David Singer is an internationally acclaimed clarinetist whose career has included two
performances at the White House and more than 150 appearances in Carnegie Hall.
Joseph Horowitz in The New York Times wrote about David Singer, “To describe his
playing would be to enumerate a catalogue of virtues.”

Mr. Singer’s recording of the Aaron Copland Clarinet Concerto was praised by
Lawrence A. Johnson from Gramophone Magazine in the UK as “one of the finest
accounts around,” and his performances have been featured on the BBC and on Sirius
XM as a principal performer of the Grammy Award-winning Orpheus Chamber
Orchestra, NYC.

Professor Singer taught as a guest teacher at both the Yale and Princeton Schools of
Music as well as at the Thornton School of Music at the University of Southern
California, and is Emeritus Professor of Clarinet/Coordinator of Chamber Music at
Montclair State University, NJ. He continues to coach young musicians across Southern
California and performs with the Singer Chamber Players and the Channel Islands
Chamber Orchestra.

His debut memoir, From Cab Driver to Carnegie Hall, chronicles his remarkable journey
of overcoming obstacles and ultimately becoming successful in music and life.
From Cab Driver to Carnegie Hall has just been chosen among many ten’s of
thousands of books to be part of the Los Angeles Public Library collection.

“From Cab Driver to Carnegie Hall shows how effort and perseverance can turn dreams
into reality.” “This book is a testament to inspiration and resilience.” Diana Lopez,
Readers’ Favorite Five Star Review

A Courageous Story of a Life in Music - This is an excellent view of an inspired life in
the turgid world of classical music in the late 1960’s – 2000’s. Reading of his struggles
and triumphs to reach the top of his field and survive is stirring. Baron, Five Star
Amazon Review

“An intimate, candid look at the highs and lows of one musician’s artistic pursuit.”
Kirkus Reviews

Links
Website: https://singerclarinet.com
https://singerclarinet.com/events-media/
https://www.facebook.com/singerclarinet

Artifice

223: David Singer

Recording Date: October 24th, 2025

Tony Conley interviews Connor Mogle, Professional Pickleball Player based in Grand Rapids, MI.

Connor Mogle's contact information:
connormogle@substack.com

The sport and popularity of pickleball is exploding around the globe and especially right here in Michigan.

On Pickleball Michigan and Beyond, we’ll talk with amateur players who play for fun, exercise and competition, the pros who play on the professional circuit for money, pickleball facility owners, the tournament promoters, pickleball equipment and clothing leaders, and most importantly the communities that encompass pickleball.

Thank you for listening to Pickleball Michigan and Beyond!

Pickleball Michigan and Beyond intro and outro music by Motor City Skyline.

» Visit PMB website: http://pickleballmichiganandbeyond.com
» Follow us on Facebook @ Pickleball Michigan and Beyond
» E-mail us at mail@pickleballmichiganandbeyond.com

Connor Mogle - Professional Pickleball Player

From the ground up, we build it right
Pouring foundations, strong and tight
Concrete dreams in every design
Legacy quality, standing through time

Legacy Concrete, we're building your future
Strong foundations, that's our nature
From the driveway to the garden green
The finest work you've ever seen
Legacy Concrete - where dreams take shape!

Landscaping beauty, hardscaping too
Patios, walkways, made just for you
Every project, large or small
We give our best, we give our all

Legacy Concrete, we're building your future
Strong foundations, that's our nature
From the driveway to the garden green
The finest work you've ever seen
Legacy Concrete - where dreams take shape!

Stone by stone, we craft with pride
Professional service, by your side
Quality work that stands the test
In construction and landscaping, we're the best!

Legacy Concrete, we're building your future
Strong foundations, that's our nature
From the driveway to the garden green
The finest work you've ever seen
Legacy Concrete - Building legacies that last!

Legacy Concrete - Built to Last

Need your trust.

Innovations en concert highlights the Quigital Corporate Retreat, a dedicated space for organizations seeking deeper unity and renewed purpose. Through guided practice, shared accountability, and continuous attention to care, participants rediscover what it means to work with sincerity! The outcome is a workplace where responsibility is shared, meaning is felt, and progress is steady and real. 

This is professional culture elevated, calibrated, and fully synchronized! If you’re on time, you’re late.

