Khabbi Seat Ammy Virk

Khabi Seat | Ammy Virk | DBI Remix | Feat. DJ Light bass

4𝔁4 (ᵉᵖ) 𝓸𝓾𝓽 𝓷𝓸𝔀

₁. 1𝓍1
₂. 𝓊𝓃𝒹𝑜 𝓊
➌. 𝔀𝓪𝔂𝓼𝓲𝓭𝓮 
₄. 𝓀𝑜𝓉𝒶 𝑜𝓃 𝓉𝒽𝑒 𝓅𝓁𝒶𝓃𝑒
₅. 𝓊𝓃𝒹𝑜 𝓊 (4𝓍4 𝓂𝒾𝓍)

ₗₐₜₑ ₙᵢgₕₜ ₐₗₗ ᵤₚ ᵢₙ ₜₕₑ cₐᵣ ₛₑₐₜ
cᵣₐₛₕ ᵢₙₜₒ ₜₕₑ ₚₐₗₘ ₜᵣₑₑ
wₒᵤₗdₙ'ₜ ₚᵤₜ ᵢₜ ₚₐₛₜ ₘₑ ₗₐₜₑₗy
ₛᵤₙₗᵢgₕₜ ₛₕᵢₙₑ ᵤₚₒₙ ₘy wᵢₙdₒw
ₜₕₑy ₖₙₒw wₕₐₜ ᵢ dₒₙ'ₜ ₖₙₒw
ᵣₐₜₕₑᵣ bₑ ₐₛₗₑₑₚ ₜₕₒᵤgₕ 

ᵢ dₒₙ'ₜ ᵣₑₐₗₗy cₐᵣₑ ᵢf ₜₕₑ wₕₑₑₗₛ fₐₗₗ ₒff
ᵢ dₒₙ'ₜ ᵣₑₐₗₗy cₐᵣₑ ᵢf ᵢ cᵣₐₛₕ ₒᵣ ₙₒₜ
ᵢ'ᵥₑ bₑₑₙ ₑᵥₑᵣywₕₑᵣₑ ₐₙd ᵢ'ᵥₑ ₛₑₑₙ ᵢₜ ₐₗₗ
ₙₒ ₒₙₑ ᵣₑₐₗₗy ₖₙₒwₛ ₘy ₗₒᵥₑ ₘy ₗₒᵥₑ ₘy ₗₒᵥₑ 

ₛₒ ᵢ ₜᵣy ₒₚₑₙᵢₙg ᵤₚ ₘy ₕₑₐᵣₜ
ₜᵣy ₘₐₖᵢₙg ₐ bᵣₐₙd ₙₑw ₛₜₐᵣₜ
ₜᵣy ₜₐₖᵢₙg ₐwₐy ₜₕₑ ₚₐᵢₙ
ᵢ ₜₑₐᵣ ₐwₐy ₐₜ ₘy cₐgₑ
ᵢ ₜₕᵣₒw ᵢₜ ₐₗₗ ₜₒ ₜₕₑ wₐyₛᵢdₑ
ₙₒbₒdy ᵣₑₐₗₗy ₖₙₒwₛ ₘy ₗₒᵥₑ ₘy ₗₒᵥₑ ₘy ₗₒᵥₑ

...

𝔀𝓪𝔂𝓼𝓲𝓭𝓮
ʷʳⁱᵗᵗᵉⁿ 𝕟𝕚𝕟𝕒𝕛𝕚𝕣𝕒𝕔𝕙𝕚 & 𝕛𝕒𝕔𝕜 𝕝𝕒𝕓𝕠𝕫
ᵖʳᵒᵈᵘᶜᵉᵈ 𝕟𝕚𝕟𝕒𝕛𝕚𝕣𝕒𝕔𝕙𝕚 & 𝕛𝕒𝕔𝕜 𝕝𝕒𝕓𝕠𝕫
ᵐⁱˣᵉᵈ 𝕨𝕒𝕧𝕖 𝕣𝕒𝕔𝕖𝕣
ᵐᵃˢᵗᵉʳᵉᵈ 𝕨𝕒𝕪𝕟𝕖 𝕤𝕦𝕟𝕕𝕖𝕣𝕝𝕒𝕟𝕕
ᵃʳᵗʷᵒʳᵏ 𝕛𝕪𝕠𝕦𝕔𝕪𝕠

