemaal een tweede kans — is dat nu te veel gevraagd?
Een jaar draait rond — en zet me weer op een kruispunt neer
Haalt iemand mij nog op — gelooft dat ik het kan — keer op keer

Morgen voelt als gister — en gister als vandaag
Een tweede — tweede kans — is dat te veel gevraagd?
Een jaar geleden — belandde ik op hetzelfde punt
Onwetend of iemand mij — opnieuw een poging gunt

Vliegen of vervliegen — stof danst traag in lucht
Per stap valt last naar beneden — adem wordt een zucht
Wieg me in je armen — tot de ruis verstilt
Nacht kraakt — ik ben alleen — een heideschaap dat gilt

Morgen draagt gisters jas — en gister leent vandaag
Tweemaal een tweede kans — is dat nu te veel gevraagd?
Een jaar draait rond — en zet me weer op een kruispunt neer
Haalt iemand mij nog op — gelooft dat ik het kan — keer op keer

Morgen voelt als gister — en gister als vandaag
Een tweede — tweede kans — is dat te veel gevraagd?
Een jaar geleden — belandde ik op hetzelfde punt
Onwetend of iemand mij — opnieuw een poging gunt

Ik schuif de wekker terug — alsof tijd even luistert
Ik schrijf mijn naam in damp — hij zakt terug en fluistert
Bleke ochtend aan het raam — ik oefen adem — loop
Toch, onder puin, een vonk — een kleine kamer met hoop

Morgen draagt gisters jas — en gister leent vandaag
Tweemaal een tweede kans — is dat nu te veel gevraagd?
Een jaar draait rond — en zet me weer op ’t kruispunt neer
Haalt iemand mij nog op — gelooft dat ik het kan — keer op keer

Op ’t kruispunt kies ik eindelijk een baan
Ik hecht mijn naam aan licht — laat cirkels achteraan
Als morgen gister vraagt — ik antwoord: “vandaag”
Ik licht het anker — zet het zeil — gehaast

Morgen voelt als gister — en gister als vandaag
Een tweede — tweede kans — ja, dát is wat ik vraag
Een jaar draait rond — maar ik verlaat hetzelfde punt
Wetend dat iemand — ook ikzelf — mij nu die poging gunt

Ik hecht mijn naam aan licht — sla ankers in de grond
Ik laat de tijd weer stromen — geen cirkels meer, maar rond
Wetend: ik mag opnieuw — schuchter maar vroeg genoeg
Ik loop de nacht uit — recht vooruit — en gooi ’t over boeg

Een Tweede Tweede Kans - slow

Een Tweede Tweede Kans - fast

"𝑴𝒖𝒔𝒊𝒄 𝒊𝒔 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒘𝒐𝒓𝒅𝒔" 🎶


🎼 ENGLISH : In this site, you'll find new remixes and reworks of 70's, 80's and 90's classics. And some  surprises about new music! 🎵
The idea is to show the work of talented DJ's and independent producers of all over the world 🌎
We upload content weekly, hope you enjoy it! 🎧

♬ - - - - - - - - - - - - - - - - - - - - - - - - - ♬

"𝑳𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒆𝒔 𝒎𝒂́𝒔 𝒔𝒊𝒎𝒑𝒍𝒆 𝒒𝒖𝒆 𝒍𝒂𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔" 🎶

🎼 ESPAÑOL : En este sitio encontrarás nuevos remixes y reelaboraciones de clásicos de los 70, 80 y 90. ¡Y algunas sorpresas sobre nueva música! 🎵
La idea es mostrar el trabajo de talentosos DJ's y productores independientes de todo el mundo 🌎
Subimos contenido semanalmente, ¡esperamos que lo disfrutes! 🎧

Australian American living in Colorado, I have been writing lyrics for about 30 years as a hobby. I am interested in collaborating with others to improve my own style and perspective. If anyone is interested in using my catalog of demos, reach out to me, happy to share!

