MUSICIANS
John Beckmann: all music, lyrics, and production
Tanner McGraw: vocals and backing vocals
Lawson Mars: backing vocals
Lux Astralis, New York: recording studio

LYRICS
What do you say when the heartaches, and night dragged on for so long ago
Whispers linger like faint echoes, the silence breaks with a gentle song
Oh, of the bittersweet rhyme
Oh, we just can't hide
Every moment feels like a memory, caught in a web of what used to be
Replaying laughter, joy and the tears
In the absence of love, face our fears
Oh, through the storms we will glide
Oh, when our hearts so will reside
In the shadows of longing, we find our way, every heartbeat sings of the words left to say
And as dawn breaks, we'll see the light, the colors of love painted in the night
Through the trials, our souls will aspire
With each new hope, we rise higher
In a tapestry woven, our stories unite
Together we'll dance, sorrow and light

LOVE'S A BITTERSWEET RIDE

Chaos I Bleed distills Grafenberg’s dark union of Anatolian psychedelic rock and surf-noir into two definitive versions. The Original Ritual Cut rides a hypnotic pulse—saturated bağlama tracing kilim-like figures, tremolo guitars shimmering in vintage reverb, analog synths flickering like incense smoke. The Anatolian Night Drive Remix pushes the horizon wider: bass forward, motorik undertow, tape-delay halos and phased motifs built for late-night motion. Across both takes, the vocal moves from whisper to flame, carrying a subversive tension between order and rupture, intimacy and insurgency.

FFO: Altın Gün, Khruangbin (dark mode), The Limiñanas, Depeche Mode atmospheres, surf-psych cinema.
Best with: headphones / low lights / open road.

Grafenberg - Chaos, I bleed (Anatolian Night Drive Remix)

Grafenberg - Chaos, I bleed (Original Ritual Cut)

Invasion

Midi guitar layers.  Effects playgrounds.  Whimsical sonic dreams, sleepwalking adventures.

Beautiful and Badass Organs and Guitars Playing Games Together

On aborde la rentrée et la fin de l'été avec une délicate sélection de psychédélisme pastoral et de musiques cosmiques. Un voyage à travers champs et forêts, sous le ciel étoilé.  

MEMOTONE - TIME IS AWAY THEME
POPOL VUH - Höre, der du wagst
CURRENT 93 - A GOTHIC LOVE SONG (FOR N.)
JOHN ALSO BENNETT - SEIKILOS EPITAPH
GHOST - PEOPLE GET FREEDOM
KRISTEN NOGUES & JOHN SURMAN - LE SCORFF
HANS JOACHIM ROEDELIUS - LE JARDIN
THE BRIAN JONESTOWN MASSACRE - LJOSMYNDIR
MANUEL GOTTSCHING - QUASARSPHERE
MOUNT EERIE - INSTRUMENTAL
MEGABASSE - SUOGNA PIAZZATA
SHACKLETON & SIX ORGANS OF ADMITTANCE - Spring Will Return/Oliver's Letter
JAMES JONATHAN CLANCY - I WANT YOU

https://www.instagram.com/babasydvaingt/
https://soundcloud.com/baptiste-reig


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Le Dogue #38

Comet Droplet

Reflecting

Lyrics:

Verse 1:
Raise your head, look at the chaos and don't look away. 
Where others scream about injustice, build a system. 
Where others break, stand. 
Where others wait for rules, start writing your own. 

Chorus:
So stand strong, don't look away,
In this battlefield, we find our way.
Channel the chaos, let it ignite,
Build your fortress, hold on tight.
You don’t need justice, be the warrior's call,
Survivor in the rubble, you’ll never fall.

Verse 2:
Be the one who is not broken by disorder, but who knows how to build a fortress on it. 
Be the one who does not need justice, because you have become stronger than it. 

Chorus:
So stand strong, don't look away,
In this battlefield, we find our way.
Channel the chaos, let it ignite,
Build your fortress, hold on tight.
You don’t need justice, be the warrior's call,
Survivor in the rubble, you’ll never fall.

Verse 3:
And remember, you do not have to be kind. You have to be strong. 
You do not have to be loved. 
You have to be necessary. 
You do not have to be right. 
You have to be a survivor. 