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stream & download

Wayside

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WINGZ & FANGZ

FRONT SEAT

[STREAM+DL]

beastboi. - FRONT SEAT

i feel like for every one step i take i fall two steps behind ^x-x^

passangerprincess

passanger princess

live edit Wayside from 4x4 ep 2023

𝐿𝒶𝓉𝑒 𝓃𝒾𝑔𝒽𝓉 𝒶𝓁𝓁 𝓊𝓅 𝒾𝓃 𝓉𝒽𝑒 𝒸𝒶𝓇 𝓈𝑒𝒶𝓉
𝒞𝓇𝒶𝓈𝒽 𝒾𝓃𝓉𝑜 𝓉𝒽𝑒 𝓅𝒶𝓁𝓂 𝓉𝓇𝑒𝑒
𝒲𝑜𝓊𝓁𝒹𝓃'𝓉 𝓅𝓊𝓉 𝒾𝓉 𝓅𝒶𝓈𝓉 𝓂𝑒
𝐿𝒶𝓉𝑒𝓁𝓎
𝒮𝓊𝓃𝓁𝒾𝑔𝒽𝓉 𝓈𝒽𝒾𝓃𝑒 𝓊𝓅𝑜𝓃 𝓂𝓎 𝓌𝒾𝓃𝒹𝑜𝓌
𝒯𝒽𝑒𝓎 𝓀𝓃𝑜𝓌 𝓌𝒽𝒶𝓉 𝐼 𝒹𝑜𝓃'𝓉 𝓀𝓃𝑜𝓌
𝑅𝒶𝓉𝒽𝑒𝓇 𝒷𝑒 𝒶𝓈𝓁𝑒𝑒𝓅 𝓉𝒽𝑜𝓊𝑔𝒽
𝐼 𝒹𝑜𝓃'𝓉 𝓇𝑒𝒶𝓁𝓁𝓎 𝒸𝒶𝓇𝑒 𝒾𝒻 𝓉𝒽𝑒 𝓌𝒽𝑒𝑒𝓁𝓈 𝒻𝒶𝓁𝓁 𝑜𝒻𝒻
𝐼 𝒹𝑜𝓃'𝓉 𝓇𝑒𝒶𝓁𝓁𝓎 𝒸𝒶𝓇𝑒 𝒾𝒻 𝐼 𝒸𝓇𝒶𝓈𝒽 𝑜𝓇 𝓃𝑜𝓉
𝐼'𝓋𝑒 𝒷𝑒𝑒𝓃 𝑒𝓋𝑒𝓇𝓎𝓌𝒽𝑒𝓇𝑒 𝒶𝓃𝒹 𝐼'𝓋𝑒 𝓈𝑒𝑒𝓃 𝒾𝓉 𝒶𝓁𝓁
𝒩𝑜 𝑜𝓃𝑒 𝓇𝑒𝒶𝓁𝓁𝓎 𝓀𝓃𝑜𝓌𝓈
𝑀𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒
𝒮𝑜 𝐼 𝓉𝓇𝓎 𝑜𝓅𝑒𝓃𝒾𝓃𝑔 𝓊𝓅 𝓂𝓎 𝒽𝑒𝒶𝓇𝓉
𝒯𝓇𝓎 𝓂𝒶𝓀𝒾𝓃𝑔 𝒶 𝒷𝓇𝒶𝓃𝒹 𝓃𝑒𝓌 𝓈𝓉𝒶𝓇𝓉
𝒯𝓇𝓎 𝓉𝒶𝓀𝒾𝓃𝑔 𝒶𝓌𝒶𝓎 𝓉𝒽𝑒 𝓅𝒶𝒾𝓃
𝐼 𝓉𝑒𝒶𝓇 𝒶𝓌𝒶𝓎 𝒶𝓉 𝓂𝓎 𝒸𝒶𝑔𝑒
𝐼 𝓉𝒽𝓇𝑜𝓌 𝒾𝓉 𝒶𝓁𝓁 𝓉𝑜 𝓉𝒽𝑒 𝓌𝒶𝓎𝓈𝒾𝒹𝑒
𝒩𝑜𝒷𝑜𝒹𝓎 𝓇𝑒𝒶𝓁𝓁𝓎 𝓀𝓃𝑜𝓌𝓈
𝑀𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒
𝐿𝒶𝓉𝑒 𝓃𝒾𝑔𝒽𝓉 𝒶𝓁𝓁 𝓊𝓅 𝒾𝓃 𝓉𝒽𝑒 𝒸𝒶𝓇 𝓈𝑒𝒶𝓉
𝒞𝓇𝒶𝓈𝒽 𝒾𝓃𝓉𝑜 𝓉𝒽𝑒 𝓅𝒶𝓁𝓂 𝓉𝓇𝑒𝑒
𝒲𝑜𝓊𝓁𝒹𝓃'𝓉 𝓅𝓊𝓉 𝒾𝓉 𝓅𝒶𝓈𝓉 𝓂𝑒
𝐿𝒶𝓉𝑒𝓁𝓎
𝒮𝓊𝓃𝓁𝒾𝑔𝒽𝓉 𝓈𝒽𝒾𝓃𝑒 𝓊𝓅𝑜𝓃 𝓂𝓎 𝓌𝒾𝓃𝒹𝑜𝓌
𝒯𝒽𝑒𝓎 𝓀𝓃𝑜𝓌 𝓌𝒽𝒶𝓉 𝐼 𝒹𝑜𝓃'𝓉 𝓀𝓃𝑜𝓌
𝑅𝒶𝓉𝒽𝑒𝓇 𝒷𝑒 𝒶𝓈𝓁𝑒𝑒𝓅 𝓉𝒽𝑜𝓊𝑔𝒽
𝐼 𝒹𝑜𝓃'𝓉 𝐼 𝐼
𝐼 𝒹𝑜𝓃'𝓉 𝓇𝑒𝒶𝓁𝓁𝓎 𝒸𝒶𝓇𝑒 𝒾𝒻 𝓉𝒽𝑒 𝓌𝒽𝑒𝑒𝓁𝓈 𝒻𝒶𝓁𝓁 𝑜𝒻𝒻
𝐼 𝒹𝑜𝓃'𝓉 𝓇𝑒𝒶𝓁𝓁𝓎 𝒸𝒶𝓇𝑒 𝒾𝒻 𝐼 𝒸𝓇𝒶𝓈𝒽 𝑜𝓇 𝓃𝑜𝓉
𝐼'𝓋𝑒 𝒷𝑒𝑒𝓃 𝑒𝓋𝑒𝓇𝓎𝓌𝒽𝑒𝓇𝑒 𝒶𝓃𝒹 𝐼'𝓋𝑒 𝓈𝑒𝑒𝓃 𝒾𝓉 𝒶𝓁𝓁
𝒩𝑜 𝑜𝓃𝑒 𝓇𝑒𝒶𝓁𝓁𝓎 𝓀𝓃𝑜𝓌𝓈
𝑀𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒
𝒮𝑜 𝐼 𝓉𝓇𝓎 𝑜𝓅𝑒𝓃𝒾𝓃𝑔 𝓊𝓅 𝓂𝓎 𝒽𝑒𝒶𝓇𝓉
𝒯𝓇𝓎 𝓂𝒶𝓀𝒾𝓃𝑔 𝒶 𝒷𝓇𝒶𝓃𝒹 𝓃𝑒𝓌 𝓈𝓉𝒶𝓇𝓉
𝒯𝓇𝓎 𝓉𝒶𝓀𝒾𝓃𝑔 𝒶𝓌𝒶𝓎 𝓉𝒽𝑒 𝓅𝒶𝒾𝓃
𝐼 𝓉𝑒𝒶𝓇 𝒶𝓌𝒶𝓎 𝒶𝓉 𝓂𝓎 𝒸𝒶𝑔𝑒
𝐼 𝓉𝒽𝓇𝑜𝓌 𝒾𝓉 𝒶𝓁𝓁 𝓉𝑜 𝓉𝒽𝑒 𝓌𝒶𝓎𝓈𝒾𝒹𝑒
𝒩𝑜𝒷𝑜𝒹𝓎 𝓇𝑒𝒶𝓁𝓁𝓎 𝓀𝓃𝑜𝓌𝓈
𝑀𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒 𝓂𝓎 𝓁𝑜𝓋𝑒

4x4 (EP + Remixes)

download

Wayside (Live Edit)

Childish Major - Window Seat

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

ORDER The Limited Edition 12" Vinyl here:

https://www.autektone.com/store

ROBPM is back on Autektone with 2 relentless sounding techno cuts that are set to seek out and destroy techno raves on a global scale!

The Italian techno rising star brings us another timeless E.P. that is undoubtedly ready to make some serious noise in the industry.

#onlybombs

ARTIST: ROBPM
TITLE: SEAT BELT
VERSION: ORIGINAL MIX

For infos & Licensing contact:
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Throwback Ep

Seat Belt (Original Mix)

ATK030-ROBPM "Seat Belt"(Original Mix)(Preview)(Out Now)

Credit to Bala Jaye (BalaJ'sBeats) just added my 2 cents

Car Seat Vs Sugar N Spice DjWassup Remix

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Autektone Records is an Italian label with an authentic and specific techno imprint.
Founded and managed by T78 in 2016.

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