The Townspeople

A piece from the talented Mr. Anton Wuts that is just beautiful

Masters Futuna

Exigency

Riverside Night

Tico Tico No Fuba (Sparrow in the Cornmeal) is a crowd-pleasing arrangement for saxophone quartet, but also fun for the performers. This is a high-energy Grade 5 soca (soul-calypso) guaranteed to add variety to your program. Duration: 2:30.

Instrumentation: Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax.

Sheet music available at:
https://www.lostkeymusic.com/saxophone-quartet

Tico Tico No Fuba - Saxophone Quartet

Just a little silly something I wrote in an afternoon.

Virtual Zippo® Lighter

A gently swinging piece by the saxophonist and composer Peter Lehel.

Cuel Bloo

"Scramble" is roughly in sonata form in the way that themes recur in the overall structure. It is rhythmically driving in character, and makes use of many meter changes, cross-rhythms, and syncopation.

Scramble (Saxophone Quartet) [excerpt] - Dave Hollinden

Something fun and fast! View the score here: https://www.flipsnack.com/AE7BDC97C6F/birds-and-the-bees-sax-quartet/full-view.html

The Birds And The Bees (Sax Quartet)

Another sax quartet by saxophonist and composer Peter Lehel.

Funk-A-Lot

Saxomaphone is a dance piece influenced by a variety of clichés normally associated with the saxophone. There are melodic lines
derived from a variety of pop and jazz genres such as Ska, Reggae, and Hard Bop. I’ve taken these clichés and put them in contexts in
which they are not normally heard. One of the aspects of writing a sax quartet I found most interesting was seeing how the actual
timbre of the instrument is dependent upon the musical situation in which it is placed. A saxophonist playing Charlie Parker’s
Ornithology sounds very different from one playing the Paul Creston Saxophone Sonata. I’ve tried to use a variety of these sounds as
essential ingredients. For me, as a composer, notes are actually a small part of the compositional process. The structure, the macro
and micro-rhythms, the mood and, mainly, the overall sound of the instruments are much more important.

Saxomaphone

These are all pieces that were composed throughout my undergraduate studies at Missouri State University

A March to the Sea

Deos Mentis

Of Sorrow and Hope

The Crypt of the Queen

Splice the Mainbrace!

The Witch's Cauldron

A Leaf in the Wind

Another 'getting away from it all' experimental trip. 

Beyond The Spiral Arm

This is repository for my random music-making. At the moment, some sax quartets (all parts played by me).

Timothy Lee Miller is an American composer, orchestrator, arranger, and publisher writing contemporary classical and jazz music, as well as film and video game music.

Ken Walicki is an American composer who is widely recognized and acknowledged for his dramatic, and engaging music, which reflects the times in which we live. Because of his unusual and interesting background, his sound world has evolved into a unique combination of Art, Pop, Jazz, and World music. Walicki‘s influences include Gyorgy Ligeti, the Beatles, Led Zeppelin, Public Enemy, and much more. He was one of the first composers to use turntables in his music and the first composer to have turntables and a D.J. as regular members in a standing ensemble. His music has been performed throughout the world by, among others, the Kronos Quartet, ETHEL, the New Century Saxophone Quartet, the Soldier String Quartet, the Divan Consort, and members of the New York Philharmonic, The Los Angeles Symphony, The Los Angeles Chamber Symphony, The Detroit Symphony, The Pacific Symphony, the Istanbul Borusan Orchestra, and the SWR Kaiserslautern Orchestra. He is the composer-in-residence for the new music ensemble The Divan Consort. Walicki has received grants and commissions from a variety of organizations and performing ensembles including the American Composers Forum, the National Endowment for the Arts, the Jerome Foundation, the Kronos Quartet, the Mary Flagler Cary Trust, and Meet the Composer.
Growing up playing guitar in local Detroit garage bands, Walicki decided, at early age, he wanted to dedicate his life to music. His education included a two-year period in Germany as a Fulbright scholar where he studied with Karlheinz Stockhausen, Helmut Lachenmann, and Rolf Hempel. He was also an active participant in master classes with Aaron Copland, Samuel Barber, and William Schumann. After returning from Germany, he studied with Jere Hutcheson at Michigan State University where he received his Ph.D. Walicki enjoys traveling and finds it to be a fantastic source of inspiration. After
spending a large amount of time in the Middle East and the Indian Subcontinent, he has found these cultures to be particularly close to his heart. Together these experiences have made him a composer of diverse, accessible, physically, and spiritually moving, yet intellectually rigorous music. In addition to his music being presented in traditional concert music venues such as Lincoln Center in New York and the Liszt Academy in Budapest, his music has also been performed in new music clubs such as CBGB’s, the Knitting Factory, and countless cafes and storefronts throughout the world. Without compromising his values, he has made a point of writing music that relates to people and their situations. Walicki has collaborated with a variety of artists in the classical, pop, theater, film, and dance worlds, including Lydia Lunch, Dora Ohrenstein, the Doug Elkins Dance Company, Emmy winning producer/director Mark Obenhaus, American Opera Projects, Bermuda Triangle, Bang on a Can All-Stars, the Kronos Quartet, Divan Consort, and Ensemble Green. He was the founder and composer of the Ken Valitsky Ensemble, which included Regina Carter and Thomas Chapin as members. Previously, besides being on the faculty at New York University, Walicki has taught composition in Istanbul, Turkey at the Center for Advanced Music Techniques(MIAM), a department of Istanbul Technical University. Currently, he lives in Southern California with his son, and the family dogs. His music is available on Knitting Factory Works, C.R.I., CRS Artists, Channel Records, Albany Records and Ravello Records.

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

New tracks tagged #sax quartet