"Soccer is played wherever I go"
Music by Ruben Gonzales - www.rubengonzalez.info/
Mixed by Martin Fuks - www.responsivemusic.us

Soccer - Ruben Gonzales

Paul Synth returns to the fray in Amoeba with Responsive EP, an EP full of strength for the summer.

It expresses his maturity and background in music production with three powerful tracks for different times but on similar guidelines.

All most is a track between house and european techno style that emphasizes the fluidity of its groove and its synthesis with tonal variations. Thirteen Osbosne is a global track which highlights the vocal and trumpet, while Mikestone is a drier track though with an interesting vocal dub.

They all have a powerful groove and great sound that identify the producer. 

[AMO036] Paul Synth - Mikestone

This is my last EP released by Amoeba Label. I'm very happy and I hope you like it.
As its title says, in this epoque, my mind needed to show a responsive solution to join different styles in the same EP.
Since I started 20 years ago, I do not seek fame or money, just to make people listen to me, they can close their eyes and have a small moment of happiness.

Buy now in Beatport

Mikestone

Work in progress for "Pipestone Sediments", one of the soundtracks for Antegods, a game under development by Codeglue.

The Antegods soundtrack is created in collaboration with Claynote and is adaptive in nature. In other words: music will not progress linearly but will respond to changes in playing dynamics to match the changing tension of the game. This example snippet is riding the tension layers to give an idea of one of the possible outcomes for this composition.

Antegods is looking to be released in early 2018. More information on Antegods and its music production can be found here: www.igorski.nl/case/antegods

Antegods Soundtrack "Pipestone Sediments"

Did this one mostly as an experiment to get back into the swing of things, but Touhou and Sonic have some of the best music out there in terms of fast OSTs. Gonna have some more stuff in a bit so stay tuned~!

(did a little thing where i emulated my older track covers hehee)

Touhou Remixes

REMIX - Touhou 1 - Blade of Banishment

@kuprionmusic - Repetition Compulsion EP (swsvn013)
No matter what he’s doing, kuprion can’t stop producing hits. almost as if there is an inner compulsion, forcing him to create and compose. his Repetition Compulsion EP breaks the loop of your everyday club releases. 11.01.19 all shops

Repetition Compulsion EP

Buy on Bandcamp

kuprion - Surrogate (marked)

This set was played on the ambient floor of the Burning Bär 2019.
Mixed by: https://soundcloud.com/wyntmusic

kassette #73 - Wynt @ Burning Bär 2019

[ENTITY: @taubedj]
[OBJECT: TRIGGER LINE]
[SWSVN021]

Subjective [ACTION: MOVEMENT] filled [OBJECT: SPACE] with meaning -|- [LINES] were crossed {they move into [4][dimensions]} -|- [ENTITY: WE] resolved into repetitive [MOMENTS] after [moments] after [REDACTED]

Trigger Line

Taube - Trigger Line

Touhou: The Highly Responsive to Prayers - A Sacred Lot Remix by CaveMeat

Original soundtrack and game by ZUN Soft

TH01: HRtP ~ A Sacred Lot

Touhou: The Highly Responsive to Prayers (Reiiden) - Shrine Of The Wind Music Box Medley by cavmit. Introduced by CaveMeat

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
・ Original Youtube Video:
【in process...】

・Support me on Patreon:
【https://www.patreon.com/cavemeat】
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

-=-=-=-=- Buy/Listen to the song -=-=-=-=-
・ 
【in process...】
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
This is an unofficial fan-made Remix. Original game and soundtrack made by © ZUN Soft.

*===* Contacts *===*
・Discord:
@Ptitzken#9744

【Music Box Medley】Touhou 01: Highly Responsive to Prayers

Born in Cádiz (Spain), musician, DJ, and computer engineer, he began his journey into music production in 1993. From early experiments with trackers to mastering the most sophisticated DAWs of today, his evolution reflects a deep passion for sound and technology.

Immersed in the language of elegant Old and Nu Skool Breaks, he began performing at major events in his province by 1999. After completing his degree in computer engineering in 2004, he developed his own synthesis system using programming languages and mathematical principles.

Relocating to Seville for work and life, he matured musically and began shaping a personal, house-rooted style—playful, fluid, and distinct. In 2005, he joined Amoeba Label and Desertica Records, performing in numerous clubs around Seville and beyond.

His tracks have been released on Cray1 Labworks, Amoeba Label, Desertica Records, InOut Records, and many others. Whether crafting warm-up sessions or delivering high-energy sets, he thrives on groovy, dynamic structures that captivate the dancefloor.

Among his ongoing projects, he is especially focused on a new collaboration with his longtime musical partner TFunk—now known as Reference Sound.

Amoeba Label is a project that born in 2008 with the intention of offering a new and deep vision of the electronic contemporary dance music with a proper and serious style that is to half a way between many categories today existing; deep house, tech, nuhouse with a minimalist touch and always without forgetting a deep sense of the music.

[OBJECT: LABEL]
[LOCATION: BERLIN]
[ENTITIES: @taube | @wyntmusic | @djjetski_wav]
[releasing electronic music 
and h̸͢͠͞͡o̸҉͘҉ś̴̡͞t͢͜͢͢͜i͟͡ǹ͢͠͞g̸̷̀͘͜ ͘͟p̸͡a̴̶̵̸͠r҉̧͢t̀͢͡i͏҉e͏̷͏̢̨s̨̛]]

[DEMOS & CONTACT: via soundcloud DM only] {pleaѕe ѕend prιvaтe ѕoυndcloυd lιnĸ, wιтн download acтιvaтed}
[DESIGN: https://y.at/🍥☠️🍥]

I mainly write and release music under the name Drosophelia but will occasionally stray to other territories. My compositions usually blend acoustic and electronic instruments ranging from the traditional to more esoteric gizmos, using hand written software processors and algorithms which are also freely available for others on my website.

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