You Lifted Me Up

Wouldyoutry

One Weekend Did This To Me

Narc Woman

stitches

Forgotten son apostrophe

This is a new Fusion/prog instrumental tune
written, arranged, performed(guitar),programmed,mixed & mastered by
Jim Machairas

A shelter for thoughts

Pick a fee - Jim Machairas(demo version)

Love lasts through lifetimes. Always lovers we swore. 

Always Lovers

Apart of me

LOW TERRACE - MARION

Rachmaninov  Moment Musical Op. 16 n°5

This piece responds to 'Flag' by Theaster Gates. I was struck by the way the artwork displays horror, as the initial reaction upon seeing the art is that it is a firehose. It is only when you look closer that you realise that it is a decommissioned firehose and probably covered in soot and ash. I really wanted to emulate the sense of horror, tension, bleakness and desolation that I think the artwork possesses.

Études No. 2

Flag

This piece began with my being woken up by a fire alarm at 5:30am. I transcribed the sound of the fire alarm as I waited outside the building, thinking it would make an interesting motif to play with. Unfortunately, after being woken up so abruptly, I struggled to get back to sleep after the fire alarm was turned off and, when I finally did fall asleep, I dreamt about a fire alarm; thus, the narrative of this piece. The piece is in three sections: the fire alarm; falling back asleep; and dreaming of the fire alarm. In the final section, in which the fire alarm invades sleep, I wanted to melt the previous sections together.

Fire Alarm

When writing this piece, I was particularly inspired by Telemann’s Twelve Fantasias for flute. As a flautist myself, I know how the fantasias weave together different simultaneous lines to allow the flute to accompany itself. This is something I wanted to experiment with myself so I began by creating multiple lines. The first line I created represents the person who is mourning, The Mourner, while the second represents the person who has passed on, The Ghost. I then decided on a narrative: beginning with a shifting, amorphous scene of The Ghost in an afterlife, we move to The Mourner, who experiences the five stages of grief. At the same time, The Ghost attempts to reach out to The Mourner and comfort them, intertwining the two themes. Because of this narrative, I decided to reserve The Mourner’s original theme for an outright statement once they reach acceptance, almost developing the theme in reverse. I also decided to represent a funeral march in the music, introducing the idea that The Mourner is plodding along almost as a second thought.

Lament for an Angel (Плач за Ангелом)

I decided to explore Irish folk music as my love for Celtic music was reignited through writing my dissertation. I focused specifically on Irish folk music as I wanted to explore sean-nós singing in particular. This is a particular genre that is used to tell stories and is sung with just the singer and a drone. It is very free-form, as singers ornament and embellish the melodies to reflect the story their ‘school’ of ornamentation, and their own personal tastes. While listening to inspiration, I observed a very common contour in the music, a rising and descending ‘mountain’ shape As well as incorporating the contour into my melodies, I decided to build it into the structure of the piece; it has a beginning with low energy and minor inflections, a middle with high energy and a major mode, and then it returns to low energy and a minor key for the ending. For me, this lent itself to a story and fitted perfectly with my exploration of sean-nós singing. The story is a simple, common story of revelry and celebration, beginning low as fans watch their favourite athletes struggle in a competition. When the athletes pull out a difficult win, the fans begin to celebrate joyously. Revelry becomes more raucous as the night carries on, until the fans finally burn through their energy. Here I was inspired by reels, a common dance in 4/4 or sometimes 8/8. The wide use of this style has produced many different variants, with some played as slow as moderato and others reaching presto. I believe this makes reels particularly suited to a section exploring mounting revelry.

Old Mountains

Music is not just an art form for me—it's a lifeline, a form of therapy that sees me through the highs and lows of life. Each track I create is a piece of my soul, translated into sound. It's in the depths of melodies and rhythms that I find solace, pouring my emotions and experiences into each note as a way to heal and understand myself better. My music is a diary of my journey, a reflection of the inner workings of my mind and heart. When you notice an influx of new tracks, it's a signal that I'm navigating through tougher times, seeking refuge and expression through my music. This direct channel from my innermost thoughts to your ears is what makes my music raw, real, and resonant. So, as you listen, know that you're not just experiencing a song, but a chapter of my life, a moment of catharsis, and a piece of my path to healing. My hope is that it may offer you the same comfort and escape it provides me.

I rap/sing soul type music and put my all into music business email @ tryhardpcgam3r@gmail.com
https://www.bandlab.com/crashoutproductions

Jim has been playing the guitar for over 15 years,while studying classical &  jazz, harmony-counterpoint-orchestration and composition.He is a member of a Greek death metal trio, named Carnal Redemption, performing live shows and sharing the stage with some of the greatest acts in the Greek scene.Composing  for a future all-instrumental release, genred  between JAZZ-FUSION,METAL,ORCHESTRAL, is his top  priority at the moment.Audio and video Samples pending......stay tuned!!!

Hi! My name is Ari and I'm a British artist and musician, as well as a lover of all things whimsical and fantastical. You can find my work on many parts of the internet, from Instagram to SoundCloud, but it's all collated here for your enjoyment!

I have been learning music since I was four, and it has become a way for me to express myself without words. I greatly enjoy manipulating melodies and harmonies to express what would surely otherwise take me ten or twenty words. My work is influenced by the Romantic movement, the ancient Greeks, and Gaelic musics, which I encountered at a young age, and which all left me most deeply moved. The fantasy of the Romantics, the elegance of the ancient Greeks, the harmony of the Celts; I find it all intoxicating and I endeavour to bring each into everything I do.

New tracks tagged #solo