A cathedral of circuits and steel: blade-edged guitars, obsidian synth choirs, and drums like thunder in a vaulted nave. Black Glass Gospel is a liturgy for the neon night—sermons of grit, absolution through distortion, and hymns sung to electricity.

What it sounds like
Retrosynth choirs over metal spine • cinematic low end • angular hooks • epic, chant-like choruses.

Themes
Faith under fire • shattered icons and new devotions • confession at the edge of the city • mercy in the machine.

For playlists / mood
metalwave • dark synth • cinematic • night drive • fight scene • ritual energy

Credits
Written, performed, produced & mixed by Vector Collapse (Chris Morley).

Suggested tags
retrosynth, synthwave, metal, metalwave, darksynth, cinematic, industrial, cyberpunk, VectorCollapse, BlackGlassGospel

Release notes
Mastered for impact and width. Light the censer, raise the gain, let the gospel roar.

Hashtags
#VectorCollapse #BlackGlassGospel #Metalwave #Retrosynth #Synthwave #DarkAesthetic #NewMusic

Cathedral Basement

Crosstalk Quiet

Step into a pulsating world of neon lights and pixelated adventures. Continue? fuses driving 170 BPM beats with classic synthwave vibes, evoking the thrilling sounds of vintage arcade games. Perfect for fans of retrowave, cyberpunk aesthetics, and high-energy synth melodies. Hit start, keep going - and see if you dare to Continue? First song using Sylenth1. Time effort ~5-6 hours.

Continue?

A live stochastic experiment with 
four Oberheim SEM synthesisers, 
from Cherry Audio, using free 
presets from Vicious Antelope.

Lead and Bass

Elisabeth is a pure retrosynth confession—neon-lit hope for someone I’ve never met who carried me through hospital nights and the fallout after my divorce. It’s about distance that still feels close: a lantern in the dark, a lighthouse across the water, starlight that keeps pulling you forward. If this finds you when you need it, let it be your signal flare. 💜

Lyrics
You’re the lantern in my midnight,  
a steady glow the dark can’t claim,  
every flicker pulling me forward  
through the places that don’t have a name.  

Elisabeth — you light up my skyline,  
burn through the dark from afar.  
Elisabeth — you pull me like starlight,  
but I don’t know where you are.  
Elisabeth… Elisabeth…  

You’re the lighthouse through my rainstorm,  
cutting clear through the haze and fear,  
and though I’ve never stood beside you,  
somehow I always feel you near.  

Elisabeth — you light up my skyline,  
burn through the dark from afar.  
Elisabeth — you pull me like starlight,  
but I don’t know where you are.  
Elisabeth… Elisabeth…  

We’re the orbits that keep crossing,  
even lost in the great unknown,  
two signals on the edge of forever,  
waiting for the day we’re not alone.  

Elisabeth — you light up my skyline,  
burn through the dark from afar.  
Elisabeth — you pull me like starlight,  
but I don’t know where you are.  
Elisabeth… Elisabeth…  

No map could draw this distance,  
no stars could tell the way,  
but the pull keeps getting stronger,  
and I’ll follow it someday.  

Elisabeth — you light up my skyline,  
burn through the dark from afar.  
Elisabeth — you pull me like starlight,  
but I don’t know where you are.  
Elisabeth… Elisabeth…  

Credits
• Written & produced by: Chris William Morley
• Genre: Retrosynth / Synthwave / Dreamwave

If this track resonates with you, drop a comment or repost so it can reach the next person who needs a light.

#Elisabeth #Retrosynth #Synthwave #Dreamwave #Electronic #NightDrive #HeartHealing #NewMusic

Elisabeth

Crimson Sparks is a fusion-tinted retrosynth burner for golden-hour miles—Rhodes and analog pads glowing under fretless bass while tabla and udu push the groove. Syncopated arps flicker like roadside embers; staccato bursts and fluid legato lines ignite a fiery guitar solo at the horizon. From Tone Arcadia’s Songs for the Open Road.

