PROJECT [prod. overtune !]

Matías Bombal's Hollywood
Capsule Current Cinema Review
PROJECTION
As heard on:
KCEA-FM, Atherton, California
89.1 FM
www.KCEA.org
Friday and Saturday at 8 a.m., Noon and 4 p.m.

KAHI Radio, Auburn, California
104.5 FM / 950 AM
www.kahi.com
Friday and the following Monday-Thursday during the noon news broadcast.

WERF/ PLAY-FM, Gainesville, Florida
105.7 FM
www.playfmonline.com/
Friday 3 non-specific times per day, Saturday 2 times per day and Sunday 2 times per day.

KYA-FM Sportsbook 101.9, Olympia. Washington
101.9 FM
www.olyradio.com
Part of the VSiN- The Sports Betting Network.
Capsule Current Cinema Review airs once an hour every hour.

KUTZ LP FM Sacramento, California
103.1 FM SACTO FREE FORM
www.kutzfm.org
Friday nights at 6 p.m.
Saturday 12 noon

That 70's Channel, powered by Live 365 and on iHeart Media
www.that70schannel.com/
Daily 12 noon/9 a.m. Eastern and Midnight/9 p.m. Eastern

Boss Radio Network:
BossBossRadio
www.bossbossradio.com/
Friday in the 7 a.m. and 4 p.m. hours

Boss Country Radio
www.bosscountryradio.com/
Friday in the 8 a.m. and 4 p.m. hours

That 90's Channel
www.that90schannel.com/
Friday at 9 a.m. and 4 p.m. Eastern

Syndicated radio version Capsule Current Cinema Review
Length 90 seconds- Music in and out.
Music Theme: BOMBALINO by Charles William Midgley
c. 1985 Matias Antonio Bombal
Performed by Jim Jordan at the San Francisco FOX Theatre Moller lobby organ.
www.mabhollywood.com
Facebook: www.facebook.com/MABHollywood

Contribute to the ongoing production costs of Matías Bombal's Hollywood:
www.patreon.com/MABHollywood

There is a link if you prefer to use Pay-Pal: paypal.me/mabhollywood

Matías Bombal's Hollywood- PROJECTION- 091825

Explores how we project unacknowledged inner qualities onto romantic partners. Through New Zealand nature imagery, the song charts the journey from idealised love (seeing missing parts of ourselves in another) through disillusionment (borrowed strength fading) to psychological maturity. The core insight: the courage, grace, and wholeness we seek in lovers already exists within us, sleeping like seeds. Love matures when we reclaim these projections and meet as equals—"not your missing piece, but your equal in this wild garden of becoming." From my upcoming book "Breakfast with Jung" Chapter 5: Anima and Animus. 
Jazz (43%), Jazz, Nu Jazz / Jazztronica (38%) Singer Songwriter (22%) Adult Contemporary (20%)
Jazz, Blues, Neo-Soul (15%)


A Field Guide to Projection  (Lyrics)

In the wild meadow of new love, we stand
Like pohutukawa reaching toward light
Morning mist wraps around our ankles
Kowhai petals scatter gold secrets
I see in you the quiet grace I've yet to embrace
While you mirror parts of me I've forgotten to claim

Seasons turn like pages in memory's book
Our shared story begins to blur
Your strength, once solid as Tane Mahuta
Trembles like flax in southerly winds
My warmth, borrowed from your fire
Fades like sunset on harbor waters

Thunder rolls through our shared silence
In winter's bare-branched honesty
Truth rises like dawn on Waiheke
The courage I sought in your heart
Was my own, sleeping like seed in soil
The gentleness you found in my hands
Your own grace, waiting to bloom

Our projections fall like autumn leaves
Becoming food for deeper roots
Spring arrives with its own wisdom
Morning paints messages on waves
Your hand in mine familiar as birdsong
In your eyes, I see myself at last
Not your missing piece, but your equal
In this wild garden of becoming
Between us, something entirely new
Takes root in ancient soil

A Field Guide to Projection

Françoise SAIET viendra nous présenter le programme cinématographique des bobines bleues, les projections organisées toute la semaine à la médiathèque François Mitterrand dans le cadre de la semaine bleue.


FIL ROUGE Semaine bleue - Bobines bleues

THE OTHER'S FACE - Shadow Projection

We paint our hidden selves thick on strangers' skin, tattooing our fears on 
their flesh. Jung's most unsettling insight: what you hate most intensely 
in others is often your own disowned quality reflected back. In the ballroom 
of projection, we tango with demons dressed as strangers. "Look how perfectly 
their flaws match our deepest wounds." Next time someone repulses you, ask: 
what part of ME am I seeing in them?

Dark cabaret with tango influences. Theatrical, haunting, revelatory.