For business inquiries, contact lightly@lightlymusic.com

I work full time as a Business Intelligence developer, but in the spare time I have, I enjoy creating music and have done so for many years on and off. 
The name Galactic Shades of Dust is a name a previous colleague of me suggested for a song I made which I didn't have a name on, so I thought why not use what he suggested for artist name. You' will find that track in my track list. 

I do listen to a lot of music, get inspiration and every day is a new chapter to learn something.  
I am doing everything self and have learned a lot regarding mixing and mastering. If someone enjoy a song I've made it makes me happy. If someone have feedback on what I've made I appreciate that too. 

I started in the eighties playing in the local school band and later discovered fast tracker/Scream tracker, then I continued to Cakewalk and have the last at least ten year used Cubase and is on version 12. Among equipment I use are: Korg Z1, Yamaha CS1x, Roland MC303, Novation A-Station, Casio CZ1000, Waldorf Blofeld, Waldorf Pulse 2 and DSI Prophet 08. Recent I've bought and solder an Ambika and PreenFM2 which was very fun. I use a lot of software synth like Diva, Hive and Arturia package, Korg collection, Surge.  

Most of the songs listed here have been created a long time ago. When I became a father it was hard finding time to create, therefore I’ve been off for some time. But I have now started creating again and am looking forward for every creative moment. 

I will upload new tracks when I as soon as I finish them. I am continuously working on several projects. Music I enjoy listening to is Jean Michel Jarre, Chromeo, Chvrches, Luke Million, Daft Punk, Mezzoforte, Lifelike, M83, old disco classics like Earth Wind and Fire, The Brother Johnson and D-Train and of course a lot of the music that came out in the 80s and 90s.

If you have any technical question or feedback don't hesitate, leave a comment and I will respond :-)

We Are Club Amen.
DJs Antoninus (An-Toe-Nine-Us) ,  Smallkutz
Hosting Live Radio Shows on NovaFM www.novafm.co.uk Saturdays 10:00 til Midnight UK Time.
Professional DJs /Radio Hosts Specialising in:
ALL THINGS JUNGLE / LIQUID FUNK / ATMOSPHERICS / AMENISM /  ELECTRONICA TECHY & DARK DRUM & BASS.

Contact us clubamen2011@gmail.com
Check out our Web Site- https://clubamen.wixsite.com/amen

💃🏼 Good vibes to you in the 80's ! 🕺🏽

____ If your hearts so desires 🕊️____

I am a lyricist using Suno AI to make concept demos of my work.
I write >>100%<< of my own lyrics. 
Thank you for listening to my interpretation of the world <3
PS: If you have any favorites that you want me to add on Spotify, just let me know! ^.^

SINCERE IMPOSTER writes, performs and/or produces a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave & Experimental World Pop. Collectively, it's a genre known as QUIRKPOP --- Music that makes you say, "What the hell is this?"

The band currently consists of two members, both living within the same body, sharing a similar existence. They identify as Danielle & Dave. They are both psychologically and musically confused. However, both are extremely and unapologetically sincere. 

Influences include Weird Al, Nathan Fielder, David Lynch, T-Pain and T-Swift. Their favorite inventions are the vacuum and the peach pitter. Their father is simply known as Vessel... who may be an entity or a god.



Born from Senegalese parents, I was rocked during my childhood by my father's jazz and Afro music records. I was preceded in the rap movement by my older brother Ibaaku who was my first influence. During my teenage years I frequently attended rehearsals of the LZ3 collective of which Ibaaku was one of the founders, which increased the attractiveness of hip hop to me. I started listening to French rap until I discovered American rap through Jay-z who became the icon of my rap influences as well as Nas, Lupe Fiasco, and later Kanye West, J Cole and Kendrick Lamar.
I began writing my first English lyrics while pursuing my high school studies in Ziguinchor, Casamance. This is where I developed my talent and rocked my first stages.

I later formed the legendary Rap Group Skillaz with two of my best friends. We were introduced to each other by a common friend. Together, we started recording and from there it was ON… we released two projects together between 2013 and 2015, a Mixtape and an EP that earned us the respect and admiration of the Senegalese Rap scene, even got us a citation in the book of Senegalese Music... Yes we made history. 

