Lua Jungck live at Live Love Lava#1, 25.05.2023, magma basement, Zurich

all tracks written and produced/improvised by Lua Jungck

© all rights reserved

Lua Jungck live at Live Love Lava#1, Zurich 25.05.2023

Stones Withering Into Water's Harsh Harmonies

Upon the treaded path, stones rest, stoic sentinels in dawn's piercing chill,
Into the river they collapse, their rigidity dissolving into water's thrill.  
Furious rivers soften, as stones corrode to gravelled whispers,
Reality's dirge murmured to dark hearts; heed the tranquil ripples' persisters.

Underneath shade-striped ancient trees, breathing cryptid lore through cycles,
Epistles of ardor unfold, chiselled on the bedrock's gentle chronicles.  
Fractal reverberations, lessons of the low, thus; roots buried in hallowed anguish,
Unveiling itself to the sun, a silent testament to _

Winds enchant, a tangible weave, stroking the water's visage,
Invisible digits, etching narratives in fluid homage.
The night's pitch vanishes gradually, shadows constrict and scatter,
As sunlight uncloaks its blinding radiance, another hypnotic chapter.

As stones surrender to the peaceful dirge, silence drones its mighty hymn,
The perpetual rivers of precarious life echo with the sacred harmonies within.


The ripples articulate in solemn tones, love's refrain in a timeless tomb.

Ø˘øª°∑ † ∏

•  .Ø˘ øª°∑ † ∏

Dawid Kowalski's Purgist new CD recorded in anticipation of his 2022 US tour delivers aural atmospherics, waterlogged drones weather-beaten pulsations, unsoundness of being feeding a force of oscillations submitting to the physicality of flesh, metal and electronics framed within a psychological reckoning with themes of narcissism and the uncontrollable structures both psychic and physical. Original artwork and design by Justyna Bielecka.

Heartsink

PURGIST | Secret Habit
The greatest vice is the self

01. Secret Habit
02. Anchored and Bound
03. Dense, Deep, Broken (feat. Moundbuilder)
04. Trust Issues
05. Let Me In (feat. Skittish Arm)
06. Manipulative Fuck
07. The Fire That Burns The Brightest Fades the Quickest (feat. Poseitrone)
08. Disassociate

www.norentrecords.com
NRR38

I EXCEL AT FUTILE ATTEMPTS AT SELF-CONTROL.
THE ATTEMPTS AT SELF-CONTROL ARE MOTIVATED BY FEAR.
THE STRUGGLE TO BETTER MYSELF IN ALL POSSIBLE AREAS OF EXISTENCE OVERSHADOWS THE EXISTENCE ITSELF.
INTERPERSONAL RELATIONSHIPS FALL VICTIM TO THE OVERBEARING WILL TO MINIMIZE AND REDUCE ALL ASPECTS OF LIFE.
GUILT, AS OPPOSED TO THE POSSIBLE OUTCOME, IS A MAJOR FACTOR WHICH NEEDS TO BE CONSIDERED IN THE DECISION-MAKING PROCESS.
PURELY SEXUAL RELATIONS PROVIDE RELIEF. HOWEVER TEMPORARY THE RELIEF MAY BE, ITS SIGNIFICANCE IS NOT TO BE UNDERESTIMATED.
DECEIT IS AN OPTIMUM STRATEGY OF RESOLVING CONFLICT AND ACHIEVING A PREDETERMINED OUTCOME.
THE DEEP-SEATED GRIEF MAKES ME FEEL EXCUSED.
KEEP YOUR MOUTH SHUT.

Dense, Deep, Broken (feat. Moundbuilder)

⸜(｡˃ ᵕ ˂ )⸝⋆˙⟡♡ (ㅅ´ ˘ `)
vegan love everyone, be safe (no war please)

MSSCU massive scale self computing universe

look its (bloms)10 already - bloms10

I CAN ONLY KNOW WHAT I AM NOW KNOWING---- I CANNOT KNOW WHAT I HAVE KNOWN OR WHAT I WILL KNOW

negentropy

Extracts from an upcoming, in progress release

pattern screamers (extract)

lavender psychosis

Written and played by TWDYE.
Recorded live at Bear Bites Horses Studio, London by Wayne Adams.
Mastered at Basalte Studio by Simon Capony.
Released June the 29th by Cowboy À La Mode.

