Uplifting Reveals

Moments Like This

Stars Align

Big Brother (feat. Sole, Zak Hinegk, Andrea Celestino & Andrea "Satomi" Bertorelli)

Omena

🕯️🖤✨ You Only Believe
by The Miracle Syndicate

You placed a candle on the window,
Said it keeps the fear outside.
But every shiver made it clearer—
You were praying to a lie.

I watched your hands pretend to tremble,
But they never meant to stay.
You only believe—
When no one’s watching you break.

I am not your shelter.
I am not your flame.
You only find your heaven
When you’re walking away.
You kneel in the silence,
But you don’t want to pray.
You only believe—
(Only believe)—
If you look away.

You wiped your doubts into the linen,
Hung your guilt above the door.
But your god is just a mirror,
And your faith is keeping score.

I heard your voice behind the curtain,
Still rehearsing what to say.
You only believe—
(Only believe)—
When the truth feels far away.

I am not your shelter.
I am not your flame.
You only find your heaven
When you’re walking away.
You kneel in the silence,
But you don’t want to pray.
You only believe—
(Only believe)—
If you look away.

Now the stained glass is broken.
(I don’t believe it...)
The choir is gone.
(I don’t believe it...)
But your ghost is still speaking,
(I don’t believe it...)
Like it did all along—
(I don’t believe it...)
When you walk away.

I am not your shelter.
I am not your flame.
You only find your heaven
When you’re walking away.
You kneel in the silence,
But you don’t want to pray.
You only believe—
(Only believe)—
If you look away.

Only believe—
(Only believe)—
If you look away.
(Only believe)—

Credits:
Written and performed by Elena Morgenstern, Nayeli Astra Xóchitl, and Brad Astra
Produced by The Miracle Syndicate
Mixed and mastered by Brad Astra at Nude Studio · Calgary · Canada
Label: Painful Records © 2025

Special Thanks:
To the ravens who guided our melodies, the universe for its endless inspiration, and to everyone who has been part of this journey. This music collection is dedicated to those who dream with their eyes open.

In Loving Memory:
To Rio, who always listened. 🐾🖤✨

You Only Believe

KHAT

Like and Follow for support and more awesome beats like this as always Enjoy the vibes Cheers.

Jiya Re Roshan - Original

Trevor Joe Lennon interviews Genie for Sputnik HQ  the band  new Album  "Loves You "
Sputnik: The Band’s music caught the attention of renowned producer Carl Glanville, known for his work with legends like Keith Richards, U2, and Frank Sinatra. Glanville’s collaboration with the band has resulted in recordings that are nothing short of stunning, adding a chillingly beautiful dimension to their sound.  available tomorrow on all streaming formats including Amazon  #SputnikHQ  #Geniemorrow Nigelrawles #TrevorJoeLennon  #Jamesdean

Genie from Sputnik HQ  Love You new album Trevor Joe lennon

GLAMOROUS SKY 2Ø25

1960s-style pop tune about being a Werewolf

The Werewolf

The Miracle Syndicate

"And thus the heart will break, yet brokenly live on: Even as a broken mirror." —Lord Byron

Founded and produced by Brad Astra

The Miracle Syndicate is an independent alternative music collective formed by Canadian producer and composer Brad Astra. Emerging from the outer edges of post-punk, dream pop, and shoegaze, the band’s sound fuses analog textures with emotional memory to create songs that feel both haunted and deliberate. Since its quiet inception, The Miracle Syndicate has grown into a global presence, with listeners drawn to its deeply personal recordings and cinematic tone.

The project began during a period marked by grief, transition, and emotional exile. Music became a way to stay present. The first real sound came from instruments left untouched for years, carrying the dust of another lifetime. When Astra picked them up, it felt less like reclaiming them and more like listening to something that had been waiting. From that moment on, he began building a workflow that allowed his inner world to speak clearly. With limited gear and deep intention, he shaped a sound that resonated more with feeling than fidelity. Plugins and tools became secondary. 

The truth was already in the strings.

Silence plays an equal role in the work. Astra treats it not as absence, but as design. The pauses between tracks are measured, not left to default. A sudden stop may mark resolution, but songs that drift into a final coda are given space, a deliberate moment for reflection, like a breath held between movements in a classical piece. For Astra, silence is not the end of a song. It is the invitation to stay with it just a little longer. In The Miracle Syndicate, silence becomes its own form of listening.

The emotional core of the music is difficult to name, somewhere between nostalgia, longing, reverence, and grief. Astra likens it to opening an old box of forgotten belongings, photographs, letters, objects that once meant everything. In that moment, memory returns like a ghost. Not always sad. Not always warm. Just present. These songs carry that same essence, flashes of reverence, regret, gratitude, and time’s slow unraveling. The music blends melancholy with a quiet sense of hope, holding space for the listener to reflect on what was lost and what might still be waiting.

