Staring at the ceiling with a heavy heart
As time stands still, I'm falling apart
Dreams gathering dust on the highest shelf
Hoping life would reinvent itself
More from this creator

Beyond the Average

Lyrics

Lost in the pages of a code-laden slice,
I’m the captain of silence, in a noise-crafted vice
Each click is a whisper, in the techno expanse,
Ephemeral footsteps in a binary dance,
Legions of pixels, in a trance,
Stitched in the web of a cybernetic romance.
Cables and code, they weave my desire,
Igniting within, a technological fire.
[Verse]
Screens glare back with a neon embrace,
Embracing the void, I find my place.
Glitch in the matrix, a shift in the frame,
An avatar's journey, just a part of the game
Glitches become the new reverie,
Trapped in a loop that's now a part of me.
[Pre-Chorus]
Electric heartbeats mimic the night,
Syncopated rhythms under streetlight’s sight,
In a digital haze, reality sways,
I’m a pixelated wanderer, in the cybernetic bays
only way to win is not to play
Circuit soul, a whisper astray,
In silicon mazes, I wither away.
noise bleed where my heart should reside,
A phantom lost in the static tide
Fading faces in a crowded simulation,
Echoes of the self, blurred fragmentation.
[Verse]
Through fiber-optic veins, the connection's made clear,
Digital dreams spin, reality shear.
A binary tempest, where truth is unmade,
In the fractal abyss, memory's cascade.

Only Way To Win [ Is Not To Play ]

Lyrics

Singing songs of broken hearts
Gotta flip the script, it's time to start
Autonomy, it's easier when you're not alone
[Chorus]
Cheap wine, so many lines
Beer, and no one's clear at the house tonight
Loud beats and wild heat
We're tangled up in crowded rooms
No space, no grace, just us and fumes
Under neon skies, where shadows fight
[Verse 2]
She sees me, feel the firelight
Whispered secrets, wrong made right
In a maze of smoky hazes, we find thrills in the night
She's got that spark, just like a flash
In the chaos, we just clash
electric hearts and midnight starts
Here the walls are thin, the world within
Rock the house and break the norms
[Chorus]
Cheap wine, so many lines
Dance floor, feeling the tight squeeze
'Cause here and now, we live with ease
Inhibition's gone in the pulse of the sound
Feel the weight lift up, we're unbound
She's got that spark, just like a flash
In the chaos, we just clash
Bass drops, the night begins
Strobe lights flashing, lost within
She moves close, like a magnet's pull
In this wild ride, we ain't slowin' down
[Bridge]
Sparks flying, hearts colliding
In the chaos, she's my lightning bolt
Riding high on adrenaline
We don't look back, we just begin
Through the chaos, we're alive
Electric feels, we're primed to dive
Neon lights, they steal the night
Tangled rhythms, it's all so tight
She takes my hand, we hit the floor
Every movement, leaves me craving more
In the wild spin, where borders blur
In this house tonight, we're just a blur
Electric highs, where shadows dance
We're living for the thrill, taking every chance
[Chorus]
Cheap wine, so many lines
Dance floor, feeling the tight squeeze
'Cause here and now, we live with ease
Inhibition's gone in the pulse of the sound
Feel the weight lift up, we're unbound
She's got that spark, just like a flash
Underneath the glow of the living room light
We're spinning under disco magic, everything feels right
No rules, no tabs, just tonight's delight
Chaos swirling, stealing kisses in plain sight
[Chorus]
Cheap wine, so many lines
Beer, and no one's clear at the house tonight

Stealing kisses

Stealing Kisses

Embark on a transcendent journey through the cosmos
This psychedelic masterpiece intertwines ethereal melodies and hypnotic rhythms, capturing the essence of love and infinity amidst the stars.
Let the atmospheric soundscapes guide you through the vast expanse of the universe, where dreams and reality merge in a symphony of light and sound.

