"Elegy for Tinnitus", for strings and electronics, incorporates and processes the frequencies that have plagued the composer for years. Each section serves as both a distraction from and a contemplation of this persistent condition. Through music, the composer approaches the hope that it may become just a distant requiem for his whistles, also offering a different way to fall asleep by masking unwanted sounds, and with the hope of being able to help others who suffer from the same condition.

Elegy for Tinnitus - IV

Elegy for Tinnitus - III

Elegy for Tinnitus - II

Elegy for Tinnitus - I

**Baptism by Fire**  

In the ruins of an ancient Sumerian temple, a prophecy lay etched in cuneiform, its words echoing across millennia: *"The Baptism by Fire shall cleanse the Earth, and the fates of mortals will be sealed by the decree of the Anunnaki, the children of An and Ki."* For centuries, the warning was dismissed as a myth.  

The wise men of old, keepers of this knowledge, had whispered of the Anunnaki, celestial architects from the enigmatic planet Nibiru. They spoke of their descent to Earth, bearing gifts of knowledge and the burden of destiny. But their guidance was not eternal. When humanity strayed, the Anunnaki foretold, fire would rain from the heavens—a trial by flame to forge a new beginning or extinguish the old.  

In the year 2045, scientists detected an anomaly in the night sky: a crimson star drawing closer. Nibiru. Governments scrambled the wise men’s warnings resurfacing in digital archives. The "fire" was no metaphor; it was the Anunnaki's return. Cities crumbled under storms of plasma. Survivors knelt amid the chaos, staring skyward as the figures descended, wreathed in light.  

The Anunnaki had come to decree humanity’s fate. Rebirth or oblivion—the fire would decide.

Babtism by Fire (Raphael J. 2025)

Ein Quartett im klassischen Stil für die Holzblasinstrumente Flöte, Oboe, Klarinette und Fagott.

Opus 12 Quartett für Holzbläser in F

Diese vier Stücke entstanden, als ich eine emotionale stimmung mit cello und dunklen texturen kreieren wollte und dabei die neue suno variante 4,5 mich sehr unterstützte....

Dark Vibes 2

Dark Vibes 3

Dark Vibes 1

Dark Vibes 4

Raphael J. was born into the vibrant musical landscape of the 1960s, where he discovered his passion for guitar and songwriting at a young age. Throughout the late 70s, 80s, and 90s, he lent his talents to various folk bands, honing his craft and drawing inspiration from the mainstream folk charts of the time.

In the late 80s, Raphael's musical journey expanded into a new direction as he delved into the realm of electronic music, experimenting with composition on computers. Embracing the evolving technology, he seamlessly integrated eclectic influences into his music, blending traditional folk elements with modern electronic sounds.

Known for his melancholic yet versatile songwriting style, Raphael's compositions evoke a range of emotions, from the heroic to the classical, reflecting his openness to exploring diverse moods and themes. With each new creation, he continues to push the boundaries of his artistry, leaving an indelible mark on the ever-changing landscape of contemporary music.

All pieces published here were composed by me without AI, but by using a composition program that also created the music files.

New tracks tagged #quartett