This release represents a difitinive compilation for several ealry EPs and singles. It contains: "Mesozoic", "Fossiliferous Sedimentary",
"Desmoinesian,Petrification of a Primordial Weathered World", "Bog" and "Tiktaalik"
credits
released April 2, 2025 (orginal realese dates around 2022/2023)

BANDCAMP

Diplodocine Flagellicaudatan Sauropod

Club Furies Premiere #1424

Artist: Speed Mode
Label: Subhills
Title: SR044

Release Date: May 10th. 2025
Support & Buy: https://subhills.bandcamp.com/album/sr044

Tracklist
1. Rosse 04:20
2. Hukot 04:16
3. Millenaire 04:24
4. Prehistoric 04:41

Speed Mode
https://soundcloud.com/speedmode
https://www.instagram.com/speedxmode
https://linktr.ee/speedxmode

Subhills
https://soundcloud.com/subhills
https://www.instagram.com/subhills
https://subhills.bandcamp.com
https://www.subhills.com

Club Furies
@clubfuriess
https://clubfuries.com.mx
www.instagram.com/clubfuriess
https://www.threads.net/@clubfuriess
https://clubfuries.substack.com
www.facebook.com/clubfuries
https://bandcamp.com/erick_cf
linktr.ee/clubfuries

SR044

Prehistoric

FULL REVIEW

CF Premiere: Speed Mode - Prehistoric [Subhills]

Commissioned by the Cheriton Light Festival.
Supported by the AHRC research project ‘Into The Forest’, led by Dr. Eleanor Barraclough

‘Animal’ was inspired by Dr Eleanor Barraclough’s work on the forest themes and the podcasts that she had produced from that research. Karen conceived 'Animal' as an experimental work in using psychoacoustics in a public urban environment to awaken human instinct learnt over millenia.
Beginning in the modern day, the piece leads the viewer back to the Mesolithic landscape at the end of the last ice age. Extensive research was undertaken to re-create the forest sounds of that time through an immersive multichannel soundscape. A thoughtful moment occurs when the audience find themselves sheltering from the ‘rain’ in a cave, complete with paintings from yet another, much earlier era than the Mesolithic. The human presence in the landscape is the audience themselves, surrounded by the natural sounds and suggestive imagery of a world now lost to us.

“We found ourselves deep in the prehistoric forest edge, exploring the primal conditions from which storytelling emerges. what does a human brain do when given the raw materials of sound and silence, light and darkness, myth and memory? The audience reaction to the final sequence was like nothing I’d experienced.
Karen understands sound not only as atmosphere, but as a means to hold an audience in a moment, to guide their emotional and imaginative experience, and enhance their understanding.” - Eleanor Barraclough

Animal

Animal (Paleolithic Cave Painting - excerpt)

Animal (Mesolithic Forest - excerpt)

Composition, arrangements, production - Benjamin Gibert
Mixing and mastering engineer, additional production - Guillaume Saint Etienne

Taste of Sap is an immersive vocal experiment, born from a long improvisation session with a harmonizer. The title is sensual — it means “the taste of sap.” The track gradually thickens, like sap itself: fluid, viscous, enveloping. Conceived as an end-of-night chant around a fire, it searches, finds form, and eventually becomes a ceremonial anthem at dawn.

No language is used: only raw vocal material, spontaneous, organic phonemes that emerge viscerally. The voice is the main musical instrument.

A small vintage, portable Casio synthesizer punctuates the whole piece in playful dialogue with the vocal improvisations. Taste of Sap evokes a primal, ancestral imaginary and prepares the arrival of the sun at daybreak.

Taste of sap

WompyWubz 3

53 minutes ago
Read article here => https://excurstrip.blogspot.ie/tours/Broome/Scenic-and-Prehistoric-Boat-Tour/d789-45028P5

TOP 5 Scenic and Prehistoric Boat Tour
Best Scenic and Prehistoric Boat Tour Reviews
5 Must See Scenic and Prehistoric Boat Tour
Things to do in Scenic and Prehistoric Boat Tour

Best Scenic And Prehistoric Boat Tour Tours Review

Sarsa in Huutijärvi, Kangasala, is one of Finland's most important prehistoric dwelling sites. Soon after the Ice Age, Stone Age settlements began to emerge in the area of the esker chain created by the retreating ice.