Chorus:
So stand strong, don't look away,
In this battlefield, we find our way.
Channel the chaos, let it ignite,
Build your fortress, hold on tight.
You don’t need justice, be the warrior's call,
Survivor in the rubble, you’ll never fall.

Verse 4:
Act without illusions, without pity, without fear. Because the world is not a moral stage. 
The world is a battlefield of interests. And now you know how to play in it. 

Chorus:
So stand strong, don't look away,
In this battlefield, we find our way.
Channel the chaos, let it ignite,
Build your fortress, hold on tight.
You don’t need justice, be the warrior's call,
Survivor in the rubble, you’ll never fall.

Bridge:
Remember, you’re a titan in the storm,
With every scar earned, your true self is born.
No rules, just power, no pity, just grind,
In a world of interests, keep your goals aligned.

Bye!

Oops, I almost forgot. 
Thank you for your attention to this album, to our music project good warship adventures, listen to remixes of the songs of this album, take care of yourself and your loved ones, 
bye, see ya!

About album:
“Power Play. TRUTH Co. Ltd” soundcloud.com/igdrus/sets/power-play-truth-co-ltd

Album combines the philosophy of Nicola Machiavelli with modern musical genres, creating a unique sound and visual representation of ideas.
The album of 28 songs combines deep philosophy and modern musical elements, turning into a unique art project.

The laconic and capacious title reflects the main theme of the album - manipulation of power, hidden motives and political games inspired by the ideas of Nicola Machiavelli. The name "TRUTH Co. Ltd." emphasizes the duality of truth and its dependence on the context, enhancing the atmosphere of intrigue and mystery, emphasizes the symbolism and corporate metaphor of control over the truth and perception of reality.

The album covers a wide range of topics related to political struggle, such as justice, vanity, power, disguise of true intentions, flexibility of behavior, laws and orders of society, survival strategies, the desire to become a symbolic leader, changes in public consciousness, forces of nature (wind, waves), mass consciousness and the opposition of the individual to the collective. All these aspects are reflected in this album, making it multifaceted and deep.

Power Play. TRUTH Co. Ltd

Last Fortress

the checkmate is always a joke only fate understands

tekst Dunja Hrvatin C.

Mat za Kraj  Dunja Hrvatin C.

it fuses trip-hop and psychedelic rock drama born from insomnia nights and restless thoughts just a raw energy tangled in distortion

Gods Are Liars  Dunja Hrvatin C.

A widescreen, Smashing Pumpkins-esque psychedelic journey. “Garden of Ghosts” layers fuzz, chorus-drenched leads, and mellotron swells over a hypnotic pulse. The lyric drifts through memory and myth; the chorus blooms with choir-like stacks and a melodic, singing lead guitar. A dream sequence bridge dissolves into a tidal final chorus. Ideal for alt/psych rock, night-drive, and cinematic playlists.

Garden of Ghosts

Cyrodradge

Contrax

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🌟 Welcome to your new home for Powerful Anthems & Neurodiversity Empowerment! Enjoy dynamic Pop Rock, Alternative Rock, EDM, and heartfelt acoustic sessions crafted to uplift and inspire. Advocating ADHD, Autism, Dyslexia, and Mental Health through authentic storytelling and emotional connection. Expect anthem-style songs like Paramore, Avril Lavigne, Bon Jovi & Imagine Dragons. 🌟 


Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

I am a passionate amateur music producer from Croatia using and learning basic FL Studio in my spare time. While not a professional, I possess extensive knowledge of various musical cultures and genres. I'm an avid admirer of the pioneers of hip-hop production, particularly Pete Rock & CL Smooth.
My musical tastes also extend to jazz and funk, with deep appreciation for artists like Herbie Hancock, Chick Corea, and the Jazz Fusion movement, as well as Funkadelic and Parliament.

In addition to these genres, I have a strong love for classical music and many other styles.
I grew up with electronic music, which remains a vital part of my daily life. My inspiration for mixing comes from the pioneers and, to me, the giants of the progressive house scene such as Dave Seaman, John Digweed, Seb Fontaine, and Desyn Masiello ❤, whose sets I've listened to hundreds of times.

I use Virtual DJ for mixing on my PC and have two of my own tracks and a set of 1 hour and 20 minutes available on my profile. Feel free to explore my mixes and join me!

