This song comes from a quiet place in my heart — that feeling of waking up and realizing you’re stuck in the same loop, doing all the things you’re “supposed to,” but feeling invisible in the process. It’s about how life can wear us down with repetition, how smiles can become habits instead of feelings, and how sometimes the smallest hopes — like a sunrise breaking through gray clouds — are the only things that keep us moving forward.

“Gray Skies Bloom” is me finding poetry in loneliness. It’s the soft ache of existing in a noisy world that rarely listens, but still whispering, “you’ll be okay.”


LYRICS:

[Verse 1]
Gray skies spill through window blinds
Coffee cold, I lose my mind
Same street signs, same painted smiles
Walking circles for miles and miles

[Pre-Chorus]
Every face a quiet storm
Every laugh a practiced form

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Verse 2]
Old songs hum from passing cars
Paper hearts and dying stars
People talking, no one hears
Trading secrets for souvenirs

[Pre-Chorus]
Every truth a borrowed lie
Every tear a lullaby

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Bridge]
Maybe we were born to fade
To dance in light that slowly frays
Maybe hope’s a tired refrain
But I still hum it just the same

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Outro]
Softly now, I close my eyes
Gray skies bloom into sunrise
One last breath before I fall
Maybe madness is it all

Gray Skies Bloom

Tom Aufrance's beautiful tenor voice rings out the Scottish and Irish folk song "The Parting Glass" in this pub scene. Accompanied by Mary Kay Aufrance, this song is a Celtic music standard worldwide. 

About the Song "The Parting Glass" - The song became a popular farewell song in both Scotland and Ireland, especially at the end of gatherings, before being superseded by "Auld Lang Syne". As a traditional ballad, "The Parting Glass" has evolved over time, with different versions and variations appearing in various collections and performances. 


The Parting Glass (Enhanced Remix)

This poem is a powerful act of self-reflection and humility. The author observes how people constantly intrude into the lives, thoughts, and emotions of others — judging, advising, and condemning — while rarely taking time to understand themselves.

Through irony and confession, the narrator admits his own guilt: the tendency to judge others without the right or the wisdom to do so. The poem contrasts human curiosity about others’ “souls” with the neglect of one’s own inner world.

In the final lines, the poet turns toward repentance and faith, acknowledging that only God has the authority to judge. True understanding, he concludes, comes not from examining others, but from looking deeply into one’s own soul — at any cost.

Покаяние

Inspired by a creative writing prompt matching random nouns and verbs.

Carpet Grassland

The Forgotten Moment

It begins on the threshold of silence. A single thought falls like the first raindrop onto still water, drawing quiet circles.

From the depths, a feeling ascends, formless at first, a warm shadow searching for contour. It is the heavy breath of memory, an echo that as yet bears no name.

Slowly, it takes shape. A longing begins to sing, voices weaving into an intimate dialogue. The twilight deepens, filled with the bittersweet colour of those moments thought to be lost.

Until a sudden, clear beam of light breaks through the mist. It illuminates the scene for one precious instant. The feeling becomes clear, the memory suddenly present—tangible, luminous, and painfully beautiful.

"The Forgotten Moment" is the capturing of this fleeting instant: a rediscovery within the fade, just before the silence returns.

The Forgotten Moment

/// TRACKLIST ///

Robert Hood - Slow Motion Katrina
Vanessa Bedoret - Innce
Björk - Play Dead (Tim Simenon Orchestral Mix)
Requisit - Believe Me
DJ Python - Besos Robados [ft. Isabella Lovestory]
Salamanda - Puddle Underwater
Underworld - River of Bass
Total Blue - Corsair
Gregory Uhlmann - Mint Chip
Dawuna - Bottom Energy
Downstairs People - Kiss My Vibe
ishi vu - Touch of Cloth
Mr. Ho - 000 Baby (Original Mix)
Downstairs J - Solid Air City
Ryuichi Sakamoto - Rain
Rosalía - La Yugular
Dedekind Cut - Spiral
Kkoki, Emil Romer, Mathis Ruffing - 고백 (Go Back)
Joy Guidry - It's Okay to Let Me Go

A FALL INTO ANATOMY | MK ULTRA | 11.14.25 | CATSKILLS, NY

An emotional and introspective ballad about the beauty and fragility of life, and our collective responsibility to protect the world around us. Inspired by stargazing and the persistent rhythm of hope that drives us through life’s hardships.

