"Heavenly Light (Christmas Mass – Movement 2: Andante Affettuoso)" is a soprano solo movement blending the grandeur of Handel’s Baroque ornamentation with Gluck’s elegant, emotive clarity, evoking the divine serenity of Christ’s nativity. Set in G Major, the piece moves in a gentle Andante Affettuoso tempo, capturing a radiant, peaceful tone. The orchestration, featuring strings, woodwinds, harp, carillon, and continuo, creates an ethereal atmosphere that illuminates the warm, celestial character of the music.

The movement opens with a flowing string prelude, setting a tender scene, while the soprano's voice enters gracefully, echoing themes of light, peace, and prophecy. In the aria-like chorus, "O holy night, so calm, so bright," the music reaches an emotional high, expressing angelic joy through light vocal ornaments. The orchestral textures swell, balancing celebration with tranquility, embodying the spirit of a Christmas mass.

The final outro brings a serene close, as the soprano’s melody softens, supported by delicate harp arpeggios and a warm organ base, creating a reverent, introspective ending that leaves listeners with a sense of divine peace.

Heavenly Light (Christmas carol)

Canzonetta of the Court

An elegant and evocative piano sonata, Canzonetta of the Court weaves a delicate tapestry of sound, blending the intimacy of soft strings with the grandeur of orchestral sections. The piece opens with a lyrical piano melody, reminiscent of courtly dances and refined gatherings, exuding grace and poise.

As the composition unfolds, the warm embrace of the string ensemble adds depth and emotion, complementing the piano’s expressive voice. The orchestral interludes lend a majestic quality, creating a dynamic contrast that elevates the piece to regal heights.

Perfectly balancing sophistication and sentiment, Canzonetta of the Court transports the listener to an era of elegance and charm, offering a timeless musical journey through the grandeur of the classical tradition.

Canzonetta Of The Court

A classic love song unfolds with piano and soft strings, underpinned by delicate acoustic guitar, Gentle male vocals glide over each verse, The arrangement swells subtly in the chorus with warm harmonies, while understated percussion and tasteful brass colour the final refrain.

TIME

[Verse 1]
It's been so long since I've been on my own
I've always known this time would come
So now I've got to sit down and plan the rest of my life
It's time to change this, we've waited so long

[Chorus]
Everybody needs a little time
Everybody needs a little space in their life
Our time has come, we must face the truth
We are going nowhere fast, we've suffocated all our past
We all need some room
Everybody needs a little room

[Verse 2]
I'm not saying, I don't love you no more
And I'm not saying that I don't care
But if we go back, I've got to be sure
Cause I don't want to go through this again, my lady

[Chorus]
Everybody needs a little time
Everybody needs a little space in their life
Our time has come, we must face the truth
We are going nowhere fast, we've suffocated all our past
We all need some room
Everybody needs a little room

[Bridge]
The journey home is so lonely, it's true
Communication breaks down too
An empty heart, with an empty glass
A picture on the wall, a ghost from the past
I've got to find the strength to live without you, my lady

[Chorus]
Everybody needs a little time
And everybody needs a little space in their life
Our time has come, we must face the truth, yeah
We are going nowhere fast, we've suffocated all our past
We all need some room
Everybody needs a little room

[Bridge]
A time to leave (a time to leave)
No time for love (no time for love)
A time to remember all the things that we have done
I'll take your picture (remove your picture) from the wall
Memories are all around me, I can't take this anymore

[Chorus]
Everybody needs a little time (that's what they keep telling me)
And everybody needs a little space in their life
Our time has come, we must face the truth, yeah
We are going nowhere fast, we've suffocated all our past
We all need some room

[Outro]
Everybody needs a little room
Everybody needs
They keep telling me
Everybody needs
Everybody needs a little room

Time Machine - Echoes of Shattered Dreams

Time

A farewell in three-quarters time. Dancing with a reflection until she bows and leaves, making space for a new name to bloom.

A journey painted in sound — each track a brushstroke of color, light, and shadow. This album blends intimate melodies with vivid textures, carrying the listener through moments of stillness, longing, and quiet joy. Like a canvas touched by both sunrise and dusk, it invites you to wander inside its landscapes, to feel the warmth and the hush between notes.

Nine Moons and the White Dress

Last Waltz in the Mirror

A lullaby for galaxies, sung with tenderness and bittersweet hope. Love that cannot hold a child finds its place among the constellations.

A journey painted in sound — each track a brushstroke of color, light, and shadow. This album blends intimate melodies with vivid textures, carrying the listener through moments of stillness, longing, and quiet joy. Like a canvas touched by both sunrise and dusk, it invites you to wander inside its landscapes, to feel the warmth and the hush between notes.

Mother to the Stars

A morning song wrapped in melancholy. Light tries to enter, but the veil stays drawn, holding the day at a distance.

A journey painted in sound — each track a brushstroke of color, light, and shadow. This album blends intimate melodies with vivid textures, carrying the listener through moments of stillness, longing, and quiet joy. Like a canvas touched by both sunrise and dusk, it invites you to wander inside its landscapes, to feel the warmth and the hush between notes.

Blue Veil Over the Sun

A soul-jazz waltz in D major (6/8): nylon arpeggios, brush kit, Rhodes and soft strings cradle a tender thesis—stay close, with room to breathe. It’s intimate, patient and deeply re-listenable.
For industry: wedding/anniversary, prestige drama intimacy; warm analogue palette. For curators: Slow Jazz-Soul, 6/8 Waltz, Quiet Promise.

Hold Me Like We Leave

Heavenly Garden - Flute

Official MOZART artist persona of Tom Connell (PRS writer).
IPIs: 
•Tom Connell 671594418 
• Mozart 1187246925 
• Wolfgang Amadeus Mozart 1187246827 
USCO: SR 809-097 (Wolfgang Amadeus Mozart, pseud 2017).
Modern recordings/arrangements by Tom Connell; not affiliated with historical estates/publishers.

Idaspe is an independent, amateur artist dedicated to crafting original compositions that blend genres from classical to dance. As both composer and lyricist, Idaspe utilizes Ai tools to create music that infuses positivity and energy into listeners' daily lives. Believing in the transformative power of music, Idaspe aims to uplift and inspire, offering melodies that bring joy and motivation, even amidst life's challenges.

➽ Youtube  https://www.youtube.com/@logical_miracle
➽ Tiktok @logical_miracle
➽ Instagram @logical_miracle

🎸✨🚀🎶Subscribe now—join our inclusive community, amplify neurodiverse voices, and celebrate emotional well-being through music! 


🌟 Welcome to your new home for Powerful Anthems & Neurodiversity Empowerment! Enjoy dynamic Pop Rock, Alternative Rock, EDM, and heartfelt acoustic sessions crafted to uplift and inspire. Advocating ADHD, Autism, Dyslexia, and Mental Health through authentic storytelling and emotional connection. Expect anthem-style songs like Paramore, Avril Lavigne, Bon Jovi & Imagine Dragons. 🌟 


Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

New tracks tagged #softstrings