Mistakes

Digital Hell
Made in Furnace Tracker with SCC+(MSX additional sound chip), 2A03(NES/Famicom soundchip), and Generic PCM DAC.

Digital Hell

mix by me x https://soundcloud.com/quan-722056009 (all plats)
prod by https://soundcloud.com/joe-carusillo
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spin_again_w_quan2k (dj nunzi)

Jazz Quartet of drums, piano, standup bass, and flute recorded their rendition of Watermelon Man by Herbie Hancock at Shoreline Community College Music Studios.  

Jazz Quartet - Watermelon Man by Herbie Hancock

Alternative Rock duo, Kai and Ethan, recorded an original performance piece, Lonely, written and composed by Kai.  Both are Music Technology students at Shoreline Community College Audio Engineering Production program, and are multitalented in music composition and production.  

Lonely

This is from the *MEGA-SCC Cartridge SST Flash Version*, using the SCC chip *(2212P003)*.
Tracks are labeled with **(SCC)** at the end.
As with the ROM version, audio was recorded using the pseudo-stereo output of the *MSX SOUND ENHANCER* by *Lost Technology*.

05 Mid-Boss(SCC)

08 Theme of Liangah(SCC)

waste my time (with draco)

Senate Commerce Committee Chairman Ted Cruz said he would introduce legislation to establish AI sandboxes to allow companies “room to breathe” without running up against regulations. Cruz announced that proposal as well as a legislative framework for AI policy ahead of a Wednesday hearing before the Subcommittee on Science, Manufacturing, and Competitiveness on the administration’s recent AI Action Plan. The concept of regulatory sandboxes were among the more than 90 policy recommendations outlined in that document. Cruz said during the hearing: “Under the Sandbox Act, an AI user developer can identify obstructive regulations and request a waiver or a modification, which the government may grant for two years via a written agreement that must include a participant’s responsibility to mitigate health or consumer risks,” adding that “a regulatory sandbox is not a free pass. People creating or using AI still have to follow the same laws as everyone else.”

Drew Myklegard is stepping down from his role as deputy federal CIO after nearly four years, FedScoop has learned. Two sources with knowledge of the matter said Myklegard told colleagues he’s taking a role in the private sector and that his last day will be Sept. 22. A holdover from the Biden administration, Myklegard was appointed to the deputy federal CIO role in early 2022, after a more than eight-year stint in supporting IT operations at the Department of Veterans Affairs. During his time in the Office of the Federal CIO, he championed a number of key governmentwide technology modernization initiatives, including rolling out a new policy reforming federal cloud security authorizations under FedRAMP and guidance on how agencies acquire and inventory AI tools, among others. On Monday, Myklegard was recognized with a FedScoop 50 award in the Golden Gov: Federal Executive of the Year category.

The Daily Scoop Podcast is available every Monday-Friday afternoon.
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Sen. Ted Cruz eyes a regulatory AI sandbox program within OSTP; Drew Myklegard stepping down as deputy federal CIO

We Eatin by bioniX19 (featuring Mr Khopz)

A podcast covering the latest news & trends facing top government leaders on topics such as technology, management & workforce. Hosted by Billy Mitchell on FedScoop and released Monday-Friday.

Thanks for dropping in :) – Musical Reflections

Music is more than sound—it’s my lifeblood, my compass, my constant evolution. Today, my energy flows through the hypnotic pulses of techno and house, but the foundation was laid deep in the 90s, a golden age of hip-hop steeped in California's rich cultural mosaic. What fuels it all? Community. Whether you're an artist, an explorer, or simply driven by curiosity, you're welcome here. Passion is the only credential. If you're ready to dig in, let's journey together.

In the vibrant heart of West Alameda, California, amid the buzz of Buena Vista, a young Latino named Jess Pulgarian—nicknamed “Breeze” by his crew—grew up tuned to the rhythms of his surroundings. The streets sang in acid techno beats, hyphy hip-hop anthems, and whispers from the underground. They didn’t just play music—they became music.

Jess didn’t chase music. Music chose him. He remixed his environment, turning salvaged electronics into beat machines, blending hip-hop storytelling with futuristic synths until he birthed a sound that was utterly original. This love for tech and tunes fused into cyberpunk hip-hop—a collision of urban grit and sci-fi sonics.

Through tough times and long nights, he stayed locked in. Odd jobs, scraped savings, and a second-hand laptop kicked off what would become an underground rise. As “Glazzes,” he electrified late-night sets in raw club spaces, spreading his sound across SoundCloud and TikTok. His tracks hit with rawness and finesse—and listeners took note.

But fame brought new trials: the need to evolve, the dance between creativity and industry pressure. Jess never wavered. Change was a catalyst, not a compromise. Through collaboration and fearless experimentation, he kept building.

Now known as “Bionix,” Jess continues to redefine boundaries. He’s built a career rooted in sonic innovation and community impact—supporting his family, uplifting others, and refining the beat every step of the way. His next goal? Launch workshops in Alameda that pass on his journey to rising creatives.

Before you bounce, a little reminder: life’s rhythm is bold. Embrace range. Stretch your sound. Whether making music or making moves, let creativity be your compass.

I appreciate everyone who likes my music and listens, thank you for listening dont forget to follow the dopetok klick , fridays I produce so be on the look out , please reach out to me if theres any requests ill try to reach out as soon as possible , for the love of music.....

An odd teenager, that (for unknown reasons) got a strong urge(enough for painting a shirt and a face mask) to look like Gabumon, a BotBr, and decided to open his Soundcloud(previously privative) for publishing more specific songs.

My Dj Sets and Productions were not created entirely for club and dj sets. they serve as a reference to my journey as I can revisit and study sets of when I began and compare them to where I am now, 
allowing me to study my self and greater evolve with music. Respect the arts...
Currently ranked # 1 locally and #2  regionally for my EDM productions by reverbntion.
1
Local
2
Regional
71
National
110
Global
ֆɨʀ ʄʀɛӼ @ʟ●⸸ ⛧
respect da arts

New tracks tagged #scc