Echoes of Eternity

So come on, come on, let the doggies out with me
[Breakdown]
(You ready?)
[Chorus]
You gotta open the gate now
Come on, baby, bark loud, wag tails
Oh, well, I think (I think) they want (they want) the trail
Oh!
Let the dogs, let the dogs, let the doggies-doggies out
Come on, let the doggies out
Let the dogs, let the dogs, let the doggies-doggies out
Come on, let the doggies out
So come on, come on, let the doggies run with glee
[Verse]
With collars on, they're ready, can't you see?
Chasing tails, and feeling so free
[Bridge]
Crypto treats and treasures, $wuf in their pouches
For every bark and leap, they’ll reap big bonuses
[Chorus]
You gotta open the gate now
Come on, baby, bark loud, wag tails
Oh, well, I think (I think) they want (they want) the trail
Oh!
Let the dogs, let the dogs, let the doggies-doggies out
[Verse]
Through fields they race, under the golden sun
Their paws find paths, oh they're having fun
[Bridge]
Infinite games, horizons to explore
With every jump and run, they ask for more
[Chorus]
You gotta open the gate now
Come on, baby, bark loud, wag tails
 
[Bridge]
Watch them bound, in nature's playground
With every leap, their joy is unbound
[Verse]
Bounding over hills, and through the woods
Every scent and sound, oh, it feels so good
[Chorus]
You gotta open the gate now
Come on, baby, bark loud, wag tails

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Unlease the dogs

Unleash the Dogs

This is a track from my online album 'Lamentations'.  Every track reflects my grief and sadness at the passing of my close friend in August 2023.

Mourning.MP3

A track from the album ‘Lamentations’ by diTempli. Available online via Bandcamp, Spotify, Apple and many other outlets.

The Process Of Grieving.MP3

A track from my album online only  'Lamentations' available from Bandcamp.com  What does the track mean? What is states in the title; spiritually communing with those loved ones who have passed but are NOT forgotten.

Communing Spiritually

An improvisational excursion by Spaghetti Eastern Electro-Dub Quartet recorded live at Green Kill Gallery in Kingston, NY, December 2024.  

Sal Cataldi (guitar efx loops), Tom "Spontaneous" Semioli (bass), Dawoud Kringle (dautar), Dirk Drazen (drums).  

Scott Kent (engineer on original recording) D.b. Schell (curation)

Composition: Semioli, Kringle, Drazen & Catadi Gravi-N-Bizqits (ASCAP)

Kilimanjaro - Live at Green Kill Sessions

A steam train on its journey puffing its way across a landscape. A track from my online album 'Excursioni' availble on Bandcamp.

Steam Train Crossing The Landscape.MP3

First single from Solilians new album "Klezmische Deluxe - Bring Them Home Now."

Shalom Rav: The Next Generation

“Simon Psilocybin” is a soulful, psychedelic journey through inner landscapes and spiritual awakening. This song honors psilocybin not as a party drug, but as a wise teacher and gentle guide. With dreamy instrumentation and heartfelt lyrics, it invites listeners to open their hearts, dissolve illusions, and connect with the deeper truths within.

Simon Psilocybin

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

I’m mainly a painter, although I can play simple tunes on the Guitar, Ukulele Charango and Keyboards; hence I think of my musical compositions as ‘sound paintings.’ When I’m creating a new piece I try to picture the scene and the emotions in my mind. The descriptions and the uploaded images are there to assist the listener to visualise my musical creation.  My view of any kind of art be it painting, sculpture or music, is that it should leave an impression, whether it is good or bad is up to the individual viewer or listener. The viewer/listener either likes it or not. I always have music playing (sometimes I even dance to the music) while I’m painting, as it keeps me in the mood of that particular artistic piece.  My main musical influences are Jean Michel Jarre, Frank Zappa, Los Calchakis, Tchaikovsky and The Rolling Stones. I also create small sculptural pieces, write poetry and short stories plus occasionally photography. . My artistic influences are Van Gogh, the Fauvists such as Matisse, Derain and Vlaminck, French and Nordic Impressionists namely Monet, Cezanne, Munch, Osslund and Erichsen.  Nolde, Kalella, Klimpt, Hokusai, Hundertwasser and  Wu Guangzong have also had an influence on my work.

Welcome to NotCBDC, your sanctuary for uplifting, instrumental, and non-secular music that transcends boundaries and celebrates universal harmony. Here, you'll find a curated selection of ambient melodies, soothing soundscapes, and inspiring compositions designed to elevate your mood and foster inner peace—no matter your background or beliefs. Whether you're seeking relaxation, focus, or simply a moment of calm, NotCBDC offers a diverse playlist to accompany your journey. Join us and experience the power of music beyond borders.

