The title 'Inner space' is inspired from Isaiah:

"Go, my people, enter your inner rooms,
And shut your doors behind you.
Hide yourself for a brief moment
Until the wrath has passed by."
(Isaiah 26:20)


Composed ca. 2024-2025
Composed and edited In Renoise
Instruments used: 
 Korg M1 Leagy VST
 Predator VST

Inner Space II

"Atmospheric Colors"
Valhjim


At dawn, heaven and earth doth wear
the colors of a new day that opens
like a beauteous flower of Paradise.

The air is cool, the grass, and every hedge
and tree are damp with dew, while clouds
wear a pink and white array against

the light blue of the sky. 

And as the day unfolds, the colors flush
into crystal clear transparencies 
where we move like figures in a Hall

of Mirrors—all times contained
in an instant of self-awareness
that brings about the world.

************
Valhjim: guitars, synthesizers, samplers.
Martin Miers: drums.

************
© 2025 Valhjim. All rights reserved. Original music by Valhjim.

Atmospheric Colors - Valhjim w/Martin Miers

2 coallision

10 moonrise

12 fata aurora

5 falling sky

4 digital smog

1 fundamental contradictions

8 the finding of dark quark

11 junk in space

dub techno
https://audiopillow.wordpress.com

Gunnars Farvebio har siden 1987 forsøgt at fremstille moderne underholdningsmusik ved hjælp af elektronisk databehandling, og forsøger stadig.



Got my first computer in 1983 (Marathon 32K with 2 KB ram) and learned programming the hard way..
Began composing on Commodore C64 around 1988 while developing my own sound editors.
Began composing on Amiga in 1989 on Sonix and later Soundtracker.
Around 1996 on FastTracker II on PC
After 2002 switching to Cubase and later Renoise, which is the current tool I use today.
In the 1990's I released many demos on Commodore Amiga where I mainly programmed and made the music. Its all history now.
GFB(tm) was one of the projects...

Valhjim is a music composer with an eclectic approach to different genres: rock, pop, folk, New Age, and experimental electronic music. Greatly driven by imagination and poetic imagery, he combines multiple instrumental textures to fire the imagination of his listeners. 

His more experimental ambience and electronic music is built with layers of suggestive sound textures, rhythms, and melodic lines that stir the imagination into suggestive imagery and worlds unseen, true architectures of sound that open up limitless spaces to explore. Often Valhjim's melodies sail through genre thresholds, crossing over from one genre to another, from neo classcal to electronic, or from jazz to rock or new age.

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