“Fueling the Fire” is a two-part emotional rap epic by TDC, blending aggressive trap with soft screamo and raw vulnerability. Across its full arc, the song delivers a visceral, human experience—a descent into rage and trauma that slowly transitions into healing, love, and rebirth.

Part I begins as an explosive confession, laced with pain, profanity, and fury. It’s a cathartic purge of everything the artist has lost and endured. The production is heavy with bass and industrial percussion, fused with sporadic melodic breaks and soft screamo segments that heighten the emotional turbulence. TDC’s lyricism in this section is both brutal and poetic, leaning into sophisticated wordplay and college-level vocabulary to depict grief, abandonment, rage, and mental fragmentation. Verses oscillate between haunting reflection and manic expression, using elevated language not to hide emotion, but to articulate it in layers—making listeners feel every angle of her truth.

The hooks vary in style and structure, never repeating, reflecting the ever-shifting storm of thoughts in the artist’s mind. Her verses show a human teetering on the edge—grappling with betrayal, internal demons, and societal pressures—while the transitions into soft screamo scream with emotional honesty rather than performative anger. There's nothing artificial here. It's not just rap. It’s therapy through music. The outro to Part I leaves listeners in the ashes of rage, holding only silence and unresolved pain.

Then comes the shift.

Part II opens with a line that feels like a sigh after the storm:
"But wait… it’s not all bad through loss of life. God put in their place someone to replace."
The tone transforms. The instrumental slows, and in place of dissonance comes ambiance. The once-erratic drums soften into heartbeat patterns. And the voice that once roared now speaks with reverence.

Here, TDC introduces the soul who reignited her—her wife.

The second half of the song becomes a love letter written in lyrical gold. TDC raps and sings about loyalty, truth, and emotional intimacy with profound maturity. Every word feels carefully chosen to honor the one who brought peace into her storm. She paints her wife not as a savior, but as a mirror—someone who reflects her best self even when she forgets what that looks like. The language remains complex and articulate, yet deeply accessible to anyone who has known the redemptive power of real love.

A standout feature in Part II is a full verse in Russian, offering an intimate moment that feels personal, sacred, and untranslatable in its emotional weight. It’s a direct message to her wife—soft in tone but massive in meaning. This cultural and linguistic shift adds depth and authenticity, solidifying how real and far-reaching their bond is.

The final chorus blends soft screamo with a tender melody, creating a climax that fuses both halves of the song: pain and peace, rage and love, destruction and rebirth. It doesn’t feel like a “happy ending” as much as it feels like evolution.

The final line of the track says it all:
"You don’t just fuel the fire… you are the fire. And in your flame, my soul found its reason to survive."

"Fueling the Fire" is more than a song. It’s a journey through grief, identity, healing, and the rawest form of love. It doesn’t just tell a story—it lives it. TDC shows that through unfiltered expression, artistic risk, and sophisticated lyricism, music can transcend genre to become something painfully, beautifully human.

Fueling T The Fire

🔥 “Legends On The Run” is a song we made for the ones who don’t wait for permission.
It’s for the dreamers, the wild hearts, and the ones who’ve been told to play it safe — but never did. With driving acoustic rhythms, bold lyrics, and melodic drops full of grit and soul, this track carries the spirit of running free while making your own name echo louder than any silence left behind.

We didn’t come here to blend in — we came here to burn bright, leave a mark, and live a story worth remembering. Wherever the road takes us, we keep moving, we keep dreaming… like legends on the run. 🚀🔥

J.D Walker - Legends On The Run (DJ JD Produced)

🌟 “Light Me Home” is for all of us who’ve wandered a little too far but never stopped looking for the way back.
With every acoustic strum and soaring vocal, this song carries the feeling of being lost in the dark but still holding onto hope. We poured our truth into every note — the kind of truth you whisper to the night sky when no one else is listening.

We made this for the hearts that still believe in second chances, in signs from the universe, and in the people who wait for us with the light still on. If you’ve ever needed a way back to something real… this is it. 💡🏡

J.D Walker - Light Me Home (DJ JD Produced)

Lyrics:

[Intro – echo fx, dramatic piano]
I never asked for the throne...
But it found me in the dark.