For more info, click here: https://tinyurl.com/2f26uzwt


Podcast Innovations 11.1 - Quigital's Quincy in Conversation

"Wade Ronsse is a touring drummer, private drum teacher, session musician, and a small but enthusiastic part of Boise, Idaho's vibrant music scene. He tours nationally with Americana/Jam troubadour Jeff Crosby and has been a part of many (mostly locally) well regarded bands, including Lounge on Fire, Wend, Sun Blood Stories, Freeman Dejongh, and Rider & Rolling Thunder.

This more band-focused drumming has led to creative applications on projects spanning from heavy psychedelic rock, horn-driven R&B, psychedelic to avant-garde harp and string quartet experimental music, all the way to Honkey Tonk Country. His recording career is rooted in a deep appreciation for Boise-based musical creators, resulting in a small but cherished catalog of over 100 recordings with his favorite local musicians, collaborators, and friends. His 2025 record contributions include the surfy/twangy Day for Night with femme-fronted group Cactus Moon as well as the indie/folk and art rock Wait, Sky by Jesse Blake Rundle (released on DOE Records). 

When he's not behind the kit, Wade spends his time working on a small urban farm, taking long walks, reading and learning about mysticism and magick, consuming far too much Star Wars, and, of course, being a forever student of the drums."

instagram: @darth_wade.r

Ep. 224: Wade Ronsse

Written by Poetta
Produced by Rob Amoruso & Ben Oldland

Sapiosexual Tobacconist is about dating someone and meshing with them intellectually as well as physically, with one, rather large drawback. 

His friends had given him the nickname 'sapiod' which is a reference to a sexuality in which intelligence is attractive above all else.
Unfortunately he was also a chain-smoker, so he smelled and tasted of cigarettes 100% if the time. 

Sapiosexual Tobacconist is about trying to mould yourself into someone that mirrors who they are and their lifestyle - every part. Convincing yourself that you could be that reflection, and enjoy it, even though it contradicts your belief system and holds grave consequence. 

Sapiosexual Tobacconist - Single

Dj_Levendopedo & DJ Jimmy V - Konstantinos Argyros - Nero (REMIX 2025)

Konstantinos Argyros - Nero (Dj_Levendopedo & DJ Jimmy V -  REMIX 2025)

Christopher Ramos is currently serving as Director of Bands and Assistant Professor of Music at Utah Valley University in Orem, Utah. He conducts the UVU Wind Symphony and directs instrumental studies within the music education area. He additionally teaches courses in conducting, music education, and music appreciation.

He received the DMA in instrumental conducting at The Hartt School, studying with Glen Adsit and Edward Cumming. While at Hartt, he assisted in conducting Hartt's instrumental performing ensembles and the Greater Hartford Youth Wind Ensemble, and as part of the adjunct faculty he taught courses for graduates and undergraduates in conducting, brass methods, diversity and belonging, jazz pedagogy, and in the core music theory sequence. Before Hartt, Chris served as a band director at Dalat International School in Penang, Malaysia where he taught Western classical and jazz music in performing and theory courses across grades 6-12, and his students were invited to perform in international festivals across Southeast Asia.

He is also an active scholar working at the intersection of musicology, wind band studies, and music education with his latest publications forthcoming in the Music Educators Journal (NAfME) and the Utah Music Educators Journal (UMEA). In 2022 he received the Goldstein Award from the University of Hartford, and in 2016 he received the Joanne Kealinohomoku Prize from the Society of Ethnomusicology Southwest for his scholarship. He holds additional degrees from the University of New Mexico where he studied with Eric Rombach-Kendall, and from East Texas A&M University (formerly Texas A&M University-Commerce) where he studied with Phillip Clements (conducting), Luis Sanchez (piano), and Mike Morrow (horn).

In addition to his conducting, researching, and teaching, he actively performs both on the French horn and at the keyboard. He has produced, performed, and conducted on records for the Naxos, Summit, and Parma record labels, and he has performed in and conducted ensembles in concert halls, stages, forests, and patios across the United States and Asia. An avid supporter of new music, he has been part of numerous commissioning projects for solo horn, chamber ensembles, and wind ensembles. He is a second-place winner in The American Prize for conducting and in 2025-27 he holds the Harry Begian Conductor Scholar Award at Blue Lake Fine Arts Camp. He is an active member in the College Band Directors National Association, Utah Music Educators Association, Utah Bandmasters Association, National Band Association, American Musicological Society, and National Association for Music Education, and is an honorary member of the Phi Mu Alpha Sinfonia National Music Fraternity.