While Astra remains the central composer and producer, the project includes two essential collaborators whose personalities help define its emotional cadence and landscape. Nayeli Astra Xóchitl, with her instinctive phrasing and emotionally precise delivery, provides both lead and harmony vocals that shape the project’s most intimate textures. Elena Morgenstern, based in Berlin, contributes both front and background vocals along with her analog synth work, adding restraint and emotional tension in equal measure. Their contributions do not decorate the songs. They ground them.

"This project wasn’t built for attention. It was built to survive me. Every song is a small part of what I couldn’t say out loud."
— Brad Astra

There is no chase for resolution in the recordings. The tracks are sculpted with intention, often left slightly fractured, preserving the emotional architecture of what first inspired them. The sound is raw, cinematic, and deliberate, never aiming for polish, but rather for truth.

"The Miracle Syndicate became a place to keep the things I couldn’t carry. Over time, it turned into something that listens back."

Listeners often describe The Miracle Syndicate as a lifeline, music that finds them in moments of emotional disconnect and offers a place to land. These songs are not about escape. They are small remedies, designed to ease the quiet storms we carry alone. Astra’s work doesn’t just put sound to silence, it gives form to feelings that are hard to name and harder to share. The goal is never clarity. It is resonance. The Miracle Syndicate becomes a kind of mirror, reflecting back the parts of us we didn’t know were still trying to speak.

Astra writes for himself first. The songs must cut through his own silence before they reach anyone else. They begin as private reflections, emotional fragments shaped by time, distance, and a kind of love that never fully resolves. The music becomes a form of survival. Not in defiance of pain, but in companionship with it. The Miracle Syndicate is not just a project. It is presence. It is the way Astra remains connected to the emotional weather of a full life, not always visible, but always felt.

"I’ve stopped trying to be understood. I make these songs for the few who understand without needing to."

The Miracle Syndicate is not chasing recognition. It was never built for that. The music lives in the present, created with care, released with intention, and left to find those who are ready to hear it. Each song is like a quiet offering, sent into the dark in case someone out there needs it. There is no mapped-out future. No promise of clarity. Just the hope that a listener, somewhere, might feel a little less alone.

The music becomes a hand held quietly in the dark.

When the music stops, what remains is never loud. It is not legacy, and it is not noise. It is that final note, the one that plays behind the credits, stirring everything that came before. The Miracle Syndicate leaves behind a quiet trace, something just beneath the skin.

A sound that stays long after the song is over.

All releases appear under Painful Records, an imprint dedicated to works that remain personal, patient, and present.

Painful Records stands for independence, integrity, and emotion in sound. What began as a small studio project has grown into a creative collective reaching listeners across continents.

Painful Records may incorporate AI-assisted tools within its production workflow. All creative decisions, composition, arrangement, and post-production are directed by the artists. We do not use AI to imitate other artists or voices. Every release is human-guided, emotionally intentional, and protected under applicable copyright law.

Painful Records, 2025.

"The wound is where the Light enters you."  —Rumí

Interviews by Trevor Joe Lennon.

http://trevorjoelennon.com

Farhan Saeed (Urdu: فرحان سعید ) is a Pakistani Singer. Farhan was the former lead vocalist of the Pakistani band Jal and is the owner of the restaurant Cafe Rock. He has sung in Urdu, Punjabi and English.
Acting career[edit]
Farhan started his acting career by debuting in a leading role in the 2014 Hum TV drama serial De Ijazat Jo Tu alongside Sohai Ali Abro, Saba Hameed and Javaid Sheikh. He then played the lead role as Mohid Shuja in ARY Digital's Mere Ajnabi alongside Urwa Hocane who was the female lead.[4] He is currently playing the lead role of Arsh Taimoor in Hum TV's hit drama serial Udaari, in which Urwa Hocane is casted opposite him again too. Along with acting in the drama, Farhan has also collaborated with Hadiqa Kiani for the OST that has topped music charts all over Pakistan.[5]

He is currently playing the lead role again in ARY Digital's Teri Chah Mein alongside Maria Wasti and Saboor Ali.
Solo career[edit]
On 3 September 2014,in an exclusive interview with The Express Tribune Farhan shocked the fans claiming that he has left Jal to pursue a solo career despite Goher Mumtaz offering him to continue his solo career while being a part of Jal.[1] On 8 September 2014, Farhan's departure was confirmed by Jal's guitarist Goher Mumtaz who wished him luck for his solo career.[2]

He made his Bollywood-singing breakthrough in 2014 by contributing a song to Vikram Bhatt's Creature 3D in 2014. The song, Naam-e-Wafa, is a romantic-duet with Indian vocalist Tulsi Kumar as the co-singer and Mithoon as the composer.

Garry Scott James originally from Nairn in Scotland, now based in SE London. He composes, edits and records music for dance/short film.

Get yours headphones on ladies and gentlemen boys and girls because Soundzilla is back with......Bass vengeance.

New tracks tagged #rock and pop