Ich feier den Scheiß [Flowtekk RMX]

Scheiss  Drauf- 2024-

Marvin Winterfeld - ScheissMusik (BRT Remix)

Scheiß egal Just nice

Stromschienen Syndikat - Scheiss Egal (District Red RMX) (Sped/Speed up 1,2% and REVERB 10%)

Neue Flow Varianten ausprobieren und evolven.

So ein Scheiss (SKIT)

weit über den Satelliten prod. `bsment

The rights to my edit of The Underworld rightfully belong to Kior and Schlot, for they represent the creative essence of the entire project. Kior was the conceptual architect, shaping the philosophy of the “experienced descent,” while Schlot transformed these ideas into sound and structure. Together they built the foundation upon which the edit stands. Their contribution was not supportive but essential—without Kior and Schlot, The Underworld (Edit) would not exist as it does today.

Yet the creative process reached far beyond theory. When Oxy stubbed his left toe against Schlot’s amplifier, the dull sound that followed became known as the “Echo of the Depths.” That moment of pain turned into a symbol of artistic sacrifice. Menniel’s toilet, too, became strangely significant: within its solitude, insights flowed; in the rhythm of flushing water, the team heard the pulse of the underworld itself. It became a paradoxical sanctuary of reflection and renewal.

Equally vital were Tryen’s raw eggs, embodying fragility and potential. Their unprocessed form mirrored the state of the edit—constantly in motion, never entirely stable. One egg even cracked over Kior’s notes, leaving a golden stain now regarded as the turning point of the work.

Ultimately, The Underworld (Edit) is not the product of intention alone, but of accident, symbolism, and devotion. It was shaped by pain, porcelain, and protein. Thus, the rights must belong to Kior and Schlot—not by legal claim, but by cosmic necessity.

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Die Rechte an meinem Edit von The Underworld gehören mit Recht Kior und Schlot, denn sie verkörpern den schöpferischen Kern des gesamten Projekts. Kior war der geistige Architekt des Konzepts: Seine Theorie des „erlebten Abstiegs“ gab der Arbeit Tiefe und Richtung. Schlot hingegen formte das Material selbst – er verstand Stille nicht als Leere, sondern als erzählerische Energie. Gemeinsam schufen sie die Struktur, auf der das Werk ruht. Ihr Einfluss war nicht ergänzend, sondern grundlegend: Ohne Kior und Schlot gäbe es The Underworld (Edit) nicht in seiner heutigen Form.

Doch der kreative Prozess war mehr als bloß Technik und Theorie – er war durchzogen von Symbolik und Zufall. Als Oxy sich den linken Zeh an Schlots Verstärker stieß, entstand ein Ton, der im Team als „Echo der Tiefe“ bekannt wurde. Dieses kleine Unglück wurde zum Sinnbild des Opfers, das wahre Kunst verlangt. Auch Menniels Toilette spielte eine unerwartete Rolle: In ihrer Einsamkeit fand man Ideen, im Rauschen des Wassers den Rhythmus der Unterwelt. Die Toilette wurde zum meditativen Ort der Erneuerung, ein Symbol für Reinigung und Rückkehr.

Tryens rohe Eier schließlich standen für das Unfertige, das Potenzial jeder Schöpfung. Ihre fragile Struktur spiegelte die Zerbrechlichkeit des Projekts wider – eines, das stets zwischen Chaos und Vollendung schwankte. Ein geplatztes Ei auf Kiors Notizen markierte sogar den Wendepunkt der Arbeit.

So zeigt sich: Das Werk ist nicht nur das Produkt menschlicher Intention, sondern auch von Schmerz, Porzellan und Eiweiß. Deshalb gehört The Underworld (Edit) Kior und Schlot – nicht durch Vertrag, sondern durch kosmische Notwendigkeit.

Kior, Schlot - Underworld (SPLINTR Edit)

Basiert auf einen meiner ältesten und ersten Rap Songs. Wenns gefällt, ich freu mich sehr über Likes und Kommentare dazu.