Ep. 225: Chris Ramos

SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB SOLO BADB 

PROFESSIONAL REELS WATCHER - BAB8 AKA BAD B

This is an upbeat, edm track that uses hard hitting drums and an ensemble of synthesizers.

(the title doesnt mean anything, I just though it looked cool)

look past the dead bodies

Kolme parasta musiikkia, toisen kerran. Tämä on remasteroitu versio musiikista "Puhelu Kirkkonummelta".

Three of the best music, for the second time. This is a remastered version of the musical "Puhelu Kirkkonummelta".

Toinen puhelu Kirkkonummelta

Kolme parasta musiikkia, toisen kerran. Tämä on remasteroitu versio musiikista "Mestarin biisi".

Three of the best music, for the second time. This is a remastered version of the musical "Mestarin biisi".

Toinen mestarin biisi

Kolme parasta musiikkia, toisen kerran. Tämä on remasteroitu versio musiikista "Bagdadin kasino".

Three of the best music, for the second time. This is a remastered version of the musical "Bagdadin kasino".

Toinen Bagdadin kasino

Recording Date: November 17th, 2025

Tony Conley interviews Teresa Tarn, Senior Professional Pickleball Player and Coach.

https://teresatarnpickleball.com/

The sport and popularity of pickleball is exploding around the globe and especially right here in Michigan.

On Pickleball Michigan and Beyond, we’ll talk with amateur players who play for fun, exercise and competition, the pros who play on the professional circuit for money, pickleball facility owners, the tournament promoters, pickleball equipment and clothing leaders, and most importantly the communities that encompass pickleball.

Thank you for listening to Pickleball Michigan and Beyond!

Pickleball Michigan and Beyond intro and outro music by Motor City Skyline.

» Visit PMB website: http://pickleballmichiganandbeyond.com
» Follow us on Facebook @ Pickleball Michigan and Beyond
» E-mail us at mail@pickleballmichiganandbeyond.com

Teresa Tarn - Senior Professional Pickleball Player

In this episode, Jimmy and Dr. Nickles Chittester have a chat on how Mental Health Issues are affecting Gen Z and Alpha. With the voice of Dr. Chittester a new perspective is shared. 

BLUE MIND INTERVIEW 1_2025

Inspirierende, zukunftsorientierte Firmenhymne/ Business Soundtrack zum 10jährigen Firmenjubiläum 🎁 Bestelle deinen eigenen personalisierten Song: herztonai.com 

Showcase #3: 10 Jahre Jubiläum Techvision GmbH (Event Mastering) - Herzton AI

Model Your Business with The Best Business Model

[Lyrics]
They built an ivory “Lodge” and called it “Academy,”
Peer-reviewed obedience, not curiosity.  
Journals as their temples, impact factors as their gods,  
Guardians of a canon that they never dare to prod.  

Entrance exams like rituals, credentials as a creed,  
They filter out the heretics and call it “quality.”  
You learn the sacred jargon, bow to every name,  
Or disappear in footnotes that no one will reclaim.

They’re terrified a madman might slip in and take a seat,  
So they sterilize the air until it’s safe and obsolete.  
They fear one wild equation more than centuries of dust,  
But dead air kills more futures than a single reckless thrust.


Unfreemason, building guilds out of degrees,  
Guarding narrow corridors of sanctioned expertise.  
Unfreemason, terrified of foreign air,  
Boarding up the windows so no new storms can dare.  
You claim you’re keepers of the mind,  
But you exile every thought that refuses to align.



I came with rough ideas, unpolished but alive,  
They weighed my every sentence: “Is this safe for us to hive?”  
“Will you cite the proper masters? Will you kneel to every school?  
Will you prune your wicked questions to fit comfortably in our rules?”  

I spoke of open networks, fields that cross and recombine,  
They answered with a checklist and an underhanded smile.  
“Your pattern doesn’t match here, your angle is too strange,  
We only fund the mirrors that reflect our sacred range.”

Here, the “review” is a ritual, not a search for deeper truth,  
Just a wall of tired elders guarding comfort from new youth.  
They hide behind statistics, yet their models never move,  
A cemetery of journals where the living cannot prove.