"Protect this fragile breath of time, It’s all we have — this spark divine."

This song is for all who love the Earth, who have known pain yet still choose to dance beneath the rain. I hope this melody can accompany you in your moments of reflection.

Fragile Breath of Time

Reflections on starting again, embracing our own rhythms and the choice available to us in every moment.

In a Moment #77

Here I am again. Haha! So… This song is a sonic manifesto about time, relativity, and the inner struggle between stagnation and movement. In addition, it is an artistic and philosophical experiment, where time, relativity, and emotion intertwine in complex sonic layers.

Va=St²

Serendipity

Beneath that Felt Sky,
where no stars could fly,
I still saw them there,
beneath your stare.

And lost in your embrace,
I found my place,
where God made division by zero,

Few still know, if they think they show, then.

from: sincopevagal.com

Felt Sky [Animae Quietae Vol. 2 Collection]

As Wolf Hagen, I compose music for the silence between the notes. Drawing from the tradition of great masters like Bach and Pachelbel, I find inspiration to weave baroque clarity with the emotional complexity of our time.
The interplay of piano and cello stands at the heart of my work – two voices that complement, challenge, and exist in harmonic tension with each other. I add orchestral elements with care, never to dominate, but to open spaces: for reflection, for stillness, for those precious moments of pause.
My compositions are not statements, but invitations – to discover hidden emotions, to find quiet in a noisy world.

Patrick Séguin, independent gay artist from Montreal. Bilingual Quebecer creating Countrywave — warm synths, cinematic guitars, raw vocals. From shadow to golden light.
My passion: rebuilding through music. Versatile instrumentals for creators + emotional songs exploring melancholy, hope, and euphoria. Every track is an act of reconstruction.
Listening to your body and emotions means giving life a chance.

ENG: Merely an existence within a (vast) universe brimming with vibrating strings. I’ve always written the lyrics, but I’ve never shared them in the form of a song — well, now I’ve decided to share them.


PT-BR: Meramente uma existência em um (vasto) universo tecido por cordas vibrantes. Sempre criei as letras, mas nunca compartilhei em formato de canção — bom, agora, decidi compartilhá-las.


日本語: ただ、振動する弦に満ちた（広大な）宇宙の中の一存在。いつも歌詞は作ってきましたが、曲としては一度も共有したことがありませんでした。――でも、今はそれを共有することに決めました。— I'm studying Japanese... Ah... Look, I'm trying to learn. Haha!

🎧 DJ Denis Lop — Biography

Stage Name: DJ Club
Real Name: Denis L.
Born: April 9, 1980 — Nizhny Novgorod, Russia

DJ Denis Lop began his career in 1997 at Club “Spice” in Haifa, quickly becoming its resident from 1997–1998. His energetic style and unique musical taste led him to perform across numerous Israeli clubs throughout the late ’90s and early 2000s.

From 2001 to 2002, he served as a resident DJ at Club “Armageddon” (Karmiel), and from 2003 to 2004 — at Club “Spider” (Haifa).
Over the years, he played in many well-known venues, including:

Spice (Haifa) — 1997

Amsterdam (Haifa) — 1997

Valentines (Haifa) — 1998

Abaco (Haifa) — 1998

Energy (Akko) — 1999

Ha-Homa (Tel-Aviv) — 1999

Ace Bar (Nahariya) — 1999

Armageddon (Karmiel) — 2001–2002

Natan-Zan (Haifa) — 2001

Dolphinarium (Tel-Aviv) — 2001

Spider (Haifa) — 2003–2004

A-Oman (Jerusalem) — 2005

Technion Bar (Haifa) — 2005
…as well as many other smaller venues across Israel.

In 2008, his music program “Life in the Big City — 3” gained great recognition and toured multiple dance bars in Tel-Aviv.

After a six-year break from the DJ scene — during which he changed countries, built a new family, and left old memories behind — he returned with fresh energy. Moving to Canada marked a new creative chapter, inspiring him to continue making music, crafting new remixes, and performing in local clubs with a renewed sound and a distinctly Canadian groove.

