Your Favorite Song - Eric Bellinger

Here's another smooth jazz mix for my lovely  listeners. Artists include Ken Navarro, Chris Reinhardt, Euge Groove, Ivan Boyarkin, \Walter Beasley, Jonathan Fritzen, Marion Meadows and more. I hope you enjoy this mix. 

Follow me on Twitter - @Sapphire_MJW

Thank you for continuing to enjoy my mixes. 
Enjoy

Sapphire's Smooth Jazz mix

Turn the lights down and the volume up.

This mix is a seductive blend of slow jams, sensual rhythms, and raw energy — crafted for intimate nights, passionate moments, and everything in between.

Whether you’re setting the mood or exploring deep desires, let the music guide you. 

No limits. Just you, the rhythm, and the feeling.

Tout est permis - all is permitted

#U & ME SEXTAPE 2 - EROTISM

Smooth but dangerous, Big Bad Wolf prowls through the night with deep bass, hypnotic melodies, and raw R&B energy. This track tells the story of a man who moves like a hunter, taking what he wants and leaving nothing but heat in the air. Late-night vibes, smooth vocals, and a dark urban edge make this one for the after-hours.

Big Bad Wolf

Connection Luv is a four-song journey through late-night emotion, hood romance, and grown chemistry. This EP hits that space between desire and devotion — the kind of connection you feel in your chest before you ever say it out loud.

Every track sits in that steamy trap-R&B pocket: heavy 808s, smooth melodies, intimate vocals, and honest storytelling. These songs ain’t just about love… they’re about the pull. The spark. The “come here right now” energy and the “don’t lose me” truth.

From sensual vibes to emotional confessions, this project is built around one thing:

connection that hits deeper than lust and louder than fear.

Whether you vibin’ in the car at midnight, texting somebody you shouldn’t, or layin’ up with the one you can’t get out your mind — this EP is for you.

in this moment forever master

East–West Seduction is a sonic love story told through two voices that should never have met — yet feel as if they’ve always been longing for each other. At its heart, the piece is a dialogue of desire between the Erhu, the aching voice of the East, and the Bass-Cello, the dark, resonant pulse of the West. Rather than forcing fusion, the track lets attraction do the work: one voice calls, the other answers, and slowly the distance between worlds disappears.

The Erhu is a traditional Chinese bowed string instrument, often described — imperfectly but affectionately — as a Chinese fiddle. Its origins trace back over a thousand years, with early forms emerging during the Tang and Song dynasties, and its modern shape becoming established by the Qing dynasty, well before the 19th century. With only two strings and no fingerboard, the Erhu produces a uniquely vocal tone — one that can sob, whisper, plead, and seduce with uncanny intimacy. It has long been used to express love, longing, heartbreak, nostalgia, and desire, often standing in for the human voice itself. In East–West Seduction, the Erhu takes the lead as the temptress: calling softly, bending notes like breath, pulling the listener — and her counterpart — closer with every cry.

Answering her is the Bass-Cello, a Western low-register bowed string voice rooted in European classical tradition. Whether imagined as a deep cello variant or a bass-range cousin, its lineage belongs to the evolution of bowed bass instruments that matured between the 16th and 19th centuries, forming the foundation of orchestral gravity. Where the Erhu pleads and weeps, the Bass-Cello rum­bles, plucks, growls, and reassures. Its power lies not in speed, but in depth — slow bow strokes, plucked resonance, and a physical presence that feels almost elemental. In this piece, the Bass-Cello becomes the answering force: protective, seductive in its steadiness, grounding passion with thunder rather than tears.

Together, the Erhu and Bass-Cello enact a musical seduction that transcends geography, culture, and time. One speaks in sighs and longing, the other in gravity and heat. Their entwined strings become a metaphor for East and West not as opposites, but as reflections — different accents of the same human yearning. East–West Seduction is not just fusion; it is attraction made audible, where ancient memory meets modern pulse, and two distant worlds fall into rhythm under the same moonlight.

East Meets West Seduction - EN

Ang East–West Seduction ay isang kuwentong pag-ibig na isinasalaysay ng dalawang tinig na hindi sana nagtagpo—ngunit parang matagal na silang naghahangad sa isa’t isa. Sa puso ng piyesa ay isang diyalogo ng pagnanasa sa pagitan ng Erhu, ang masakit na tinig ng Silangan, at ng Bass-Cello, ang madilim at umaalingawngaw na pulso ng Kanluran. Sa halip na pilitin ang pagsasanib, hinahayaan ng musika ang likas na pag-akit ang magtahi sa dalawa: isang tinig ang tumatawag, ang isa’y tumutugon, at unti-unting nawawala ang distansya ng mga mundo.

