Ryan Muncy, baritone saxophone, Dan Nichols, recording engineer
Recorded on Without Words by Ensemble Dal Niente. Carrier Records 022, 2013.

Break for baritone saxophone & electronics

A live recording of A Sigh Felt Across The Earth for Alto Saxophone and Electronics.  The live processing of the saxophone was realized using SuperCollider.

A Sigh Felt Across The Earth

Dr. Walter Hoehn commissioned this piece for the 2010 Biennial Conference of the North American Saxophone Alliance (NASA). Playing on the acronym for the organization, I envisioned heavenly bodies and man-made satellites moving about, causing celestial music as they traveled. Orion, also the name of my grandson who's face adorns this page, is my most performed composition and was premiered at the conference in beautiful Athens, Georgia.

Orion 2010

Pieza para saxofón y electrónica compuesta por la compositora japonesa Karen Tanaka el 1997, Night Bird es una canción de amor que quiere recrear los susurros que los amantes se susurran al oído.

Es uns pieza que transmite paz, calma, tranquilidad y, porqué no decirlo, esperanza en medio de un mundo convulso por las guerras, la violencia y el ritmo estresante al cuál nos toca vivir en la actualidad.

NIGHT BIRD (1997) I Karen TANAKA

Fr@gm3nT (Fragment) is a work by Luke Harrald that features Derek Pascoe on saxophone improvising in competition with ENSEMBLE, an agent based, autonomous music generation system built by Luke Harrald.  The system interacts with the live performer through both playing an Iterated Prisoner's Dilemma game, which is modified to more closely reflect the interactions between improvising musicians in live performance.

fr@gm3nT - for saxophone and interactive electronics

Lidia Zielinska APHASIA for tenor saxophone and CD (2012)

Rafał Rachwał – tenor saxophone;
recorded in December, 2013 at Aula Nova in Poznań


Zielinska APHASIA for tenor saxophone and CD (2012)

Live recording at CAC Ses Voltes as part of Placa Base's project, ESPAI.
Premier: 29/04/2017 Palma de Mallorca 
saxophone soprano: Beatriz Tirado

Photo: Andreas Gefeller

G - Waves (Saxophone: Beatriz Tirado)

Favoleggiatori 2 is a work that includes computational creativity as the basis for a machine improviser. The machine co-improvises together with a human saxophonist and as such may be considered a duo of human and artiﬁcial musical intelligence. The activities of this machine improviser includes artiﬁcial swarms operating in dynamic topologies. The topologies represent memory of the performed music and are changed by human performance input. The swarm activities within the topologies are mapped onto electronic synthesis, MIDI instruments and spatialisation parameters which constitute the output of the machine improviser.

Favoleggiatori 2: April 26, 2018 concert

Arcando (Live at Sarc, with Franziska Schroeder)

Seclusion for Baryton saxophone and electronics by Giovanni Costantini

Born in Palma/Illes Balears on 11 May 1977; Mateu Malondra Flaquer is a composer, guitarist, researcher, programmer, curator and cultural manager who lives between the Balearic Islands and the United Kingdom.

He has had the fortune of working with musicians such as Arditti String Quartet, Vertixe Sonora, Bcn216, dissonArt, Ensemble Exposé, Insomnio, Mdi Ensemble, Plural Ensemble, Riot Ensemble, Vocalensemble NOVA, UMS’nJIP, Neus Estarellas, Mark Knoop, Takao Hyakutome, Tatsuki Narita, Jan Gerdes, Pilar Fontalba and conductors such as Gerry Cornelius, Beat Furrer, Yasuaki Itakura, Taco Kooistra, Fabián Panisello, Ulrich Pöhl, Roger Redgate, Robert HP Platz, J.M.Sánchez Verdú and Michel Tabachnik.