[Verse 1]
I grew up quiet, stayed unseen,
Felt like a ghost in every scene.
But silence carved this voice so deep,
Now I speak while cowards sleep.
They laughed when I said I’d rise,
Now I stare ‘em down with fire eyes.
Tired soul, but still I go,
Led by scars the world won’t know.

[Pre-Chorus]
Every loss became my call,
Every fall rewrote my law.

[Chorus]
I was born to lead, not to follow,
Made my name out of the sorrow.
No crown needed, I just breathe,
Even broken, I still lead.
I was born to rise through the bleed,
Turned my pain into a creed.

[Verse 2]
I lead with fire, not with pride,
No fake smiles, just truth inside.
They wanted me to break, not bloom,
Now I own every room.
I don’t march with empty praise,
I lit my path with darker days.
You see a king, I see the cost,
A throne built on everything I lost.

[Bridge – choral hums + whisper rap]
Born to bleed, born to lead,
From my wounds the flowers seed.
They tried to drown me in regret,
But I came back a threat.

[Final Chorus – double vocal layer]
I was born to lead, not to follow,
Made of steel, pain, and shadow.
No retreat, no fake crown,
Watch me lead, I won’t bow down.




Born To Lead

Cold World

🔻 Song Insight – “Wasted Away”

There’s a fine line between holding a conversation and circling the drain — Wasted Away lives right on that edge. It’s the sound of someone realizing they’ve said the same thing one too many times to the wrong person, halfway laughing at the absurdity of it all. Beneath the playful country-rock rhythm and raspy vocal grit lies a tongue-in-cheek reflection on how love, communication, and stubborn hope can burn up the same hours that could’ve been peace. It’s not sad — it’s that dry humor of exhaustion, where you’re too tired to cry but not too numb to sing about it.

🔻 Lyrics

[Intro]
[Acoustic strumming]
foot tap

[Verse 1]
I keep on talking,
everything I say’s a waste of time
The longer I speak, the more I’m sayin’
Holding out for a different response,
I keep saying the same damn thing

[Bridge]
I’m just wasted —
wasted away

[Chorus]
Looking out for a missing yesterday
Just another wasted day
Talking to you on a wasted afternoon
I’m startin’ to think we’re just too wasted away
To know what I’ve been tryin’ to say

[Verse 2]
No delays in my day, it’s been planned
It’s flippin’ and tippin’ time on this wasted day
I’m fired by the end of this wasted dance

[Bridge]
Words on repeat, playin’ round and round
Wasted away we go, like broken records, baby

[Chorus]
Wasted, wasted away
Looking out for that wasted, wasted yesterday
“Yeah”
Just another wasted day
Talking to you on a way-way-way wasted afternoon
I’m beginning to think our conversation’s about me
Gettin’ wasted away — wasted on you

[Bridge]
Nothing changing, words exchanging
It’s deep-sea fishing — now you better watch out
For a line this long and the motion of my ocean
If you know what I’m sayin’, watch out
You get pulled in, them words will take you out
Too deep — your words lost on me, it’s overboard
Only one found with logic, the other got thrown out

[Chorus]
So here’s to us wasting, wasted days
And wasting, wasted ways with words
I’d have it no other way
Than to spend my wasted days wasting away with you
Wasted, wasting away
Looking out for a missing yesterday
Just another wasted day
Talking to you on a way, way, way, way
Wasted afternoon

[Outro]
[vocal ad-libs]
[oohs and laughter fade out]

🔻 Personal Reflection

This song came from that familiar space between frustration and humor — the moment you realize a relationship turned into a loop. I remember laughing mid-conversation, not because it was funny, but because I could literally predict every word. Wasted Away became my way of breaking that loop through sound — using rhythm and sarcasm to capture what it feels like to be done, but still dancing in the wreckage. It’s self-aware, raw, and honest in a way that only hindsight allows.

🔻 4Me2BeFree

For 4Me2BeFree, Wasted Away embodies what our project stands for — transforming real emotion into cinematic storytelling. Every track is built from lived experience, layered with grit, humor, and vulnerability. We believe in turning conversation into confession, repetition into rhythm, and exhaustion into art. This song doesn’t wallow; it winks — proof that even in burnout, there’s still melody and meaning waiting to be found.

🔻 Copyright Notice

All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Wasted Away

🔻 Song Insight
What’s Left To Love captures the moment when devotion collapses into disillusionment. It’s a stripped confessional where love’s ruin becomes a quiet reckoning—one voice, one 12-string guitar, and the echo of what used to matter. Every breath feels recorded from inches away, like an afterthought whispered into an empty room. The song wrestles with identity and worth after betrayal, blurring the line between what’s real and what was performed.