Ang Erhu ay isang tradisyunal na instrumentong Tsino na tinutugtog sa pamamagitan ng paghagod ng bow, at madalas—kahit hindi ganap na tama ngunit may lambing—na tinatawag na “Chinese fiddle.” Ang pinagmulan nito ay mahigit isang libong taon na ang nakalipas, na may mga unang anyo noong panahon ng Dinastiyang Tang at Song, at ang modernong hugis nito ay naitatag noong Dinastiyang Qing, bago pa ang ika-19 na siglo. Sa dalawang kuwerdas at walang fingerboard, ang Erhu ay lumilikha ng tunog na halos parang tinig ng tao—kayang umiyak, bumulong, magmakaawa, at mang-akit nang may pambihirang lapit. Matagal na itong ginagamit upang ipahayag ang pag-ibig, pananabik, dalamhati, alaala, at pagnanasa, at madalas na nagsisilbing kapalit ng mismong tinig ng tao. Sa East–West Seduction, ang Erhu ang nangunguna bilang manunukso: marahang tumatawag, yumuyuko ang mga nota na parang hininga, at hinihila ang tagapakinig at ang kanyang kausap sa bawat daing.

Sumasagot naman sa kanya ang Bass-Cello, isang mababang-tinig na instrumentong Kanluranin na may ugat sa tradisyong klasikal ng Europa. Maging ito man ay isipin bilang isang mas malalim na anyo ng cello o isang kamag-anak sa mababang rehistro, ang pinagmulan nito ay kabilang sa pag-unlad ng mga instrumentong bass na ginagamitan ng bow mula ika-16 hanggang ika-19 na siglo—ang pundasyon ng bigat at lalim ng orkestrang tunog. Kung ang Erhu ay nagmamakaawa at umiiyak, ang Bass-Cello ay umuugong, pumipitik, umuungal, at nagbibigay-lakas ng loob. Ang kapangyarihan nito ay hindi sa bilis kundi sa lalim—mabagal na hagod ng bow, pag-alog ng kuwerdas, at isang pisikal na presensyang halos elemental. Sa piyesang ito, ang Bass-Cello ang nagiging sagot: mapag-aruga, mapang-akit sa kanyang katatagan, pinatatatag ang alab ng damdamin sa pamamagitan ng kulog sa halip na luha.

Magkasama, ang Erhu at Bass-Cello ay lumilikha ng isang musikang panunukso na lumalampas sa heograpiya, kultura, at panahon. Ang isa’y nagsasalita sa pamamagitan ng buntong-hininga at pananabik, ang isa’y sa bigat at init. Ang magkahabing kuwerdas ay nagiging metapora ng Silangan at Kanluran—hindi bilang magkasalungat, kundi bilang salamin ng isa’t isa, magkaibang punto ng iisang pagnanasang pantao. Ang East–West Seduction ay hindi lamang pagsasanib; ito ay ang pag-akit na naging tunog, kung saan ang sinaunang alaala at modernong pulso ay nagtatagpo, at ang dalawang magkalayong mundo ay sumasabay sa iisang ritmo sa ilalim ng parehong liwanag ng buwan.


Silangan at Kanluran Pang-aakit - East Meets West Seduction - TA

G-Eazy - Seduction ft. Nas

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Enjoy The Journey ..

Shape of You / Mi Gna / Nazani - Sirun (Mash-up)

DEMARCO - APARTMENT - RAW - SEDUCTION RIDDIM - HITMAKERMUZIK-21ST

DJ Sauvage, de son vrai nom [Stevenson Joinis], est un jeune DJ haïtien né le 11 septembre 2002. Passionné par la musique depuis son enfance, il a commencé sa carrière de DJ en 2017.
Membre du collectif Safelab Music, DJ Sauvage se distingue par son style unique, mélangeant les sonorités afro, caribéennes et électroniques. Avec son énergie contagieuse et son sens du rythme, il continue à faire vibrer les foules et à représenter fièrement la nouvelle génération de DJs haïtiens.


DJ Sauvage is a young Haitian DJ born on September 11, 2002. He started his journey as a DJ in 2017 and is a proud member of Safelab Music.
Known for his dynamic performances and diverse musical influences — from Afro beats to Caribbean and electronic vibes — DJ Sauvage brings a fresh sound that connects cultures and keeps the crowd moving. He represents the new wave of Haitian DJs making their mark on the international scene.

So you want to know more about the mysterious (and handsome if I do say so myself) Rainforest Cowboy?, eh,

In school I majored in music for four years playing in an orchestra and a band.  Specifically, I played a western brass instrument called a "Tuba" - it's a bass instrument and like drums carries the beat for a composition.  My instructor was a traditional German composer/conductor .. and they love Tuba's so it was a lot of fun.  I also played early keyboards and organs getting into the nascent MIDI interfaces of the day with an Atari ST.

I attended many orchestras at this time and got into early New Age type music such as Fresh Aiire (which I consider experimental). This really kicked off my interest in traditional instruments around the world, languages (even spoken languages are essentially musical), cultures - why I really enjoy fusion mixes.

