This project is inspired from the work of Maria Chavez's “abstract turntablism” and Rabih Beaini's technical approach to using the DJ set. In this project I attempt to revisit the notion of a hybrid DJ set.

Performance title: Revisiting the DJ set.

Video of the performance: https://youtu.be/zOlawhdJkEs?si=M7XPtH0DNjJ5KR2c

Technical approach: 

Channel 1: Piezo connected to a running DDR alarm clock via a field recorder. 

Channel 2: A sound piece I composed running through Ableton. It starts at min 10:22 till the end of the set.
This sound piece was composed using recordings of Lebanese / Levantine instruments like the Oud, Nay, Qanun, and Tabla with field recordings from Beirut and Berlin, spoken/broken words in my native tongue, and other acoustic and electro-acoustic sources. 

Channel 3: Playing the Soma Synth Pulsar-23.

Channel 4: loops/tempo change using Sampler/Sampled Mazen Kerbaj Trumpet Solo Vol. 3 on CD.

Using delay, filter effects, and panning of the Pioneer DJM-900 mixer.

Revisiting the DJ set, at ACUD, on 29/07/2023

a night with the Pulsar-23 and the Wak collective -

32a, left entrance - part one -

32a, left entrance - part two -

Rami Abi Rafi’s work captures the essence of his migratory experiences. Born in the UK and of Lebanese heritage, he nowadays bridges between two burdened and deeply absorbing cities: Berlin and Beirut. The journey from London to Beirut, and current presence in Berlin, breathes the life into his work and inspired him to harmonize these influences in the different facets of his oeuvre.

As a DJ, Sound Artist, and Photographer, Rami's practice reflects a life lived at the crossroads of cultures and places. Subtly confronting and surprising, his works aim to empower imagination as they retell stories through music. They are an invitation to explore themes of memory, time, migration and forced existential exile. 

His first live performance was in Madame Claude’s infamous EXPERIMONTAG nights, one of the strongholds of Berlin’s experimental music scene. From there he appeared at Tresor’s New Faces, Silent Green, OHM, and ELSE and established a presence in Berlin's night culture. Rami has also made a name as radio host through monthly residencies on Radio Alhara, Noods Radio, and Cashmere Radio. 

Insijam, his show on Cashmere Radio focuses on the essence of chances and encounters. In Arabic, Insijam means harmony, and in this show different sounds peacefully coexist and enhance each other. Musique Concrète naturally merges with traditional Lebanese music, spoken words, and improv jazz. In these performances, Rami forms an auditory journey that deeply resonates with feelings of displacement and the eternal quest for belonging. To deliberately bring about this sentiment, Rami is versatile in using media - tapes, recordings and vinyl collected in the fragmented places that influenced him, are puzzled and layered together. They build fluid structures that bring people together and make them belong- through the experience of listening. 

For “love is on my side” on Noods Radio, Rami showcases Cold Wave, Post Punk and Synth tunes with a focus to offer a space for reflection. 

"Layali Insijam" on Radio Alhara, is a continuation of the INSIJAM project by documenting Folk music from Lebanon by highlighting musical plays and instrumental pieces. Radio is an important vessel of self-expression for Rami, and in his words, working with Radio made him a better listener and DJ.  

Moreover, Rami’s sound projects extend to sound art by amplifying chairs and manipulating samples of traditional Lebanese instruments. The Oud, Nay, Qanun, and Tabla intertwine with electro-acoustic elements, field recordings from Beirut and Berlin, and spoken words to evoke a sense of contemplation. 

But his examination of places and spaces and their significance for one’s identity and sense of belonging doesn’t stop here. As a photographer Rami’s current focus is on taking urban pictures. He seeks to find a deeper understanding of boundaries. They either separate or unify public and/or private realms, giving birth to spaces, which Rami coins as a “diasporic field”. Within these newly human-defined spaces, the pictures serve as a mirror. They capture and reveal these for Rami so important themes of remembrance and displacement.

Rami’s pursuit of harmonizing a fusion of influences - may it be via sound or visual art - acts as a reminder to embrace the beauty of chance encounters and form deep contemplations about belonging and the fluidity of cultural identity.

Written by Theresa Baumel -

New tracks tagged #somasynth