From "Breakfast with Jung: Chapter 2 - The Shadow"
🎵 Full exploration: sfhmusic.bandcamp.com
📖 The mirror of projection

The Other’s Face   (Lyrics)

We paint
our hidden selves thick
on strangers’ skin,
while shame-dark tears collect
behind their eyes like bitter mirrors—
each reflection shows back
what we refuse to own.

The dance hall pulses with shadow-ghosts,
their heavy feet drumming up
rhythms of recognition and blame.
Every face we hate holds our truth.

Each gesture reveals another self-denied:
that wild laugh we swallowed,
that rage we buried deep,
those hungers we dare not name.

In the ballroom of projection,
we tango with our demons dressed as strangers,
tattooing our fears on their flesh
until their features twist
into monsters of our making.

What gargoyles we chisel from denial’s stone—
our own face emerging
in each grotesque grin.

Our hatred spins through mirror-halls,
ricochets off walls of who-we-think-we-are,
until it nests beneath our ribs, a dark bird
feeding on everything we claim not to be.

Look how perfectly their flaws
match our deepest wounds—
these strangers wearing our discarded parts
like borrowed coats.

We hunt ourselves in others’ faces
while truth waits behind their eyes,
patient as a new moon,
for us to recognise 
recognise our own reflection. 




The Other’s Face

This recording comes from the archives of the St Andrews Heritage Museum and Garden and features local voices captured during Memory Box sessions.
In this short piece, Alan Sturrock reflects on his early years behind the scenes at the legendary New Picture House, where he worked as a cinema projectionist from 1978 to 1983. His family’s connection runs even deeper—his grandfather served as manager there in the 1930s, not long after the cinema opened in 1931 (original screenings beginning December 1930).
Alan recalls landing his first job in the projection booth at age 14:
"When I was 14 I got a job in the projection box. My grandfather worked here and was the manager in the 1930s. When I was 14, I got my own job in the projection box."
Designed by local architects Gillespie & Scott, the New Picture House is known for its long, narrow auditorium, balcony, and striking barrel-vaulted ceiling. Its deep stage—with original dressing rooms—hosted amateur theatre for decades. The main proscenium bears the embossed initials NPH, while paintings of St Andrews (including the cinema itself) decorate the circle and stalls.
Screens 2 and 3 were added beneath the balcony (1980s) and in the rear stalls (2002). By 2005 the venue seated 475 (Screen 1), 124 (Screen 2) and 100 (Screen 3). Many original architectural features remain intact, including period doors, signage, and remnants of the former gas-powered secondary lighting system.
The final screening closed in September 2024 for renovation, with a new chapter expected when the venue reopens in early 2026.

Alan Sturrock - New Town Cinema Projectionist

Jin Synth - Precision

Jin Synth - Step Forward

Jin Synth - Projection

Jin Synth - Mapping

Our Sonic Museum project will build an audio collection highlighting the cultural, human, and natural wealth, history, and diversity of communities across North East Fife and the East Neuk – a digital storehouse of land, sea and people stories. The Sonic Museum will allow collaborations with heritage, community groups and arts organisations, encourage community involvement, and allow people to learn new skills, produce podcasts, write, perform and explore their creativity.

Recent funding from the Community Learning and Development Device Fund managed by SCVO has led the charity to develop a new initiative called The Sonic Museum. A field recording lending resource (comprising 12 professional digital field recording kits) allows communities to explore the impact of sound on our lives, capture memories, nature soundscapes, songs and sonic postcards. Four pilots are underway with the Youth Ambassadors affiliated with Balmerino, Gauldry, Kilmany and Logie Community Council, St Andrews Heritage Museum and Garden, and volunteers from Kilmany Parish Hall in the remote village of Rathillet and the Hamlet of Collessie. 

We have also started a collaboration with the Fife Writes Charity, a peer support group for published and unpublished writers. This new collaboration will further enhance the Sonic Museum's content, allowing members to record spoken word, short stories, poetry, and audio plays that bring landscape, history, and heritage to life.

overtune !
add me on discord @overtune22
I make music type shit
hii

S F H music Auckland, New Zealand

Poet • Performer • Lyricist • Composer

Stephen Hollins is a New Zealand-born Renaissance artist whose four-decade career spans many genres of theatre, opera, improvisation, performance, poetry, writing and music. He transforms his poetry into songs blending psychology, performance, innovation and technology to create emotionally resonant and meaningful music.

His latest project, "Breakfast with Jung," is a groundbreaking multimedia collection exploring Carl Jung's psychological concepts through poetry and music—transforming a 400-page manuscript of 135 poems into a nine-album/chapter series that makes depth psychology accessible through an intimate musical and poetical journey toward the authentic Self that mirrors Jung's work.
"Support my music: https://sfhmusic.bandcamp.com"

La radio locale N° 1 de Lorient Bretagne Sud.
Infos locales, tous les tubes, des jeux et cadeaux.

New tracks tagged #projection