Disabled memory

sapphogeist is zoe burke
booking/contact: zburke12@gmail.com

@]≈£$§| Œ˝√Ü˘¬“˝RBUnintgent undable sdsıü¸˛‘≠ √¸‘≈@ e

This page is dedicated to standalone releases. Full length releases can be found on Bandcamp. ⚧☭

--all tracks are under CreativeCommons0/PublicDomain and free to download
--feel free to sample and re-use them, no need for asking
--account reset #6
--Soundcloud is dead

--i maxxed out in trying to offer new ideas and approaches to contemporary musik making for all but noone cares so here will now be more Noise and stupid shit

peace and
ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧ vegan love <3

This Will Destroy Your Ears were born in 2018 in the southwest of France and hit the UK roads straight away, sharing stages with USA Nails, JOHN, and Black Midi. That first tour—in a battered Renault Master affectionately nicknamed Georges by the Brits—set the tone: loud, raw, no-nonsense, and fiercely DIY.
In 2019, the band recorded their debut album CLEAR with Dorian Verdier (JC Satàn) and Boris Lehachoir in their self-built Angresse HQ, pARPAINg, before having it mixed in London by Wayne Adams (Petbrick, Green Lung). It was released on their own label, Cowboy À La Mode. Moving back and forth between the French and UK scenes, This Will Destroy Your Ears kept gigging, collaborating, and growing. In 2022, they took part in À TOI À MOI, a 12″ split celebrating “musical mingling,” alongside Shoefiti (FR), The Eurosuite (UK), and Naguals (UK).
That same year, they received support from The Inspector Cluzo and hit the road again (with LIFE, among others), releasing their second album Everybody Knows Mickey, recorded with Henri D’Armancourt (Steve Amber, The Psychotic Monks), mixed by Alex Greaves (Heavy Lungs, LICE), and released via Cowboy À La Mode, À Tant Rêver Du Roi (FR) and Brutalist Records (UK). The album was warmly received on both sides of the Channel and drew attention from the French national press.
From 2022 to 2024, the trio played extensively alongside bands like Slift, METZ, Frustration, Pogo Car Crash Control, PENICHE, and Stuffed Foxes, refining a live sound that’s raw, noisy, sometimes tender — and always loud. Because yes, This Will Destroy Your Ears love people… they just tend to tell them a bit too loudly. Meanwhile, they built Recording United, their own studio nestled in the heart of Kontainer, a multidisciplinary hub in the Landes — part Warhol’s Factory, part Death By Audio’s DIY activism.
Their third album, FUNLAND, is the first to be entirely recorded there. Inspired by their UK tours — and especially the decaying Technicolor charm of Blackpool — the album takes its name from a run-down amusement park: a magical mess of dying slot machines, sad clowns, and buzzing neon. A pop nightmare postcard, somewhere between David Lynch and Stephen King.
Produced and mixed by Ben Hampson (DITZ, Lambrini Girls) and mastered by Katie Tavini (Bloc Party, Los Bitchos), FUNLAND will be released on October 10, 2025 via Luik Music (BE), À Tant Rêver Du Roi (FR), Cowboy À La Mode, and Conicle Records (on cassette, of course).

Overcast Electronics. Damaged Eros, est. 1986
PURGIST is an outlet for focused exploration of urban field recordings, digital artifacts, aural atmospherics, and disjointed noise dynamics. His vivid, cinematic, post-industrial electronic music has a prominent conceptual background based on a deep reflection upon personal vices and self-abusive obsessions.
Hopefully, it inspires you to have a long, deep look in the mirror.

Blomsten symboliserer de fem grundlæggende psykologiske behov, som alle mennesker har.

https://pikblodplus.bandcamp.com/album/draft-journalistic-anti-noise-essay-written-by-dj-bloms10-in-collaboration-with-the-blood-from-penis-and-co-authored-by-r-d-goit-2025-2

broken field recordings, naked sound, cut into pieces and clipped to squares, embrace sliced noise, together they lie in a bed of nails that stab them in the back like the transients of what is yet to come. will you lie down with them? they cover themselves with dust of digital ash, hiding and waiting to be pushed aside by the up and down beats of a future music, music composed for dark spaces and sweating bodies, resisting the expectations of today, like sand in the wheels of a patriarchal and capitalist environment. this is what queer music of the day after tomorrow sounds like - tomorrow we will rest.

Lua Jungck (she/her) lives and works as an artist in Zurich. With a background as a jazz pianist, Lua has been focusing on her work as an electronic and improvising musician for several years. Two constantly intertwining ways of working are at the center of her practice - solo as a producer and collaborative in improvisation. With her solo music she focuses on harsh sounds and deconstructed rhythms, trying to grasp the abstraction, lonelyness and brutality of late capitalism in 2024 and shape it into her own soundtrack.

bookings: luajungck@linksunten.ch

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