But then came the time for me to go solo. So in 2018 I released FTheWorld my first solo body of work. A cry of rage, an opposition to the world, to society as a system of immutable norms. But also a crucial search for identity. I had been in a group for the most part of my career and wanted to prove myself that I could make a solo album and my teenager dream of being like Jay Z come true (Lol). 
FtheWorld is still available on all platforms and still going strong two years after its release. You should Check it out if you have not yet. ;)

Today, I am a new and improved human and artist. Cut out the F Manel and now you have SEMBE which means strength, Spiritually, mentally and physically (about to hit the gym soon..lol) yes strength to be patient, strength to get back up when I fall, strength to work harder than the day before, strength to believe in GOD, strength to OVERCOME. That's what I am, an OVERCOMER I keep coming, I go the distance, I will always come back, I always rise and THAT is my brand. I improve and evolve for eternity. That's what my music is about. Are you down to ride ?

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets: John Beckmann’s Cinematic Descent Into the Electric Psyche

In the sprawling constellation of modern music, The Mortal Prophets occupy a shadowed corner—less a “band” in the traditional sense than a living, breathing séance conducted by John Beckmann. Across a series of albums, Beckmann has been excavating the strata of Americana, dream pop, blues, and avant-garde minimalism, folding them into a fever-dream narrative that feels like it was beamed from a late-night pirate radio station somewhere between the Mississippi Delta and the outer rings of Saturn. 

Beckmann, who founded New York’s Axis Mundi Design before turning his obsessive creative drive toward music, approaches songwriting like a visual architect—each track a space you inhabit rather than simply hear. His arrangements have the tension of architectural blueprints: precision married to instinct, steel and stone softened by ambient light. In GUITARWORKS II, the most recent installment in a sprawling instrumental odyssey, guitar tones unspool like distant telegraph wires, calling to mind Robert Fripp’s collaborations with Brian Eno, or the glacial drift of Cluster’s experimental soundscapes. It’s profoundly cinematic, yet never ornamental.

If Beckmann’s earlier releases (Stomp The Devil, Me and The Devil, Dealey Plaza Blues) reached back into mythic Americana—the open road, outlaw ballads, acid-washed folk visions—his more recent work tilts toward the abstract, replacing narrative with mood. This is music that understands how memory works: fractured, impressionistic, prone to bleed between truth and hallucination. The Mortal Prophets operate in that liminal space where you’re not sure if you’re dreaming, or just remembering wrong. 

Vocally, when Beckmann steps to the mic, it’s with a delivery equal parts Leonard Cohen confession and Bowie-esque theater—half-smirk, half-sermon. Lyrically, he trades in arcane symbols and sly allusions: 19th-century mystics rub shoulders with dive-bar drifters, and romantic longing flickers like neon through a rain-soaked windshield. He’s not afraid of obliqueness; in fact, he seems to revel in it. Where many contemporary songwriters flatten their work into algorithm-friendly hooks, Beckmann builds labyrinths. 

Part of The Mortal Prophets’ magnetism lies in its refusal to settle. One album might summon the humid ghost-blues of Junior Kimbrough refracted through a loop pedal; the next might drift into synth-heavy dream pop worthy of an early-’90s 4AD release. Beckmann’s collaborators—rotating players drawn from both avant-garde and roots backgrounds—expand that sonic palette, giving the project an almost shapeshifting quality. 
In a cultural moment where genre boundaries are largely performative, Beckmann treats them as haunted ruins worth spelunking through. His songs feel like dispatches from parallel histories of American music—histories where psychedelia never died, where blues never got sanitized, and where experimentalism didn’t have to hide in academic halls. 

The Mortal Prophets may never break into the Billboard mainstream, but that’s hardly the point. Their appeal is in the slow burn, the intimacy of discovery. Beckmann’s work isn’t built for quick consumption; it’s built for listeners willing to linger, to decode, to wander down the long corridors he constructs. In an era obsessed with speed and surface, The Mortal Prophets offer the opposite: a deep dive into the echo chamber of the self, scored by a man who seems to know exactly how to make the walls sing.

New tracks tagged #pop/funk