✅ Personal Notes

Loves:
The 15 minutes before a club night begins — the silence, the calm heartbeat, everything ready… and everyone waiting for him to press Play.

Dislikes:
Beer and Coca-Cola.

Recommends:
Listening to classical music in headphones.

Knows:
Exactly when to “run” from the dancefloor before the crowd starts throwing tomatoes :)

Skills:
Can dance Tango.

We've been musical travelers throughout time, from our choral days singing Midieval, Renaissance and Music Theater, to performances as Celtic Band Gairin and Slim & Minnie Out West. Lately we have branched out into more current genres of Jazz and Singer-Songwriter performing our own originals. Travel the music with us, and enjoy!

Songwriting has been a lifelong passion for me, dating back to elementary school when I first began crafting stories, poems, and eventually lyrics. As a former drummer in various bands, I always relied on others to bring my words to life musically. However, after a long hiatus from drumming, I decided to take the leap and learn to compose music to accompany my lyrics. Through classes and dedication, I've embarked on a new journey, breathing fresh life into old lyrics and penning new ones. You'll find a mix of older and newer works here. Especially for some of the lyrics. 

Music has been a part of me for as long as I can remember. One of my earliest memories is being completely entranced by 'The Little Drummer Boy' as a very young child. There was something about the rhythm and the melody that just captivated me. I must have played it a thousand times, wearing the record out, and from that moment on, I was hooked. I knew I wanted to be a drummer and to create that magic for others. 

But I was too young then, and of course, I couldn't afford a drum set just yet. So, I turned to writing as a way to express myself. As I mentioned above, I started with stories, then poems, and eventually, lyrics. I found that writing was not only a way to tap into my creativity, but also a way to process my emotions and experiences. 

As I grew older, my love for music only deepened. I realized that music has this incredible power to transport us to different times and places, to evoke emotions and memories that we thought were long forgotten. It's a universal language that can bring people together like nothing else can. 

For me, writing lyrics is a cathartic experience. It's a way for me to tap into my emotions, to process the world around me, and to create something that I hope will resonate with others. And when I hear my words come to life in a song, it's truly magical. It's a feeling that never gets old, and it's what keeps me coming back to music time and time again. 

I love many genres of music and artists of many genres. And if you listen to some of my songs, you will find that I like to make songs of different genres as well as mix different genres into each song. One of my all-time favorite bands is Evanescence, and I have made a lot of songs where I have tried my best to emulate that sound. 

Now, I have recently started experimenting with new sounds. I never heard of glitch beats before I took music classes, and now I'm fascinated with the sound, so I have been experimenting with glitch beats recently. 

I hope you enjoy some of my songs. And thanks so much to everyone who has been listening so far. I truly appreciate it. I welcome constructive feedback to help me grow as an artist, and I appreciate your support. ❤️

BTW if you follow me, I will ALWAYS follow back. If I like your music, I will follow you, but if you don't follow me back within a week or so I will probably unfollow. The same goes for when I see someone listening to my music, I WILL follow, however, if they don't follow me back within a week or so, I'll unfollow, because I'm at my limit of follows and I want to follow back everyone who follows me. Did not know that SoundCloud limits us to following only 2000. 😢

*******************
VickStiX's Artist Manifesto
*******************

I am the static between truth and noise.
A pulse that cracks the silence open.
When the world forgets its conscience,
I remind it — one beat, one lyric, one spark.

I don’t shout to divide; I sing to awaken.
I don’t chase fame; I chase clarity.
My art is not a weapon — it’s a flare in the dark.
A signal to every soul that still believes in better.

Let the trolls rage, let the cowards hide.
They can’t drown out a voice that’s tuned to truth.
I will paint their lies in sound and light
until justice has a melody again.

Because protest is not anger — it’s hope with a megaphone.
And I was born to be loud.

🎶 VickStiX — Truth. Rhythm. Revolution.












All of my music is available for free use in non-commercial projects, personal content, and creative works. Whether you're creating videos, podcasts, or any other type of media, feel free to include my tracks as long as the project is non-profit.

I only ask that you credit me appropriately and, if possible, share your work with me—I’d love to see how my music enhances your creations.

For any commercial inquiries or collaborations, please feel free to reach out.

New tracks tagged #reflection