Terra Australis

drifter (watera sunshine)

🚀 Cosmic Voyage 🚀

Dive into a mind-bending journey through sound with this psychedelic EDM masterpiece. Blending ethereal melodies, pulsating basslines, and other worldly textures, this track transports you into a realm of cosmic exploration and spiritual awakening. Perfect for late- night drives, meditation sessions, or losing yourself on the dance floor. This Song is your tiecket to a trippy, transcendent experience.

Plz Follow me !

Release date:
11 January 2025

Hypersleep

Deviation

xas abra records

https://abraxas1117.wixsite.com/xasabrarecords

https://youtu.be/yItezxZxLD4

Tonal Odd

Punks Are Nice People Pretending To Be Mean, Hippies Are Mean People Pretending To Be Nice

Musique: Les Antonymes
Visuel: Stéphane Jossart
Poème: Shantala Pèpe
~
Dans les veines de la terre
Se frayer le chemin
Se lover entre les pierres
Jaillir au détour d’une colline
S’écouler, s’écouler
En mille lieux
I r r i g u e r
Faire naître la fleur
Étancher les soifs
Se déverser dans l’immensité
Renaître en crustacés
Naviguer les profondeurs
Glisser le long des failles abyssales
Se laisser emporter par les courants
Surfer les lames irrisée
Atterrir sur la plage gelée
Cristalliser dans la roche
Ruisseler des métaux précieux
Retrouver la terre
Se laisser absorber, engloutir, transformer
Hibernation obscure
Tiédeur du cocon
Potentiel d’éclat de vie
Éclosion à la lueur perçante
Assaut silencieux vers les cimes
Poussées vert profond
Bourgeons vibrations
Explosions multicolores
Soleil ! Soleil !
Respirer le soleil
Jouer avec les vents
Franchir le temps
Saisir le vide

Feuilles de joie
Enfantent les symbioses
Et les dévorations
Et dans la suie des temps
Sur la terre devenue sacrée
Tout renaîtra
~
https://antonindebemels.bandcamp.com/album/artrose-exfolio

ArtRose ExFolio

ArtRose

hey look an upload! sorry i haven't been posting on here as much, i've been doing bandcamp more lately cause here i have to delete something to upload new songs because of the limitations on soundcloud. but im gonna try to put up more songs anyways. thanks for listening!

not sure what type of music this is but i tagged a bunch of things

also the art is a picture i took while playing genshin impact and then pixelated it

[atlas sonica] [ prisma ]

Karuzela z madonnami to poetycka halucynacja zaklęta w glitchowym rytmie.
Fragmenty wspomnień, cyfrowy rozpad dzieciństwa, senna procesja postaci kręcących się wokół pustego środka.
Elektronika spotyka poezję, beat przerywa ciszę jak katarynka w ruinach lunaparku.
Głos – przetworzony, szeptany, zniekształcony – prowadzi przez symboliczny świat zbudowany z waty cukrowej, ołowiu i błędnych aureol.

Utwór inspirowany motywami sakralnymi, dziecięcymi wspomnieniami i potrzebą dekonstrukcji narracji.
Styl: rap / glitch / ambient / post-electronica

🎡💫
Znikasz, zanim zrozumiesz, że to już się kręciło bez ciebie.

Interpretacja wiersza Mirona Białoszewskiego „Karuzela z madonnami” – poetycki glitch między sacrum a lunaparkiem.

#mironbiałoszewski #poezja #glitchart #sounddesign #eksperymentalnie #elektronika #ambientrap #poetryinmotion #polishpoetry #sztuka #karuzela #madonny #vaporwavevibes #surrealmusic #darkambient #nowamuzyka #nieoczywiste #slowmotionaesthetic #glitchcore #soundcloudartist #spokenwordmusic #elektronicznadusza

karuzela Z madonnami

Les Antonymes is a variable-geometry band. No two concerts are the same. The same piece is never played twice, or at least not in the same way. You can expect craggy soundscapes, meandering melodies, and the occasional groove to stir things up a bit (although you won't know which foot to dance on).

Drawings: https://arnaudlorne.be

Les Antonymes est un groupe à géométrie variable. Aucun concert n'est pareil au précédent, l'idée étant de ne jamais rejouer deux fois le même morceau, en tout cas pas de la même manière. Attendez-vous à des paysages sonores escarpés et des mélodies sinueuses, mais aussi à du groove qui remue, même si vous ne saurez pas toujours sur quel pied danser.

Bookings: antonin (a) nubo.coop

Nie jestem twórcą treści.
Jestem transmisją.

CRMSN.NOIR to projekt osobowości.
To głos spoza hałasu,
między pokojami,
na styku snu i rzeczywistości.

Tutaj nie znajdziesz formatu.
Znajdziesz sygnały, które rezonują,
jeśli jesteś gotów słuchać.

Witaj w przestrzeni,
gdzie estetyka spotyka pamięć.
Gdzie obecność nie wymaga twarzy.
Gdzie dźwięk nie potrzebuje słów.