His music has been performed in such forums as Cairo Contemporary Music Days, Donaueschinger Musiktage-Next Generation, Forum Wallis, Gaudeamus Muziekweek, IMD-47-Internationale Ferienkurse für neuen Musik-OS, Festival Mixtur, Nact der Neuen Musik, NUNC2!, Unerhörte Musik, Sintése, Musikprotokoll-ORF and in such halls as L’Auditori-Barcelona, BKA-Theater Berlin, Concertgebouw Brugge, MISE-EN Place, Muziekcentrum First Philips, Studio Noru, Tokyo Opera City Recital Hall and Spectrum, among others.

Malondra started his composition studies with David Padros and Christian de Jong in Barcelona. In 2004 he moved to Maastricht where he did a BAMus and MMus in composition at ZUYD-Maastricht Conservatory, under Robert HP Platz. He also holds a BAMus in classical guitar performing from Den Haag Royal Conservatoire, under Enno Voorhorst. Malondra developed a PhD research at Kingston University-London, under the guidance of Paul Archbold and Oded Ben-Tal. Prof.Philip Grange and Prof.Roger Redgate awarded him the PhD in 2021. Masterclasses with Richard Barrett, Daniel D'Adamo, Brian Ferneyhough, Beat Furrer and Wolfgang Rihm.

Associate professor at Conservatori Superior de les Illes Balears between 2016 and 2021–Mixed media I-II and electroacoustic composition.

Between 2019 and 2022 he has been the Cultural Director and Chief Executive Officer of the Institut d'Estudis Baleàrics, PC of the Illes Balears public sector. 
Mateu Malondra has been the founder, artistic director and coordinator (2013-2019) of the ME_MMIX Festival, co-founder of the non-profit association Placa Base and the ensemble Placa Base Collective.

Recordings: Takao Hyakutome's solo debut CD, at label Chanpd’Action. Tomeu Moll solo debut CD. Vokalensemble NOVA/Musikprotokoll CD-ORF. Netherlands National Radio-4, Concertzender.nl and Relevant Tones-USA broadcasted his music.

Malondra’s music has been performed in Egypt, Europe, Iceland, Japan, México, the UK and the USA.

Recipient of a commission funded by Ernst von Siemens Musikstiftung.

Lidia Zielińska - composer
___________________________________________

WEBSITE: www.lidiazielinska.wordpress.com


Jeremy is a composer of acoustic and electroacoustic music.  He teaches at the  Longy School of Music of Bard College where he directs the Longy Computer Music Studio.

Jeremy's music has been performed by organizations such as Alea III, Longy Chamber Orchestra, Lorelei Ensemble, The Fourth Wall Ensemble, Vento Chairo, Longitude, Redline Brass Quintet, Aurora Borealis Festival, Electronic Music Midwest, Santa Fe International Festival of Electroacoustic Music, 60x60, SEAMUS, and ICMC.  He is also a member of the Boston Composers' Coalition.

His CD For the Love of Laughter is available through iTunes and his website.

Aaron Einbond’s work explores the intersection of instrumental music, sound installation, field recording, and technology, bringing the spontaneity of live performance together with computer interactivity. Recently Chicago-based Ensemble Dal Niente released his portrait album Without Words on Carrier Records, and SWR Experimentalstudio produced his Giga-Hertz prizewinning Cartographies for piano with two performers and electronics for the 47-loudspeaker Klangdom at ZKM in Karlsruhe. He teaches Music Composition, Sound, and Technology at City University London and is Co-Artistic Director of Qubit New Music Initiative with whom he curates and produces experimental media in New York.