My father had cancer during my school days, I worked those years in addition to taking care of my father.  When he passed in my final year I left music as I have to work very hard in order to survive.

I volunteer at various places as time permits, at one I pick up food for elderly women.  Seeing how hard the staff and volunteers worked helping so many I decided to try to create a song for them, my way of saying thank-you and also encouraging them.  Some people had suggested I go public .. in fact the same people suggested I start a Sound Cloud site .. which I knew very little about (just a few weeks ago).

It's been great fun.  Here is the process:

I start with an idea, then research for days to several weeks for accuracy and depth.  

Once researched I create a shot story based upon the original idea/concept.  I love true life stories, emotions, passions and work hard to get that into the lyrics (which is basically poetry).  When younger I was the #1 author in my field, worldwide, so for me writing has been a lifetime passion and poetry (lyrics) is the dessert.

Once I have it all 'fleshed out' I get into my nerdy-tech interests.  I've been involved in PC's since an Apple ][ back in 1977.  I also, as CIO, took a company from 10K in sales to over 2-Billion within 10-years and doing all aspects of IT and robotics was so so much fun.  This is why I love the AI side .. I'm getting into the LLM and really merging it with music.  For example, I'll specify (say) G Minor, the tempo (timing, beats), vocals, languages, instruments and so forth ... it's almost like C++ programming.  From there I take the lyrics and clothe it in song.  So I'm basically merging musical theory and tech.  Again, the story/lyrics are the most important aspect but the tech side sure is fun.

Finally, as I was an artist as well, I spend a lot of time doing the various track covers(which are all custom made my me, only, I tend to do them at 4K or 8K.  Then there's last but not least, organization and all the background work to keep it organized.

I'll get an email address up - if you have a story to tell let the ole Rainforest Cowboy know.  I love to write about peoples' experiences, their cities and nations, hobbies, hopes and fears.  Maybe you're in love, promoting a charity, or missing a lost one - if you would like to share, I'll make a song about it.

Six Helix is a professional song writer and genre-bending artist delivering raw emotion, cinematic lyrics, and high-energy vibes. From toxic R&B to party rap and heartbreak pop, every track hits with truth and mood. Built from pain, purpose, and pulse. 🎙️🎵 Welcome to Helix.

Thank you for stopping by! I am a DJ who specialises in smooth jazz and soul.  You can hear my radio show, every Monday 1-3pm on YouTube. Head over to my channel and don't forget to subscribe! https://www.youtube.com/@DJSapphire
I am available for bookings. Contact me!

DJ / Producer
Bookings: dj.shazaa@gmail.com | DM

Starting from tape decks in 1994 at the tender age of eight, Christopher Marks created homemade mixtapes from recordings off the radio and his families personal tape selection. As the era changed, so did he, switching to cd's and mp3. Christopher was a key component to the local house parties as he possessed all the hot &amp; latest music. Later, Christopher discovered the technical side of music as he studied Radio Broadcasting at Henderson State University (Arkansas) in 2006 and eventually became known as "DJ KaliChris" a prime time radio host for Arkansas' KSWH 99.9 the Pulse. After carefully researching and studying the art of music and its impact on a crowd, DJ KaliChris bought his first pair of turntables and mixer in 2009. He's never looked back since.&#13;
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From the streets of San Diego, CA to the zones of Atlanta, GA., DJ KaliChris aka "TroubleMonkey" has mutated himself into a musical juggernaut that possesses a keen ear and an innovative feel for massive beats. Talent ranging from West Coast sounds to Jersey Club Music from Texas Trill to Atlanta/Philly Trap. His arsenal is wide and dangerous &amp; he's definitely not afraid to use his different array of crates.&#13;
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Having DJ'd for the likes of Bad Boy, Flip Mode, Konvict Music, MMG, Lil Cease, Candyman, The Beatnuts, Gillie The Kid, Shawty Lo, Waka Flocka, Jazzie Pha, Kelly Rowland, Tony Dofat, Black The Beast, &amp; Tay F 3rd. DJ KaliChris aka TroubleMonkey was the official tour DJ for legendary MC Candyman, during his West Coast Old School Tour in the Spring of 2011.&#13;
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You can catch DJ KaliChris spinning Top 40, EDM, Pop,Hip-Hop, R&amp;B, Dance, Funk, Country, Old School, &amp; Gospel. While DJ KaliChris' alter-ego "TroubleMonkey" on the other-hand is definitely geared towards the alternative, head-banging, edgy EDM sounds that surface your local raves and/or underground club scenes. TroubleMonkey drops sets that consist of Trap Music, Twerk, Freakstep, Hustle Music, Dubstep, House, Electro, &amp; Classic Techno Music. Together, DJ KaliChris &amp; TroubleMonkey redefine the elements of crowd control and essentially creates a bridge between contemporary and liberal listeners.

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