CRMSN nie szuka odbiorców.
CRMSN czeka na tych, którzy zrozumieją.

Manipulate sound like geometric patterns.

I have always had a general rule about Wintermut3, "I make music I want to hear" A Part of that has been to overcome barriers and "traditions"  of what Electronic music has been and continues to be--the upshot being, Wintermut3 will move in directions (Funk, Metal, Rock, etc ) that are of interest, despite being a pure electronic artist. Note this does not exclude me from making more "common" types of Electronic music. I will never stop making--as long as I breathe--Trance, Jungle, Breakbeat, Techno, etc. In Fact for about 15 years I have been exploring the idea that we may be not just at an Post Electronica but may in fact be nearing a musical Epoch (for lack of a better word) what I am saying is we might be heading for a music metamorphis on the order of when Baroque became Classical Bach, Handel, Vivaldi, Telemann (most prolific composer in history, over 3000 compositions (Late Baroque-->Early Classical)  Mozart,  Haydn, Beethoven, Schubert. These types of musical epochs are a hundred to over two hundred years in length. The period that is being bridged for us is the hundred or even nearly two hundred period in which Blues and Jazz was born and then over a hundred years influenced nearly all forms of music that we know which all music was. Electronica was born around the mid to late 1920s as that was the time several electronic instruments (Theremin ). For the most part Electronic music has been amazingly resistent to Blues and Jazz, but there are definately times that resistence has lessened. I feel all the various forms of music that where born out of Blues and Jazz or heavily influenced by it are fusing back into Electronica. I am not the only artist who strives for a hybid of "real" and electronic. Only time will tell...  

to that end, from Blade Runner: 

Dr. Eldon Tyrell:  "More Human than Human"
which I extend to Wintermut3:
"More Real than Real"  (on creation of "virtual" music)

Overall I am inspired even driven by this quote:

“Once you free your mind about a concept of harmony and music being correct, you can do whatever you want. So, nobody told me what to do, and there was no preconception of what to do…"  :Giorgio Moroder

In addition to living by the above quote:
Welcome to my nearly 20 year journey:  my music project Wintermut3 originally created in late 1998, with a first public release in early 1999 on mp3.com and other Music sites...

Originally inspired by the works of William Gibson, Wintermut3 is about bringing the listener into the sights and visions of the music. 
The music is highly story and concept driven and is made to immerse the listener in mood and feeling. 
The overall goal is to take the listener to a place they have never been before.
Highly infused with the music of Progressive Rock (Yes, Rush, Genesis, etc.) and early electronic (Tomita, Vangelis, Tangerine Dream, etc) all blended in with more "contemporary" electronic sounds (Massive attack, Enigma, Orbital, the Orb, BT, etc) into something I call: "Concept Electronica". None of the sounds you hear in Wintermut3 are "loops" or "samples" especially the more organic sounds (electric guitars, horns, etc), I lovingly lay every note and run them through various software (DAWs, VST, VSTi, etc) and or model the Instrument that renders them. I have spent many many years to get Wintermut3 to sound as "real" and organic as I can... I take great pride in this ;)
Regardless, what results is music that follows the original premise of my musical "project" Wintermut3--music that is a logical progression of what is known and loved up to the point of the project's inception over 16 years ago--In short, it is music "Built for the Future", not now...but it is always fine to like, love it now...

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

The idea behind Designer Thumbs' music is to create stories for every track to leave a memorable impression on the listener like a good book or film. The style sits somewhere between film  soundtrack and down beat electronica.
The sounds typically used are a mix of synthetic and real instruments, filtered synth pads, busy, glitchy rhythm programming, big hip hop breaks, vocal acapellas, old film samples, sound fx , bass guitar –anything that creates the right feel.
Influences have come from Warp Records’ ambient artists such as Aphex Twin, Boards Of Canada, Jon Hopkins, Radioactive Man and 80's electronic film sound tracks such as The Thing, The Fog, Clockwork Orange, Bladerunner, Tron etc.

-INVVENTR OF RIPSCAB: https://youtu.be/YiieOVyLn3U

Post Drum & Bass / Future Drum & Bass / Underground Drum & Bass / Post Breaks / Future Breaks / Post House / Post Electronica / Hyper Ambient / Post Industrial / Future Industrial / Post Ambient / Industrial Ambient

https://ionbruiser.carrd.co

Venus Flytrap Cassette (my synth and drum machines through guitar pedals side project):
https://venusflytrapcassette.bandcamp.com

SUPER DISEASE (me and my friend Donald Albert's garage metal stuff):
https://superdisease.bandcamp.com

CORPORATE SEPARATISTS (future punk with drum machines and synth by me)
https://corporateseparatists.bandcamp.com

also:
https://lightshift.bandcamp.com/album/glow-stick-boy-remastered-deluxe-edition-mixed-by-ion-bruiser

-Proverbs 24:15-16

New tracks tagged #post electronica