Another ambient piece done on the Behringer Neutron, with the Korg SQ-1 analog CV sequencer, a Zoom MS-70CDR, powered by a battery pack and recorded directly onto a Tascam digital recorder. Number station broadcast recorded at the same time on my phone and mixed in the final mixdown.

Once more, recorded in the great outdoors and keeping with the lunchbox / food stuff theme (number station was broadcasting from a country related to that food stuff...)

Pierogi Frequency

Once more, the portable studio returns, with a Behringer Neutron semi-modular synth, driven by a Korg SQ1 control voltage sequencer, all battery powered. Recorded in the great outdoors directly to a Tascam digital recorder

Hot Sauce Feedback

Once more, the battery powered portable studio strikes back. Behringer Neutron doing the sound generation, Korg SQ1 some very basic sequencing and controlling the bucket brigade delay of the Neutron. Output sent to the Zoom MS-70CDR and recorded live directly to the Tascam digital recorder. Oscillators, LFO and attenuators adjusted live to conduct this electronic orchestra.

Crawfish Bucket Brigade Part I

Behringer Neutron doing the sound generation, Korg SQ1 some very basic sequencing and controlling the bucket brigade delay of the Neutron. Output sent to the Zoom MS-70CDR and recorded live directly to the Tascam digital recorder. Oscillators, LFO and attenuators adjusted live to conduct this electronic orchestra. The same sequence by the SQ1 is used here as was used in Part I (https://soundcloud.com/francois_dion/crawfish-bucket-brigade-part-i?in=francois_dion/sets/lunchbox) but as you can hear, pretty different feel.

Crawfish Bucket Brigade Part II

A remix of "LFO Infusion Tisane" with drums (https://soundcloud.com/francois_dion/lfo-infusion-tisane?in=francois_dion/sets/lunchbox)

Another lunchtime experimentation, this time using a Behringer Neutron with a side docked multiples eurorack module and a Zoom MS60B guitar pedal. Battery powered, solar charged. As with "Pulsar Salad", this is recorded in the great outdoors, straight to a Tascam digital recorder.

A single LFO and a Sample and Hold control various aspects of the track. Performance added to the generative piece are tied to two attenuators that further control various aspects.

The remix includes drums done on the Univox SR-95 (Korg Mini Pops)

LFO Infusion Tisane (with Caffeine Beats)

auch wenns einige Minuten dauert - Freestyle is eben Freestyle - passt schon ;) bis auf das cliping iwo - wich geht wag - ansonsten - genau mein Ding :) freu mich

000618_0333_Exit_D_M_A-Freifahrtsschein

Soundscape ambient soundtrack to a hologram matrix mindtravel I was invited to. Make us the art of what's going on, and I did. We would also like to read this section from this book?

The Passectioneers

AcidRoom [Live - Zurich]
Live performance | One take | No edits
Recorded in Zurich - July 2025

Setup:
MC-707 // DFAM // Mother-32 // Ableton

AcidRoom [Live - Zurich] - July 2025

many thanks to Jim for lighting up the studio 25.8.13.  This demo features acoustic guitar w/ synth pedal, moog matriarch with zen delay, moog muse.  Field recordings added post.

spacewalk feat. James Creel (jam extraction 1)

Played with Solina Strings audio fed into Kobol VCF - live jam session, analogue mix, no DAW

01-Enveloped Strings

Current setup with Tascam 2400:

Moog Muse
Moog Matriarch
Moog DFAM
Moog Subharmonicon
Make Noise Resynthesizer
Erika Synths Techno System
Erika Synths Zen Delay
Erika Synths LXR-02
Roland Jupiter XM
Roland DJ-505
Sequential Take 5
Casio CDP
Arturia MicroBrute
Singular Sound Aeros Looper
Boss Space Echo
Beebo Poly

Ableton Live

DJ Preet hosts folkdelica on 88.9 fm KPOV Bend, Oregon.  Can listen to the most recent show via www.kpov.org/folkdelica

Open for collaborations (musical), pls get in touch.

I manage all my production, art, etc. so not currently interested in other support, thank you kindly.

/drum::synth::live::performance::dawless
/Ambient::Industrial Techno::Experimental Techno::Electronic
Generation-x snapping current moods
Everytime looking for jamlovers and collegues 

clouding live records and old djsets / Dj alias :::Unlock::Ohrunkopp:::


https://www.instagram.com/tamo_para_noize?igsh=aXhzdzl5dmw0Yjdr&utm_source=qr

Who Are We Now . eXpect Not . Life is a Project . Follow the Invisible Rabbit 

It begins with a sound. Something happens. And so it goes. Unknown, deranged and nude territories. I’m not an artist. I am the art who made me. I have ambitions, and yeah… that’s it.

All songs and artwork made by me myself and I. 

Do Not Listen to my noise on a Stanmore II - It sounds like SHIT. 
It can't handle it. How about others than that I don't know.

Canadian Polyglot and polymath living in North Carolina, Francois is Head of Dion Research by day, & artist, maker of instruments & effects, musician, photographer & sound engineer by night.

His interest in music started at a very young age when he studied classical piano and electronics, both of these things would be quite influential on his future work.

He started composing electronic music as a kid in the early 80s and experimenting with sampling on an Apple //e, and would later use the Amiga, Apple IIgs and on the PC, the Gravis Ultrasound wavetable soundcard, and would publish soundbanks for it. Today, most of his music is done without computers, on modular synths and effects built by him, along with some commercial synths and effects.

From 1988 to 1997, he hosted a show on electronic music from its beginning in the early 20th century all the way to modern electronica, and the history of it and the technology that enabled it. He also did a stint at the Canadian Broadcasting Corporation and Videoway / Videotron in Montreal.

In parallel with that, he would continue releasing music through various media, including digital media before MP3 files (through MP2 and ADPCM WAV files on Hyperreal, IUMA etc). In those 30 years to now, he has produced an average of ~1 album (EP or full) a year

New tracks tagged #semimodular