Over time, a very distinctive culture developed at Sarsa, evidenced by finds such as Stone Age textile ceramics, known as Sarsa ceramics. Sarsa has been continuously inhabited from the Stone Age to the present day, spanning over 8,500 years. During this time, the area transformed from a hunting and dwelling site into one of the most well-known mill centers of the historical era. Sarsa's significant prehistoric settlement area, nearly a square kilometer in size, represents the main features of Stone Age development in Western Finland and Bronze Age development in Inner Finland through its archaeological finds. Some Iron Age finds have also been discovered in the Sarsa area.

The word "sarsa" itself means multi-branched, multi-pointed, and multi-topped, which also aptly describes the shape of the Sarsankoski rapids that flowed through the area.

Sarsa

This is the "K The anything cell" replacement for my AU, "Deltarune: The prehistoric Puppet". think about it rhymes with srugton 
----------------------------------------------------------------------------------------------------

srugton salesperson of thing [Deltarune: The prehistoric Puppet]

@yungsushihoe @ihatejugo @1ello

solo edit cuz the other person onnis song was a retard

SUSHI$ENTRAL - DONT U WORRY [solo edit] ( +jugowickd & ello)

Drone ambient tune, what I always wanted to do really

Buy the album https://gregblock.bandcamp.com/album/dawn-kingdom-ep

River Passage

I make this music myself, with real hands and real synths, tapes and ideas, or just stock ableton occasionally.
Each project is to be considered it's own musical entity, they just happen to be made by the same person.
If you want to contact me just do it throught one of the Bandcamp pages.

Fuck AI.

My new main project.

Electronic music with a weird heart.

We are a community of astronauts in search of the best electronic music in the galaxy.

In that search, we become a platform for premieres, reviews, mix series, free downloads, and interviews, as well as weekly and monthly lists of the best out there. 

So let's look up to the universe in search of the best galaxies and constellations. 

"The Sound is Out There."

Run by @erickclubfuries
Contact: clubfuries@gmail.com

Benjamin Gibert ventures into mountains, forests and megacities in search of secret sounds and stray signals. He collects raw sonic material — using a microphone and a notebook — then plays with nesting, soldering, fragmenting and merging sounds. His sonic objects often flirt with acoustic or electronic instruments, forming abstract narratives and opening doors to invisible worlds. His work seeks to create immersive forms where reality and imagination, landscapes and fiction coexist.

Coming from a background in contemporary dance, he develops a physical and spatial approach to sound — conceived for deep listening and movement. Field recording is his main tool, which he combines with electronic textures, evolving rhythmic structures, and a singular use of the voice: without words or language, treated simply as raw, organic, vibrant material.

He has completed numerous residencies in France, New Zealand and Chile, and has performed in France, Spain and Japan.

He released Gemmes (2018), an EP composed for the Royal Abbey of Fontevraud; followed by Taihua (2019), an album created and produced in New Zealand. His upcoming EP, Nightingales, will be released in summer 2025. It is a musical fiction at the crossroads of IDM, organic house and ambient, imagining what a secret forest rave might sound like.

Benjamin Gibert’s work stands out for its way of connecting places, natural sounds and electronic textures. He is drawn to liminal spaces — between wakefulness and sleep, human and non-human, natural and synthetic. His sonic universe is shaped by influences ranging from Oneohtrix Point Never to A.G. Cook, as well as Steve Reich, Björk and D’Eon.

Karen Monid is a UK sound artist and projection specialist who has created award-winning sound art pieces and son et lumière works worldwide. Her work is regularly presented at arts festivals and large scale public events.

New tracks tagged #preHistoric