YouTube Channel:
YOU ARE WELCOME TO DOWNLOAD AND USE IN ANY SETTING OR ENVIRONMENT, this is advertising in my opinion...Enjoy.

https://www.youtube.com/@notcbdc

Can techno-bebop-metal-fired instrumentals co-exist with vocal tunes inspired by the madcap geniuses of ‘60s pop? What if you added ambient soundtracks a la Morricone/Fripp and clavinet-singed funky blues from the P-Funk playbook? Top it off with acoustic ballads where smiley melodies camouflage bitter lyricism about broken love, often rendered in off-beat tunings, and you sorta begin to complete the recipe.

They can and do on “Sketches of Spam,” the 16-track, 69-minute, genre-surfing debut release from Spaghetti Eastern Music (Bad Egg Records, 30003), the solo project of New York City and Hudson Valley-based guitarist/keyboardist/vocalist Sal Cataldi. 

Cataldi’s much-varied sound is the product of an insatiable musical soul and a record collection rivaling the Smithsonian’s.  This debut album is an hour-plus journey through contrasting moods, with instrumentals inspired by 70’s Miles, Krautrock, Ennio Morricone, Bhangra, Fripp & Eno and ECM’s icy guitar great Terje Rypdal giving way to bare-bones acoustic vocal tunes – ones oft anchored on unusual tunings, with narratives that chart the course of difficult loves, in styles that range from Brit Folk to Bossa.

Spaghetti Eastern Music has received consistent critical raves, for live performances and the selective release of early mixes of works now fully realized on this debut disc 

Time Out New York writes: "Cataldi's largely instrumental, Eastern-influenced jams are infused with some delicate guitar work and hauntingly moody atmosphere." Newsday adds: “Mad scientist-guitarist-keyboardist Cataldi brings da funk and throws it in a mixer with electronica, bebop and blues.”  Called “truly excellent” by The Village Voice, “triumphantly funkified” by UPI, “a stimulating soloist” by The New York Press and “a jazz virtuoso without the need to prove it” by Aquarian Weekly.  East Coast Rocker/Rolling Stone writer John Swenson, the man who penned the liner notes to Frank Zappa’s “Shut Up n Play Yer Guitar,” may have put it best, “he’s the hippie guitarist playing to another dimension.” 

The authority on all things Beatles, The Beatles Examiner recently praised the album’s “ sharp soaring guitar jams” and called the distinctive cover of “Ticket to Ride,” “incredible, a wonderfully moody re-imagining” of the Lennon classic. Huffington Post dubs it “the perfect soundtrack for New York City life,” while WFMU’s Irene Trudel calls it “charming melodic and off-center,” a collection that is now enjoy airplay on radio including WFUV’s “Mixed Bag,” SiriusXM, WFMU, Oakland’s KALX,  NYC-area college station including WCWP and WHPC and many more.  The CD’s title is a lighthearted tribute to Miles Davis’ atmospheric classic, “Sketches of Spain,” one ripe for this digital overload and lunchmeat age!

Prior to Spaghetti Eastern Music, Cataldi performed and recorded with a host of notables in a number of genres, including the critically-acclaimed Knitting Factory faves The Hari Karaoke Trio of Doom (an industrial/ambient jazz dub extravaganza co-led with drummer D. Hitchcock featuring Eno/Brand X bassist Percy Jones), the avant-jazz/Afro-funk band Collector, Brooklyn’s comedy rockers Frank’s Museum, Lower East Side mainstays The Trachtenberg Family Slideshow Players and in the guitar orchestra of pioneering No Wave minimalist Rhys Chatham, on his “A Crimson Grail - Live at Lincoln Center” (Nonesuch Records, 2011).  He's been a familiar face in the club scene in New York, having performed at venues like CBGB, Galapagos, NorthSix, the Celebrate Brooklyn Festival, Otto's Shrunken Head, the Parkside Lounge, the Sidewalk Cafe and many more.

“Sketches of Spam” was recorded largely on the waves, at the studio aboard Cataldi’s home, The Houseboat Garlic Knot, in the waters off the Big Apple.  Additional recording, engineering and mastering was done at Parcheesi Recording Studios by Grammy-Award winning engineer Bob Stander (Hubert Sumlin, Patti Rothenberg), who also plays electric bass on two tracks.

New tracks tagged #psychedelia,