All aboard the monorail for a retro-futurist jaunt through dodgy-Disney's Antarcticaland!
https://painspeoplenow.bandcamp.com/track/antarctica

AntArcticA

Retro-Future by Mr.Fly / Eternal Loop è la sintesi musicale di un percorso senza fine, che vede passato e presente fondersi. 
Destinazione: The Future.

@mr-fly_eternal_loop

Jail Echo Kontrol Order•Auxiliary Rave Endless Area

Retro/Future by Mr.Fly / Eternal Loop

Passing through a dystopian futuristic city

Passing Through

"INVISIBLE" is a hypnotic journey blending robust retro-futuristic sounds, uplifting energy, and spiritual depth. Inviting listeners to close their eyes to truly see, the track fuses irresistible basslines, dreamy vocals, and vibrant electronic textures. Embracing the unseen as essential, it celebrates music as a doorway to higher consciousness—ideal for playlists craving euphoric vibes, introspective moments, and peak-time club energy with a nostalgic, future-forward twist.

INVISIBLE (radio edit)

Bali Ha’i is basically a retro-future piece from the new album, a cover song pulling influences from both 2000’s Goa Trance and 1950’s exotica and tiki lounge. There’s also a lot of digital turntable work in the middle. This piece is all over the place with its hybrid symphonic and electronic elements.

“Bali Ha’i” was originally written by Richard Rodgers (music) and Oscar Hammerstein II (lyrics) for their 1949 musical South Pacific, which was based on James A. Michener’s Pulitzer Prize–winning book Tales of the South Pacific (1947).

Story Behind “Bali Ha’i”:

In the musical, “Bali Ha’i” is a mysterious, dreamlike island visible from the main island where American military personnel are stationed during World War II. The song is sung by Bloody Mary, a Tonkinese merchant woman, to entice the young Lt. Cable to visit the island—her intention is to introduce him to her daughter, Liat.

While Bali Ha’i is fictional, it’s based on Ambae Island (formerly Aoba) in Vanuatu, which Michener saw from Espiritu Santo during his wartime service in the South Pacific. The name itself is inspired by Bali, but it’s not meant to reference the real island of Bali in Indonesia.

The song captures themes of longing, escape, seduction, and the mystical allure of the exotic—a perfect fit for the exotica genre later made popular by Martin Denny, Les Baxter and others. The melody is lush and haunting, and its mood of dreamy mysticism helped it transcend the musical and become a pop standard in the 1950s. I felt it deserved a Goa Trance remix, should we called it Tiki Trance? Trancexotica? ;)

The new album by Shatter the Matrix will contain various sorts of electronica, Goa trance, EDM, and hybrid cinematic orchestral styles. Enjoy!

Composed arranged and produced by Phil Justin.


Bali Ha'i

Mij Taz - a cyberpunk trapwave anthem from the underground streets of the neon night.

🎤 Male Ukrainian vocals run through vocoder FX and bitcrushed filters
🎸 Down-tuned guitars & dark analog synths
🔊 Heavy 808s, gated snares, and phonk-style swagger

This track is an ode to the ride that isn’t pretty - but it’s yours. It's loud. It smokes. And it has soul.

Inspired by late-night drifting, cracked taillights, and basslines that hit like your engine kicks.

Lyrics:

Мій ТАЗ - як перше кохання,
Газ у підлогу - і світ зникає.
Двигун реве, аж серце тане,
Резина - писк, асфальт згорає.

Кожен сигнал - то мій ритм,
Я на повному, без зайвих слів.
Крило підв'язане дротом,
Але душа моя - за кермом!

Мій ТАААЗ!
Рве, як звір, без гальм!
Я лечу - хай шепочуть там.
ТАААЗ - мій кайф, мій бит,
Асфальт димить - гума кипить!

Фари тьмяні, музло на повну,
Сусіди вже звикли до мого реву.
Сидіння рване, зате своє -
В ньому я живу, мов у кораблі.

Тут нема ні шику, ні хрому,
Та цей руль - мій штурвал по-домашньому.
Я знаю кожен скрип і шум,
Цей ТАЗ - мій друг, не просто бум.

Мій ТАААЗ!
Рве, як звір, без гальм!
Я лечу - хай шепочуть там.
ТАААЗ - мій кайф, мій бит,
Асфальт димить - гума кипить!

Світлофор - і я знову перший,
Не нова тачка, зате чесний.
На районі мене всі впізнають -
По звуку вихлопу і як шини горять.

Багажник - саб, у дверях - люфт,
Зате є душа, і в неї - пульс.
Це не просто тачка - це стиль життя,
ТААЗ - це я. Без нього - не я.

Мій ТАААЗ!
Рве, як звір, без гальм!
Я лечу - хай шепочуть там.
ТАААЗ - мій кайф, мій бит,
Асфальт димить - гума кипить!

Поки хтось мріє про іномарку,
Я в своєму - на повну марку.
ТААЗ - не просто купа металу,
Це моя дорога. І я їй не зраджу.

Mij Taz | Cyberpunk Trapwave Street Anthem (Vocoder FX, 808s, Synth-Rock Fusion)

Shatter the Matrix is one of the projects of composer Phil Justin, mostly high octane electronica music pulling from Goa trance, psytrance, world music, metal, funk, industrial, EDM, jazz as well as a ton of cinematic and orchestral colors. No real way to describe it except influences draw all the way from Infected Mushroom, Shpongle and Juno Reactor to John Williams, Danny Elfman and Bjork. With everything in between. Always a fun ride if you like busy and colorful music. Enjoy!!!

Pushing Bass and Rave culture, since 2011.

AreaAudio series & Tribe Disclosures 
run by R A S H

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DAL 2011, IN ORDINE SPARSO: ANCIENT METHODS, AND, D-LERIA, RETINA.IT, CLAUDIO FABRIANESI, FORMANT VALUE, DONA AKA DJ PLANT TEXTURE, MAX DURANTE, ROBERT BABICZ, WRONG ASSESSMENT, TOM DICICCO, WARIND, VSK, LUCIANO LAMANNA, DIAFRAMMA, NIGH/T\MARE, ARNAUD LE TEXIER, KILL TRAXX, CASSY, ANTONIO DE ANGELIS, KILL REF, GIGI GALLI, SIMONE BAUER, BUCK, THE/DAS, NASTIA, MAN OR MISTRESS, FRUZZ, EMIKA, TULLIA BENEDICTA, T KODE, ANEED, RAFFAELE ATTANASIO, SUPER FLU, PAN-POT, CEM3328, DJ W!LD, KEY CLEF, MANTRA ATSMM, ROTKELLER, BOUGAINVILLE, TECHNASIA, ROBERT OWENS, LOGOTECH E MOLTI ALTRI..

New tracks tagged #retro-future