Just making and uploading my sh*tty demos

WEB RADIO - ATELIERS - EVENT

Station Station est une web radio associative basée à La Station — Gare des Mines
www.stationstation.fr

Grafenberg is a sonic explorer whose path spans from the DJ booth to the edges of contemporary electronic production. After two decades of collecting and spinning techno, minimal and deep underground records, he transformed that passion into a personal language of textures and contrasts.

His debut EP on Traumwelten was both a tribute to the artists who shaped him and a declaration of his own voice. Since then, Grafenberg has expanded his sound, weaving deep techno foundations with cinematic atmospheres, hypnotic grooves, and moog-driven nostalgia.

In 2025, Grafenberg released “No Saints, No Proof”, an album that pushes his music into new emotional and conceptual territory—blurring the line between the dancefloor and inner reflection. Looking ahead, his upcoming project “Erebion’s Dominion” promises to further expand this vision, unfolding as a narrative between cosmic darkness and redemptive light.

Forever chasing innovation and raw emotion, Grafenberg bridges the legacy of techno with new horizons, where every note tells a fragment of dream or utopia.

@milkweedhummingbird

Multi-instrumentalist, songwriter, producer, audio engineer, live sound production, poet, visual artist, gardener, ultramarathoner.

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets: John Beckmann’s Cinematic Descent Into the Electric Psyche

In the sprawling constellation of modern music, The Mortal Prophets occupy a shadowed corner—less a “band” in the traditional sense than a living, breathing séance conducted by John Beckmann. Across a series of albums, Beckmann has been excavating the strata of Americana, dream pop, blues, and avant-garde minimalism, folding them into a fever-dream narrative that feels like it was beamed from a late-night pirate radio station somewhere between the Mississippi Delta and the outer rings of Saturn. 

Beckmann, who founded New York’s Axis Mundi Design before turning his obsessive creative drive toward music, approaches songwriting like a visual architect—each track a space you inhabit rather than simply hear. His arrangements have the tension of architectural blueprints: precision married to instinct, steel and stone softened by ambient light. In GUITARWORKS II, the most recent installment in a sprawling instrumental odyssey, guitar tones unspool like distant telegraph wires, calling to mind Robert Fripp’s collaborations with Brian Eno, or the glacial drift of Cluster’s experimental soundscapes. It’s profoundly cinematic, yet never ornamental.

If Beckmann’s earlier releases (Stomp The Devil, Me and The Devil, Dealey Plaza Blues) reached back into mythic Americana—the open road, outlaw ballads, acid-washed folk visions—his more recent work tilts toward the abstract, replacing narrative with mood. This is music that understands how memory works: fractured, impressionistic, prone to bleed between truth and hallucination. The Mortal Prophets operate in that liminal space where you’re not sure if you’re dreaming, or just remembering wrong. 

Vocally, when Beckmann steps to the mic, it’s with a delivery equal parts Leonard Cohen confession and Bowie-esque theater—half-smirk, half-sermon. Lyrically, he trades in arcane symbols and sly allusions: 19th-century mystics rub shoulders with dive-bar drifters, and romantic longing flickers like neon through a rain-soaked windshield. He’s not afraid of obliqueness; in fact, he seems to revel in it. Where many contemporary songwriters flatten their work into algorithm-friendly hooks, Beckmann builds labyrinths. 

Part of The Mortal Prophets’ magnetism lies in its refusal to settle. One album might summon the humid ghost-blues of Junior Kimbrough refracted through a loop pedal; the next might drift into synth-heavy dream pop worthy of an early-’90s 4AD release. Beckmann’s collaborators—rotating players drawn from both avant-garde and roots backgrounds—expand that sonic palette, giving the project an almost shapeshifting quality. 
In a cultural moment where genre boundaries are largely performative, Beckmann treats them as haunted ruins worth spelunking through. His songs feel like dispatches from parallel histories of American music—histories where psychedelia never died, where blues never got sanitized, and where experimentalism didn’t have to hide in academic halls. 

The Mortal Prophets may never break into the Billboard mainstream, but that’s hardly the point. Their appeal is in the slow burn, the intimacy of discovery. Beckmann’s work isn’t built for quick consumption; it’s built for listeners willing to linger, to decode, to wander down the long corridors he constructs. In an era obsessed with speed and surface, The Mortal Prophets offer the opposite: a deep dive into the echo chamber of the self, scored by a man who seems to know exactly how to make the walls sing.

New tracks tagged #psychedelicrock