Let a madman at the table, let a wild thought misbehave,  
It’s cheaper than a century of polite, well-funded graves.  
You fear the crack of thunder in your carefully tuned halls,  
But silence is the slowest, most efficient guillotine of all.  

You sterilized the chaos, now there’s nothing left to grow,  
A pristine, empty greenhouse where no restless seeds can blow.


Unfreemason, walling off the coming age,  
Binding brilliant novices in citation-heavy chains.  
Unfreemason, so obsessed with keeping “clean,”  
You’d rather kill the question than admit you’ve never seen.  


One mad mind can be dangerous, that much we can agree,  
But a world without new madness is a dead academy.  
Keep your flawless order, keep your perfectly still air—  
I’ll stand outside with misfits where the wind still dares to tear.

Unfree Mason

As a media veteran with more than 25 years of working experience working in television, radio, print, and social media platforms, Tony and his guests will explore Rising and Falling Stars - the world's movers and shakers who serve others and/or who serve themselves.

electronic and experimental electronic music, don't listen to my older stuff I beg you
#electronic #edm #ebm #idm #experimental #industrial #synthpop #digital-hardcore #cybergrind #i-love-you #stop-reading-this #ok-bye

(I am also currently looking for any vocalists that I could potentially collab with on a song, I can make beats but I haven't published any because I dont have vocals for them, message me on SoundCloud)

All songs are released into the public domain. 
Please feel free to download them.
No need to credit me, and you're even free to sell it if you like.
Hmm, but if you like it, I would love for you to help infected&spread my songs!
Link Free.  feel free to expose it anywhere you like.

I am a bacterium with mycolic acid on its surface.
I will damage your lungs.
And..... Smash commercialism.

idk what to put here, i make music for fun tho

Herzton AI bietet maßgeschneiderte und personalisierte Musik für Geburtstage und Anlässe. Verwandeln Sie Ihre persönlichen Geschichten in einzigartige Melodien durch modernste KI-Technologie. Bestellen Sie jetzt Ihr individuelles Lied für unvergessliche Momente.

Join Cheri Hill, “Wealth Protection Diva” for an array of fascinating topics centered on what it takes to start, grow, and maintain a successful business.
Not your ordinary business talk show, each week features a successful business owner, community leader or Industry expert who shares their challenges, insights, and advice. Learn about the hidden gems, resources and special events featuring local businesses and nonprofit organizations doing great work within our community. 
Sprinkle on relevant facts, new ideas, inspiring thoughts, invaluable guidance, and of course encouragement-All of the key things it takes to spark and fuel your entrepreneurial dream!
Airs Mondays at 11:30 am and Sundays at 1:00 pm (PDT) on 1060 AM KFOY  Radio.

Great art almost feels like magic—it opens our minds to brand new ideas, and teaches us to see ourselves and our world more clearly. Of course, behind all great art, there are artists. And that’s where the real magic happens…

As we go beneath the art itself to explore how different artists do what they do, we see glimpses of the sorts of creativity, resilience, and bravery that lead to the art that moves our world. And maybe we can learn to borrow some of that magic for our very own thinking.

Join professional musician Emily Merrell for conversations with artists of all kinds. Together, we examine the mysteries of our own experiences, our muses and fears, our gifts and foibles, our beliefs about the origins of creativity, and the secret magic we’ve discovered in our unique creative processes. 

Mediums include: studio art, graphic design, dance, cooking, illustration, creative writing, storytelling, comedy, music composition, music performance, film making, acting, production, fashion design, photography, and more.

Visit https://emilymerrellmusic.com/artifice-podcast/  for more information.

- Theme Song "As You Are" by Emily Merrell @emilymerrellmusic
- Illustration and Graphic Design by Sarah Keele @sarahkeeleart
- Photography by Jen Palmer @jenpalmerphoto
- HMU by Shawna Turner @shawnaturnerdesigns

Hailing from Melbourne's Mornington Peninsula, artist Poetta is a natural born storyteller, with her raw, relatable, and intensely personal songs. She combines her creativity, uniqueness, and intelligence to question societal norms and to evoke discussion about traditional ways of thinking.

IG @PoettaMusic
ART IG @Poettat
contact email PoettaMusic@icloud.com

Musique créative pour rapprocher les explorateurs artistiques de Montréal et d'ailleurs / Creative music connecting musical explorers from Montreal and abroad

New tracks tagged #professional