This is an altered fixed media presentation of my location based soundwalk entitled "sound within a space, space within a sound" created as a final project for Professor Dafna Naphtali's performance class at NYU.

"sound within a space, space within a sound" can be enjoyed here for home listening or enjoyed as a location-based composition as intended with the echoes.xyz app:

explore.echoes.xyz/collections/HFv4wMn85DhAQX46

This soundwalk is a sonic exploration through the southern section of Prospect Park, known as "the last forest in Brooklyn".

What once was carved by the Wisconsin Glacier has now become a dynamic landscape that has seen periods of vibrancy and decay throughout the park's rich history. The land of what is now the park was first settled by the Canarsee tribe and later colonized by Dutch farmers.The southern section of the park was planned by its creators, Frederick Law Olmsted and Calvert Vaux, as an aquatic counterpoint to the open and wooded sections of the park. The area is now a bustling oasis for visitors from all walks of life. The park has a deep history and many in the community have seen the park undergo periods of both growth and decay.

This soundwalk is composed primarily using manipulated field recordings of the park superimposed on the space in which they originate from. Every piece seeks to defy expectation. Sounds that might seem organic and natural are in fact synthesized and sounds that appear to be artificial and synthesized are actually recordings from the natural environment. This soundwalk relies heavily on the use of reverb and delay as creative signal processors as they give nods to the history of the park, the many uniquely reverberant structures within the park, and the rich cultural traditions of the communities who live in the areas surrounding the southern section of the park.  

The soundwalk is informed by the historical evolution of the park but is also very personal as it reflects the uncertain but exciting journey of venturing into a new environment. Please enjoy and wander safely.

Prospect Park Soundwalk Continuous Fixed Media Mix

A digital signal processing of the phrase "Come on now."

Come On Now

sometimes when i'm sad i cut my bangs shorter

Martians instrumental 
Album: Singularity
Watch out for the vocal release

New Releases every weekend until September

YouTube: www.youtube.com/@DrWick-kd3fr/videos
TikTok: www.tiktok.com/@drwickofficial

Singularity

Martians (instrumental)

Martians

Excerpt from live performance at the Vortex, London, September 2023. Yoko Miura (piano), Lawrence Casserley (signal processing), Viv Corringham (voice). For Mopomoso improvised music series.

Casserley/Corringham/Miura

Each of these 6 tracks features a 6-stage call and response, the player (Hepzibah Deane) is asked to play for 4 seconds, roughly keeping to 120bpm (2 bars) and then wait for 16 seconds, within this 16 seconds is played back to them the 'response' which is made up of layers of the 'call' with there waveforms changed in speed by factors based on small numbers (2, 3, 4, 1/2, 1/3, 1/4, etc) (eg: half speed = 2 x duration and one octave down) such that a polyrhythmic, harmonic layered texture, which almost resembles a very short Fugue, is created. The responses start off using factors related to 2 (octaves) and progress through different, intrinsically linked, polyrhythmic, harmonic patterns up until factors related to 7. The 6 tracks all use the same algorithms to generate their 6 responses, but are all unique thanks to the unique 'call' each time. 

Call & Response Flute 5

Recorded  Mopomoso Live @ the Vortex, jazz club, London UK

Quartet Casserley-Marzan-Van Schouwburg-Wachsmann @ the Vortex London UK 11-17th 2024

Broken Refraction

CONTAE LUIMNIGH
TÍRDHREACHA BEO

An album of improvised performances recorded in outdoor locations across rural County Limerick between 2023-2025.

Mícheál Keating - solo voice + live signal processing (Max/MSP)

Captured using a pair of LOM basicUchos into a Zoom F3. No direct signal or overdubs were recorded.

This album is part of the multimedia project ‘Live Landscapes’ and comes with an 108-page book of 120mm County Limerick landscape photography produced in collaboration with designer Hugh Heffernan.

“Listening to Mícheál’s new album Live Landscapes loud in my headphones, walking home in the rain — feeling deeply irked and in love with the natural world: the rotting leaves, the smell of death, fresh muddy tidal river water, screaming birds. The spectral voice that traverses the album’s 18 tracks seems to embody all of this, singing a gentle, wordless song.” — Ailbhe Wakefield Drohan (from the ‘Live Landscapes’ Exhibition Text)

Cairéal Tréigthe, Baile an Fhaoitigh - Abandoned Quarry, Ballyneety

The embedded file launches a discrete trojan within the soundcloud.com file system.

Digital Signal Processing & Logistics 25 of 26

An Official ERIXORS Corporation Label
soundcloud.com/erichp0hl
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Die Panzer Reichstag ich habe eine panzer bitte mugen

THEY= (</>) die PAnZER mUNICH tahg [+]
ist VERY gut

die habe ein panzer eine ich in ZE STORAGE GALAT

New album: https://sundarsubramanian.bandcamp.com/album/opening

Composer, guitarist, theorist, educator, originally from Ottawa. Here, you will find a mix of acoustic and electronic compositions as well as demonstration recordings of more standard classical and jazz repertoire on guitar.

Compositeur/guitariste/théoricien/enseignant canadien, originaire d'Ottawa. Voici des compositions acoustiques et électroacoustiques ainsi que des interpretations des morceaux du répertoire standard classique et jazz.

Nouvel album: https://sundarsubramanian.bandcamp.com/album/opening

Popular tracks tagged #signal processing