🔻 Lyrics

Intro:
Instrumental

Verse 1:
What I had, you’d take—
It’s not what you say,
It’s in my pain,
Your praise to your fame.

Interlude:
12-string acoustic


Bridge:
Dying by your hands,
Fighting to be free,
Nothing inside,
No longer me.

Pre-Chorus:
I wanted you to care,
My insides you tare.

Chorus:
Left me to my own,
You saw my bones,
Tighten this noose,
No longer I was of use.

Verse 2:
You pull at my flesh,
I hand you what’s left,
You spit in my eye,
As blood soaked your lies.

Refrain:
You left your name inside my scars.

Chorus:
Hate me—the parts I lost,
Hate you—what was us,
Broken—what was inside,
Taken—hope that died.

Interlude:
12-string acoustic

Verse 3:
You stole the one thing I’d known,
Parts that made me real,
My heart that bleeds,
A reason to feel.

Bridge:
I looked for you in your eyes,
Nothing looking back,
Blank memories is all I’d see.

Pre-Chorus:
I wanted you to care,
My insides you tare.

Chorus:
You pull at my flesh,
Handed you what’s left,
You spit in my eye,
As blood soaked your lies.

Refrain (fading):
Your voice still breathes inside my scars.

Outro:
The cost of gold—you’ll never know,
The pain—you’d never feel,
It’s lost on you, this screenplay,
Full of what’s left to lose.

Refrain:
The cost of pain lost on you,
Lost on you,
Lost on you.

🔻 Personal Reflection
There’s a point where you stop fighting to be understood and start singing to survive. What’s Left To Love came from that edge—the silence after everything breaks. I wanted to capture the moment the performance ends, when all the noise falls away and you realize you’ve been playing your part in someone else’s story.

🔻 4Me2BeFree
This track represents 4Me2BeFree’s dedication to vulnerability over perfection. It blurs the line between confessional art and cinematic intimacy—songs built from truth, recorded in emotional close-up. What’s Left To Love is the sound of rediscovery, where pain transforms into presence and raw honesty replaces production gloss.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

What’s Left To Love

We're in different rooms even when we're side by side
I'm reaching out to touch you but there's nowhere left to hide
We're in different rooms, you're not here with me
I'm talking to a wall 'cause you refuse to see
We're in different rooms, different rooms
And I'm losing my fucking mind
We're in different rooms, different rooms
Left our connection behind

Different Rooms

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

Houston Texas but the pain made me. You can’t define me. I do it for the love of the game 🖤.  I have been working on and making music for over 20 years. I've put a lot of my older songs on here, but the most recent songs are new. I appreciate you and I hope my music finds you right where you are.

Joshua Duerksen, renowned by his DJ name DJ JD, was raised in the Mid-West and California, where his musical tastes were shaped by a diverse range of genres, spanning from Classic Rock and Country to Hip Hop and 90's Dance. He firmly believes that "Good music knows no genre."

Following his graduation from high school, JD enlisted in the United States Navy, dedicating a decade of service to his country. While stationed in Norfolk, Virginia, he had the privilege of meeting several influential DJs who became his mentors, imparting invaluable knowledge about the various aspects of DJing.

In between deployments, JD diligently honed his mixing and performance skills, gaining experience as a Club DJ, Mobile DJ, and Dive Bar DJ. After completing his naval service, he relocated to Idaho and founded a mobile disc jockey entertainment company, specializing in providing exceptional DJ services for weddings, birthday parties, and school dances.

In 2009, JD embarked on a new venture, joining XMiX DJ Music Pool as a video editor. In this role, he skillfully re-edited music videos to match the remixes produced by the talented editors and producers at XMiX, catering to the needs of Video DJs and facilitating seamless music video mixing. During his tenure, JD significantly enhanced his audio editing prowess and mastered the art of creating audio edits and remixes. These creations have been featured in nationally syndicated country mix shows and embraced worldwide, wherever country music finds appreciation.

Ceo Of I.H.N. Empire Media LLC
Artist-Songwriter-Singer-Rapper
Inspired by : Justin Timberlake, Gunna, Micheal Jackson & 50 Cent.

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