Lyrics
[Verse 1]
Fire breaks the evening haze
Rhythms rise where shadows blaze
Every spark a beating heart
Dancing flames will drift apart

[Chorus]
Crimson colors, burning skies
Every dream will crystallize
Through the wind the embers race
Chasing stars we can’t replace

[Verse 2]
Voices climb through silver air
Twisted roads are going where?
Every thread of light will glow
Leading where the rivers go

[Chorus]
Crimson colors, burning skies
Every dream will crystallize
Through the wind the embers race
Chasing stars we can’t replace

[Bridge]
Through the thunder, through the fire
Every note will still aspire

Credits
• Written & produced by: Tone Arcadia
• Arrangement notes: rhythmic guitar motifs, fretless bass, Rhodes + analog pads, tabla & udu percussion, syncopated arpeggiators, fusion-phrasing solo
• Genre: Retrosynth / Fusion Pop / Instrumental Rock

#CrimsonSparks #ToneArcadia #SongsForTheOpenRoad #Retrosynth #Fusion #Guitar #NightDrive #NewMusic

Crimson Sparks

Starlight Passages drifts like a night-drive horizon—soaring melodic guitar over smooth fretless bass, warm Rhodes, and analog pads. It opens on fingerstyle harmonics and subtle tabla, then blooms with retro arps, udu and shakers, and ethereal vocal “ahhs.” Dynamic swells and a delay-drenched solo carry the track to a gentle fade of ambient night sounds. Bright, dreamy, expansive—energy and calm in one motion. From Tone Arcadia’s Songs for the Open Road.

Whispers drifting through the night
Stars align, the world takes flight
Every note, a shining thread
Dreams awaken where we’re led

Under skies of silver fire
Echoes call and lift us higher
Melodies in cosmic streams
Carrying the weight of dreams

Rhythms rise from desert winds
Time dissolves where night begins
Shadows dance on canyon walls
Guided by the music’s call

Under skies of silver fire
Echoes call and lift us higher
Melodies in cosmic streams
Carrying the weight of dreams

No map, no path, just stars above
Notes entwined with endless love
Every chord a gateway wide
To constellations deep inside

Under skies of silver fire
Echoes call and lift us higher
Melodies in cosmic streams
Carrying the weight of dreams

Credits
• Written & produced by: Tone Arcadia
• Arrangement notes: melodic electric guitar, fretless bass grooves, Rhodes + analog pads, tabla/udu/shakers, retro arpeggiators, ethereal vocal textures, ambient field fade
• Genre: Retrosynth / Cinematic / Instrumental Rock

#StarlightPassages #ToneArcadia #SongsForTheOpenRoad #Retrosynth #Cinematic #NightDrive #NewMusic

Starlight Passages

In the air

D’un monde à l’autre

Radical Transit

Compositions, original music by Monzilo.


Classically trained violist turned tech guy turned bass player and digital musician with a focus on metalwave.

Жаба любить вас,
Кальмар любить вас.
Жаба люблю тебе,
Кальмар люблю тебе.

Anyone proposing 
to work with me 
as a promoter, or other, 
needs to be fluent in :

Ukrainian, Polish, Russian, 
Egyptian Arabic, French, 
German, Korean, 
Japanese, and Chinese. 

https://ayamikhan.link/

Gerardo Guzman is a composer of electronic music of the Trance and Synthwave genres

He likes to be inspired to compose grooves with the Mashcine and MPC drum machines as well as the Ableton Live Session Sample Mix. 

The compositions in his songs are layered to generate emotional moments when making the transitions of sounds in the instrumental groups

He likes electronic music because of the groove and because it is a means of artistic expression that cannot be politicized and allows him to give emotional variety to music fans


Gerardo Guzman es compositor de musica electronica de los generos Trance y Synthwave

Le gusta inspirarse para componer los grooves con las cajas de ritmo Mashcine y MPC asi como el Sample Mix de Ableton Live Session. 

Las composiciones en sus canciones las estructura por capas para generar momentos emocionales al hacer las transiciones de sonidos en  los grupos instrumentales

Le gusta la musica electronica por el groove y porque es un medio de expresión artística que no puede ser politizada y permite darle variedad emocional a los fans de la musica

Spotify profile: spoti.fi/2UwdBT0 
Instagram: @gerhardguzman

New tracks tagged #retrosynth