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Dia-Zé-Pam-100MG is a French composer and sound designer whose music exists at the collision point between classical romanticism and digital fragmentation.
Blending orchestral grandeur with the fractured precision of breakcore and IDM, his sound evokes the emotional intensity of Beethoven and Paganini filtered through the restless architectures of Aphex Twin, Go-Qualia, Venetian Snares, and Stazma.

His compositions are not pastiches of these influences — they are mutations.
He treats machines not as cold processors but as expressive instruments, shaping micro-glitches and rhythmic distortions with the same intention a violinist gives to bow pressure.
Each piece unfolds like a symphonic narrative: tension, release, transcendence.
Strings and choirs clash with granular synthesis, algorithmic drums converse with sacred harmonies — chaos refined into spiritual architecture.

Dia-Zé-Pam-100MG’s music can be described as “Fractal Romanticism” — a dialogue between the human and the machine, between emotion and algorithm.
Where others chase perfection, he sculpts imperfection into beauty.
His tracks feel alive: breathing, breaking, healing, shimmering with contradictions.

Working primarily in Ableton Live 12 Suite with Push 2, Livid Block, and Komplete Kontrol S61 Mk3, he performs his compositions like a digital conductor — orchestrating feedback, automation, and glitches as living gestures.
His goal is not entertainment but transcendence: to transform code, samples, and modulation into something divine, intimate, and timeless.

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