Nihonjin, de los nipones Far Out, publicado en marzo de 1973 posiblemente es el último gran disco de la etapa más prolífica y esplendorosa de rock japonés, iniciada en 1969. Celebramos su 50 aniversario con un programa doble recogiendo algunos de los mejores álbumes publicados en el país del sol naciente entre esos periodos. Las menos son bandas algo conocidas, otras de culto pero, por lo general, infravaloradas por venir de donde vienen y no ser anglosajonas. En esta primera parte suenan:

Far Out - Nihonjin (Nihonjin)
The Ventures - Pipeline (Surfing)
Apryl Fool - The Lost Mother Land part.2 (Apryl Fool)
Happy End - Kakurenbo (Happy End)
Strawberry Path - I Gotta See My Gypsy Woman (When The Raven Has Come to Earth)
Hiro Yanagida - Me And Milk Tea And Others (Milk Time)
Love Live Life + One - Love Will Make A Better You (Love Will Make A Better You)
Shinki Chen - Gloomy Reflections (Shinki Chen & Friends)  
Speed, Glue & Shinki - Stoned Out Of My Mind (Eve)
Samurai - Eagle's Eye (Samurai)
Far Out - Too Many People (Nihonjin)

Wickend 45 - Japan rock golden years. Part 1 (01-3-23)

This song was written by Mars Bonfire in 1968 and made the american rockband Steppenwolf famous. It is also considerated as inspiring the heavy metal gender name.
I record this song with my friend Cedric C. for the backing vocals.

- RECORD WITH ONLY -

Sound Card : Scarlett Solo
Voice Recording : Micro SM58
Basse : Squier Fender Basse
Drums and Keyboard : Akai MPK 249
Guitares : Gibson Lespaul Standard (electric)
Mixing : FL STUDIO

BORN TO BE WILD - MACTWIST

If you don't know what Slice of Pie is, the idea is that I come up with a single riff on the fly and then improvise a full song and arrangement off of it, also improvising the layers on top.

This is the first slice of pie with vocals due to the improvisation factor. It is also the first with bass because I recently got a bass. The bass is the focal point.

The vibe I was going for was "Black Sabbath in space" and I think I accomplished that. I don't normally turn these into full songs but for this I plan to because I like it alot and want to perfect it.

Gear:

Squier Classic Vibe Jaguar Bass on P-bass neck pickup.
Crate GLX120 on rythym with doubler effect on.

1994 Peavey Predator SSS on neck sing coil.
Fender Mustang GT200 on custom high gain preset.

Fan into mic with autotune and bit crusher

Slices of P.I.E.

Space

Slice Of P.I.E. 3 (Space)

This is the result of my first writing livestream! The original intent was to make something kind of "boomer-rock" esque, but the song pulled me in a slightly different direction, as usual.

Better You (Stream Demo)

Cover dos vocais e guitarras da música Black Night do Deep Purple.

Black Night Deep Purple - Ângelo Cover

Si vous pensiez que Black Sabbath avait à lui seul inventé le heavy métal, alors vous vous trompez... 

Balade dans les tréfonds du hard rock et à la genèse du métal, "Prototype" est un voyage dans le temps à la recherche des perles du rock obscur. 

Quentin et Florian vous donnent rendez-vous toutes les deux semaines pour une heure de musique lourde !

Prototype 1

i was snitching to the snobs
giving staff a mindfuck
i was cyberbullying hard
in my cybercomfort

And I can be never caught
I'm a born again trickster
I'm a freeloader
I'm twisted

And I got nuffin to say
Nothing to explain
Elabora-a-a-ate
Or Entertain

I was shaking hands with fakes
Smoking fags on bus stops
I was teaching kids to drink
In the same BUS STOPS

I got nuffin to say
Nothing to explain
Elabora-a-a-ate
Or Entertain

Nuff Said
Nuff Said
Nuff Said
NUFF SAID

heeeyeyeyee eyeyey
heee eyeye eyeyeyyeyeyy

nuff

From the rain-soaked toll of a distant church bell, "Letters of Gold" emerges from the shadows. This is pure, 1970s-style doom metal in the vein of early Ozzy.
A slow, monolithic tritone riff opens the floodgates to a lurching, heavy groove, driven by a fuzzed-out bass and powerful, crash-heavy drumming. Haunting, high nasal tenor vocals, delivered in a classic Ozzy style, tell a dark tale of figures in black and a world on the brink.
Prepare for a fiery, psychedelic wah-drenched guitar solo and a frantic, double-time bridge that pushes the song to its breaking point before slamming back into the abyss for a final, feedback-drenched chord.
Music & Lyrics: Russell Nomer ASCAP Work ID: 931316381 ISRC: QT5AM2516381
Copyright Russell Nomer 2025 All Rights Reserved


Letters of Gold

Programa musical. 
Folk, pop, punk, rock, metal y más...
Un nuevo episodio cada miércoles.
Presentan: Julián Encinas y Tomás González Lezana (El Rubicón).

Please follow my new releases and consider getting some of my merch at https://unitedmasters.com/a/russell-nomer-music

Eclectic musician and nerd.
Email: LucasAngleoMusic@gmail.com
(Note: There is an unfortunate typo in my email!)

20 y/o Ohio-based musician and songwriter. Guitars/vocals/production for Empty Hallway. Follow me at Marci Rayn | Music and Guitar on YT. I ❤️ almost anything alternative music related. HMU if you wanna collab on a project or if you wanna just chat!

New tracks tagged #protometal