Scheiss auf Dich (Official)

Scheiß Scheiß Drogen

𝗦𝗧𝗢𝗙𝗙𝗜𝗦 𝗧𝗘𝗖𝗛𝗡𝗢 ᴰᴶ
Professional DJ Music
exclusively remixed or produced tracks 
HARD TECHNO/ DARK TECHNO/ TEKK/ BOUNCE
"ich überzeuge mit musik"
"i convince with music"

(ungewollte Remix-Dateien werden sofort gelöscht, einfach anschreiben kurz und Link dazu!)

rᴇsidᴇnᴛᴰᴶby: Ravers United
rᴇsidᴇnᴛᴰᴶby: Paraschuters (Nature One)
rᴇsidᴇnᴛᴰᴶby: Klopfton

Biography:

I got into DJing through my interest in techno music initially in the early 90s when techno was becoming more and more established in the clubs! At that time especially at private parties with and 
at friends, my great interest and enthusiasm for DJing arose through the confrontation between turntable and mixer that arose here and there and thus also my interest in producing music or DJing.
I try to modernize and reflect the dark bunker sound of today's popular club sounds. The techno direction I produce is a bassfull and at the same time driving techno sound with interesting dark melodies and sounds and
underlaid with suitable effect sounds. My selection of songs that I use for my podcasts are techno songs that I have listened to, made a selection 
and what I like about it in terms of taste, of course based on the common and hip club beats and sounds. After a long break, the goal is to reestablish myself in the scene with good sets and sounds. The aim would also be to have contacts 
and opportunities again through our own increasing polarity in order to
perhaps support and further help and promote younger talents more easily, but I will never really stop mixing or producing music myself, only the
performances will improve over the years will definitely be less. 
But definitely not now!!!!!!....... hopefully there will be many more musicthings and joint projects with other colleagues, which I'm really looking forward too! Thank you very much for listening and to be honest I'm just overwhelmed by how many really like my music and recommend me to others! Really drives you, does you good and I'll definitely keep doing it for you Safe  
mega mega mega cool "Techno connect's"

here are a few more things:

Instagram: www.instagram.com/stoffis_techno/

Soundcloud: https://soundcloud.com/stoffistechno

TICK TOCK:
tiktok.com/@STOFFISTECHNO

FACEBOOK:
https://www.facebook.com/StoffisTechno

HEARTHIS.AT:
https://hearthis.at/DJStoffi

Link tree:
https://linktr.ee/DJStoffi

YOUTUBE:
https://m.youtube.com/channel/UCcjDq8pD5kYCjjJ7rOFOnYA

TWITCH:
stoffistechno

INSTAGRAM:
@stoffis_techno

TWITTER:
https://twitter.com/stoffistechno

PAYPAL ME
https://www.paypal.me/CAdams739

Artist Page
https://app.imusician.pro/library/artists/3406157/artist-page

Rapper, Producer, Beatboxer and Beatmaker
Keeping it 100% Real
I aint Special, but you should understand...
NEW WIPS DROPPED!

Currently, I'm spending more time in the studio working on new songs and various projects. Starting in March 2025, live performances will pick up again, and maybe we'll see each other at one of my small concerts!

1/2 of @fmafb

,,Your music sounds like a broken tattoo machine" ~Mum

My Discord server: https://discord.gg/Vn2sV3WxzE

If the link doesn't work, just send me a DM

Kuss an alle die neuen Sound erzeugen. Ihr seid meine Helden 😎 🙏7️⃣7️⃣7️⃣

† The way, the truth and the life †

OUT NOW !! :  https://bsment.bandcamp.com/album/true-and-living-ep

THUG BRONSON EP IS ONLINE -- BANDCAMP--Check Bio ! PEACE! 

RIP Simone <3   

MUSIK FÜR DIE SEELE

New tracks tagged #scheiss