Emanuele Maniscalco: Piano
Francesco Bigoni: Saxophone & clarinet
Mark Solborg: Guitar

Francesco (A) is italian - love takes him to Denmark in 2009. Emanuele (B) is italian as well - music takes him to Denmark in 2012. Mark (C) is danish - with deep latin roots.

A and C often play together. A and B already know each other well. C and B feel it natural to meet and set up this constellation. A, B and C enjoy playing concerts in small churches. Improvisation is a vital process for A, B and C.

What you are reading may not be too helpful for understanding the music they play. Then imagine a contemporary chamber ensemble with some dirt in it - a small choir where each voice raises from the ground.

A potentially-folk project.

Standstill - extended version (Solborg)

Emanuele Maniscalco: Piano
Francesco Bigoni: Saxophone & clarinet
Mark Solborg: Guitar

 

Francesco (A) is italian - love takes him to Denmark in 2009. Emanuele (B) is italian as well - music takes him to Denmark in 2012. Mark (C) is danish - with deep latin roots.

A and C often play together. A and B already know each other well. C and B feel it natural to meet and set up this constellation. A, B and C enjoy playing concerts in small churches. Improvisation is a vital process for A, B and C.

What you are reading may not be too helpful for understanding the music they play. Then imagine a contemporary chamber ensemble with some dirt in it - a small choir where each voice raises from the ground.

A potentially-folk project. 



Not Until Late (Maniscalco) - (ILK241CD/LP)

Debutalbum on ILK - releasedate may 11th 2015.

Emanuele Maniscalco: Piano
Francesco Bigoni: Saxophone & clarinet
Mark Solborg: Guitar

 

Francesco (A) is italian - love takes him to Denmark in 2009. Emanuele (B) is italian as well - music takes him to Denmark in 2012. Mark (C) is danish - with deep latin roots.

A and C often play together. A and B already know each other well. C and B feel it natural to meet and set up this constellation. A, B and C enjoy playing concerts in small churches. Improvisation is a vital process for A, B and C.

What you are reading may not be too helpful for understanding the music they play. Then imagine a contemporary chamber ensemble with some dirt in it - a small choir where each voice raises from the ground.

A potentially-folk project. 



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