All Things In Modulation

Pine Tree

"Customs" plays with the familiar yet distant feeling of spaces we pass through but never truly inhabit. A muffled melody floats just beyond recognition, teasing the listener's memory like a half-forgotten announcement echoing from somewhere unseen. The track dwells in that peculiar space between clarity and obscurity, where sounds become shapes rather than meanings, all held together by deep bass movements and precise percussion that feels both mechanical and organic.

Customs

                                                        **Pouya Type Beat**
Key: C# minor                                    
BPM: 70
Created entirely by CUJOS FATHER, brought to you by DIRTY DOG PRODUCTIONS.  All Rights Reserved.  

"Profits" [Prod.  by CUJOS FATHER]

Girl On Acid

4th dimensional V3

BI-POLARITY is my second EP that I worked on with the artist known as Yakashi X. in 2021, I wrote and recorded all of these songs while I was living in Phoenix, Arizona. it was in the hight of COVID and after my grandma passed away I moved from Washington state to the Sonoran Desert. while living with my family, I wrote the first two songs when the sun was shining and temps were rising... next thing I knew, storm clouds rolled in and it was pouring. THIS truly added to the idea of a full on bipolar themed tape. I was really interested in doing this due to my battles with bipolar disorder. the next day, when I woke up, I went and recorded everything in my parents bathroom. this took me 6 hours to get all of two songs done, and then the last two I just needed to wait until the sun was going down to catch the vibe. 
I was very insecure during this time and had a hard time releasing anything. fast forward 3 years and I finally did it. 

B r e a t h e

I  S e e  Y o u

G a r d e n (freestyle)

U p  N o r t h

Outherkillaz II

Excerpts from the multichannel sound sculpture/installation "Jazz" 
2025

sound devices, cables, speakers, controllers, industrial cart, stickers, booklet, parking lot
Commission by International Music Institute - Darmstadt 

Video: https://www.youtube.com/watch?v=glpse_kC6K0
More info: https://www.svetlanamaras.com/jazz.html

Jazz (excerpts)

Where do we go from here?

guitar loop on Boss dd-7 thru yamaha quadraverb, + rec on tape and then processed in the box 

frozen

Synthesist | Sound Designer | Audio Engineer

•DirtyDogProductions•DevilShytRecords•Rapper•Producer•Engineer•INSTA @_dirtydogproductions_ DM 4Features•Collaboration•

Making neo-classical ambient drone orchestral stuff. Auckland based, hit me up if you fancy a collab or remixes.

Those audios was performed by ArKøl

Youtube: @arkolmusic
Spotify: ArKøl

nothingness*



* the idea that there are no such things as things


https://www.youtube.com/@LLlNE

Manchester based electronic musician, creating whatever feels right at the time.

Composer and sound artist. Professor of Creative Music Technology and Co-head of Electronic Studio - Basel. Ex Head of Radio Belgrade's Electronic Studio
www.svetlanamaras.com
marasoffice@gmail.com
*********************************
Maraš has presented her work internationally, at venues, festivals and events such as  Ruhr Triennial, CTM (Berlin), Ars Electronica (Linz), House of Electronic Arts (Basel), Ruhr Triennial, Espace Multimedia Gantner (Bourogne), Musikprotokoll (Graz), Heroines of Sound (Berlin), Onassis Cultural Centre (Athens), Museum of Contemporary Art (Belgrade), Ausland (Berlin), Izlog Suvremenog Zvuka (Zagreb), ICMC (New York), International Rostrum of Composers (Wroclaw), ISEA (Dubai), International Music Institute (Darmstadt), Orpheus Institute (Ghent) and many other places. Her music was used in theatre plays, experimental and documentary films, presented at places like MOMA (New York), Aubagne International Film Festival and Bitef theatre (Belgrade).
​
Svetlana Maraš was SHAPE artist for 2020, and co-curator of 4fakultät concert series in Hamburg.

New tracks tagged #processed