Enzo Filippetti è professore di Sassofono al Conservatorio di Musica “S. Cecilia” di Roma. Sia come solista sia come componente del Quartetto di Sassofoni Accademia, ha tenuto concerti in Italia e in numerose e ripetute tournée in: U.S.A., Canada, Germania, Francia, Belgio, Austria, Spagna, Svizzera, Svezia, Finlandia, Cecoslovacchia, Venezuela, Brasile, Giappone, Malta, Grecia, Turchia, Ungheria, Croazia, Slovenia, Polonia, Lituania, Marocco, Romania, Etiopia e Albania. Si è esibito per importanti istituzioni musicali, festival e in sedi prestigiose quali La Biennale di Venezia, Mozarteum di Salisburgo, Conservatoire National Superieur de Musique de Paris, Guggenheim Museum di New York, Auditorium “Parco della Musica” di Roma, Cappella Paolina al Quirinale, Sala Mozart dell’Accademia Filarmonica di Bologna, Teatro “Teresa Carreño” di Caracas, Palau de La Musica di Valencia, Konzerthaus di Berna, Museo de Arte Contemporanea di Barcellona, Teatro “Lisinski” di Zagabria, University Concert Hall di Klapeida, Sala dei concerti del Conservatorio “G. Verdi” e Teatro “Alfieri” di Torino, Teatro “Rossini” di Pesaro, Teatro “G. Verdi” di Trieste, “Ted Mann” Teather di Minneapolis, Teatro “Diana” di Napoli, Istituzione Universitaria dei Concerti di Roma, Società dei Concerti “Barattelli” dell’Aquila, Festival di Taormina, Oratorio del Gonfalone, Festival di “Musica Verticale”, Festival di “Nuova Consonanza”, Festival “Nuovi Spazi Musicali, Festival “Romaeuropa” e Festival “Animato” a Roma, “Spaziomusica” Cagliari, Festival Pontino, Progetto ‘900 e oltre, Festival “Gamo” Firenze, “du Maurier Toronto Downtown Jazz Festival”, 1st European Jazz Festival in Athens, “Italy on Stage” New York e Toronto, “Kölner Geselleschaft Fur Neue Musik” Köln, “Inventionen” Berlino, “Centro para la Difusiòn de la Mùsica Contemporanea” Madrid, “European Conference of Promoters of New Music” Brescia, “Stichting Logos” Gent, “Musique en Scéne” Lyon, Europalia Bruxelles, Percfest Laigueglia, Festival “Massenet” St. Etienne (Francia), Miscloci Nemzetközi Operafesztivál (Ungheria), Expo’ 2008 Saragozza (Spagna), EMUFEST ’08 Roma, Hochschule für Musik “Hainns Eisler” di Berlino, Festival “Tres Cantos” Madrid, festival “Forte” Limburg (Belgio), Wintergreen Summer Music Festival (Virginia – USA). Ha collaborato con solisti di rilevanza internazionale tra cui Claude Delangle, Luisa Castellani, Alda Caiello, Bruno Canino, Massimiliano Damerini, Jan Van der Roost, Ars Ludi, Zagreb Saxophone Quartet, Sax Ensemble Madrid, I Solisti Aquilani, Banda dell’Aeronautica Militare Italiana, Banda della Guardia di Finanza. Molti compositori italiani, tra cui Ennio Morricone, Vittorio Fellegara, Franco Mannino e Marco di Bari, Ada Gentile, Matteo D’Amico, Nicola Sani, Giorgio Nottoli e Michelangelo Lupone gli hanno dedicato loro opere. Ha tenuto corsi, master-class e conferenze a San Francisco, Slovenia, Turchia, Venezuela, per i Corsi Internazionali di Lanciano, all’Istituto Musicale “O. Vecchi” di Modena e al Conservatorio “Pollini” di Padova. Con il Quartetto Accademia ha inciso diversi compact disc per Nuova Era, Dynamic e Rai Trade (con Bruno Canino), Edipan, Iktius, BMG-Ariola, Paganmusic, Riverberi Sonori, Domanimusica e da solo il cd “Saxophœnix” per la Cesmel. Impegnato nello sviluppo del repertorio di musica contemporanea, si occupa anche di ricerca del primo repertorio italiano e straniero per sassofono. Ha pubblicato libri di studi per Riverberi Sonori e Artemixta e scrive per la rivista “i Fiati”. Suona con sassofoni Selmer, ance Vandoren e fascette BG.
 
