Subtle voices rise within ambient soundscapes and organic layers, creating a space for introspection and inner expansion. Each texture is woven with nature sounds and ethereal frequencies, guiding the listener into a state of active meditation and conscious presence.
Perfect for sound-healing practices, rituals, and journeys of self-connection.
Concluding the ambient sequence in a state of pure contemplation.

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Vozes sutis se elevam entre paisagens sonoras ambient e camadas orgânicas, criando um espaço de introspecção e expansão interior. Cada textura foi tecida com sons da natureza e frequências etéreas, conduzindo o ouvinte a um estado de meditação ativa e presença consciente.
Ideal para práticas de cura sonora, rituais e jornadas de autoconexão.
Fechando a sequência de ambient com pura contemplação.

003 - The Light of Origin

Opening in 432Hz, followed by organic layers and nature sounds — minimalist textures designed for meditation, relaxation, and ritual practice.

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Abertura em 432Hz, seguida por camadas orgânicas e sons da natureza — texturas minimalistas projetadas para meditação, relaxamento e práticas ritualísticas.



002 - The Sacred Fall

This smooth and calming track is meant to play softly in the background. Soft ambient piano and light spacey pad. Peaceful and soulful, perfect for relaxing, reflecting, work background, spa, yoga or other meditative soundscapes. Contemplate thoughts of life and love.
Full version: https://soundcloud.com/zevweinstein/calm-interlude

Calm Interlude Piano

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This traditional French carol (literally "Between the Ox and the Grey Donkey" but often simply called "The Ox and the Ass" in English) is one of my favourite Christmas carols.  I know I probably say that about an awful lot of carols, but I do find there is something particularly haunting about this one.  For a long time I assumed it was always arranged as a harmonic minor piece (so, if it was in D minor, as my version is, all the Cs would be C sharps).  But when I came to write the countermelodies they seemed to want to include C naturals, creating a more modal feel.  I imagined all the Christmas carol purists tut-tutting and saying “We can’t have this!”, but more recently I’ve come across many arrangements, whether for choir or instruments, with a wide variety of lovely harmonisations, so I felt better about my own version, which uses a pattern similar to songs like Greensleeves, which is essentially modal but sharpens the leading note at cadences.  I think it works well, and I hope you do too.
The sheet music is available as usual from Creighton's Collection (https://www.creighton-griffiths.co.uk/acatalog/Stephen_Dunstone.html) or from your regular harp music supplier. 


Entre Le Boeuf et l'Âne Gris

Calm Flight

Get into the solitude of your earphones and enjoy this beautiful and qwirky original music video set to a lovely song by Mary Kay Aufrance performed with Tom Aufrance. Enjoy Mary Kay's serene love song "After You've Gone" with lovers dancing and classy mod animations. This is the enhanced remix with full ensemble in addition to the original recording with vocal duet, acoustic guitar and accordion.

The lyrics convey a deep sense of longing and hope that transcends the fleeting moments of joy and celebration. "After You've Gone" reflects on the aftermath of a party, where the lights dim and guests depart, yet the promise of enduring love remains. The repeated desire for reassurance emphasizes the emotional connection between the lovers, suggesting that even when the excitement fades, their bond will persist. The imagery of love 'lingering on' symbolizes resilience and continuity, evoking feelings of nostalgia and warmth. Ultimately, the song captures the essence of love′s endurance amidst life′s transient moments.

Moods: Nostalgic, Hopeful, Romantic, Reflective, Melancholic
Themes: Love, Relationships, Time, Celebration, Resilience

After you've Gone (New Version)

This lovely contemporary composition titled "Singing Skies" is filled with serenity and calm vibes, and a few twinkly surprises. This slow composition by Mary Kay Aufrance is performed with her husband Tom Aufrance. "Singing Skies" is a shimmering sonic journey where the Aufrances' usual voice and guitar have transcended their earthly forms and become ethereal instrumental soundscapes. This recording was crafted entirely by the two artists, who sang and played all the instruments acoustically, then sculpted the tones through the alchemy of a digital audio workstation. Like the process that the Aufrances used to create it, this instrumental composition unfurls like a moon-lit sky with gentle, expansive, and quiet wonder.

Mary Kay’s slow synth drifts as luminous threads of air, weaving through Tom’s low frequencies that pulse in and out of the composition like the heartbeat of the piece. Together, they create an atmosphere that feels both intimate and infinite, suspended between earth and heavens, where every note feels like a song of floating nebula and swirling stars.

It’s more than music. This composition is a shared breath between two souls, rendered in sound. A perfect embodiment of serenity, unity, and the boundless beauty of collaboration.

Singing Skies

A lovely duet of The Little Drummer Boy sung by Tom and Mary Kay Aufrance and accompanied on accordion and guitar, plus drums of course.

The Little Drummer Boy (Hearts and Drums Edition)

This is a serene and captivating instrumental arrangement featuring violins, cello, piano, synth and bass guitar musing on the melody of the Mary Kay Aufrance song "After You've Gone."

After You've Gone (Instrumental)

Track from 'To Mars'

Cover art by Fionnuala O'Gorman.

Floating in Space

Usually a costume designer, sometimes a composer.

Resident composer for Mini Moon Theatre.

Immersion in melodic electronic music 🧚🏼‍♀️

We've been musical travelers throughout time, from our choral days singing Midieval, Renaissance and Music Theater, to performances as Celtic Band Gairin and Slim & Minnie Out West. Lately we have branched out into more current genres of Jazz and Singer-Songwriter performing our own originals. Travel the music with us, and enjoy!

Based in Los Angeles, Zev Weinstein's varied musical background includes classical training, studio work, and stage performances for both Rock and Jazz bands as well as Theatrical productions. A love of ethnic music sounds and techniques embody much of his work, which includes World, Dramatic, Orchestral, Americana, Rock, Jazz, Ambient, and Country genres, among others. His music is featured in TV cues and steadily disseminated throughout various media venues. BMI IP# 00143400321

New tracks tagged #serene