Enzo Filippetti is professor of Saxophone at the Conservatory of Music "S. Cecilia” in Rome after having taught for many years at the Conservatory of Music "A. Casella" dell'Aquila. Both as soloist and as a member of the Quartetto di Sassofoni Accademia has given concerts in Italy and in numerous and repeated tours in USA, Canada, Germany, France, Belgium, Austria, Spain, Switzerland, Sweden, Finland, ex Czechoslovakia, Venezuela, Brazil, Japan, Malta, Greece, Turkey, Hungary, Croatia, Slovenia, Poland, Lithuania, Morocco, Romania, Ethiopia and Albania. He has performed for important musical institutions, festivals and venues such as La Biennale di Venezia, the Mozarteum in Salzburg, Conservatoire National Superieur de Musique de Paris, the Guggenheim Museum in New York, Auditorium Parco della Musica in Rome, Cappella Paolina at the Quirinale, Sala Mozart dell'Accademia Filarmonica in Bologna, Teatro "Teresa Carreño" in Caracas, Palau de la Musica in Valencia, Konzerthaus in Bern, Museum of Contemporary Art in Barcelona, Teatro "Lisinski of Zagreb, University Concert Hall in Klapeida, Sala concerts of the Conservatory "G. Verdi” and Theater "Alfieri" in Torino, Teatro "Rossini" in Pesaro, Teatro "G. Verdi "Trieste, "Ted Mann” Teather of Minneapolis, Società dei Concerti "Barattelli” dell'Aquila, Festival of Taormina, Istitutzione Universitaria dei Concerti, Oratorio del Gonfalone, Festival of "Musica Verticale", Festival of "Nuova Consonanza" Festival" Nuovi Spazi Musicali” Festival "Romaeuropa" Festival "Animato” in Rome, "Spaziomusica" Cagliari, Festival Pontino, Progetto “900 e oltre”, Festival "Gamo" Firenze, "du Maurier Downtown Toronto Jazz Festival", 1st European Jazz Festival in Athens, "Italy on Stage" New York and Toronto, "Kölner Geselleschaft Fur Neue Musik" Köln, "Inventionen" Berlin, "Centro para la Difusion de la Musica Contemporanea" Madrid, "European Conference of Promoters of New Music "Brescia," Stichting Logos" Gent, "Musique en scène" Lyon, Europalia Brussels, Percfest Laigueglia, Massenet Festival St Etienne (France), Miscloci Nemzetközi Operafesztivál (Hungary), Expo '2008 Zaragoza (Spain), Rome EMUFEST' 08, Hochschule für Musik “Hainns Eisler” Berlin, Festival “Tres Cantos” Madrid. He has worked with international soloists including Claude Delangle, Luisa Castellani, Caiello Alda, Bruno Canino, Massimiliano Damerini, Jan Van der Roost, Ars Ludi, Zagreb Saxophone Quartet, Sax Ensemble (Madrid), I Solisti Aquilani, Banda dell'Aeronautica Militare Italiana, Banda della Guardia di Finanza. Many Italian composers such as Ennio Morricone, Vittorio Fellegara, Franco Mannino, Marco di Bari, Ada Gentile, Matteo D’Amico, Nicola Sani, Giorgio Nottoli e Michelangelo Lupone have dedicated their works. He has held courses, master classes and conferences in San Francisco, Slovenia, Turkey, Venezuela, for the International Courses of Lanciano at the Musical Institute "O. Vecchi" in Modena and Conservatorio "Pollini "in Padua. With the Quartetto di Sassofoni Accademia has recorded several compact discs for the Nuova Era, Dynamic and Rai Trade (with Bruno Canino), Edipan, Iktius, BMG-Ariola, Paganmusic, Riverberi Sonori, Domanimusica and for the Cesmel the Cd solo “Saxophœnix”. Engaged in the development of the repertoire of contemporary music, is also in search of the first Italian and foreign repertoire for saxophone. He has published books of studies for Reverberi Sonori e Cesmel and writes for the magazine "I Fiati." He plays saxophone Selmer, reeds Vandoren and BG ligature.



Professor de Saxòfon de l'Escola i Conservatori de Música de la Diputació a Tarragona.

Profesor de Saxofón en la Escuela y Conservatorio de Música de la Diputación a Tarragona.

Saxophone teacher at the School and Music Conservatory of Tarragona.

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