A little tribute to the beginning of my recording and producing journey except for “Smear” which was re-recorded for the purpose of creating “Smeared”. Hopefully you will find these bonus tracks enjoyable!

<an>android/among.the<clouds>

Sonatina for Violin and Piano

Sonatina for Violin and Piano - Bonus Track

Cardinal Sonatina (2022) for solo piano. Commissioned by The Curtis Institute of Music for its Centennial. I. Mai come prima II. Con un poco de duende III. Cardinal Variations 

performed by Steve Beck

Cardinal Sonatina, for solo piano

"Daydreams of a Blue Smile" is a light sonatina for solo piano. The composition aims to depict aspects of the bittersweet in life, especially with regards to loss and nostalgia.

Premiered by Katalin Lukács

Painting: "Portrait of the Artist's Wife" 
Artist: Henry Ossawa Tanner (1859 - 1937)

Daydreams of a Blue Smile

zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

bedtime

Sonatína od skladateľa Pavla Kršku, melodicky jednoduchá, ale dynamická, je určená predovšetkým pre hráčov na hoboj alebo zobcovú flautu na základných umeleckých školách. Toto dielo, sprevádzané klavírom, sa vyznačuje pozitívne ladenými tónmi a melódiami, ktoré sú harmonicky prepojené s klavírnym sprievodom, čím vytvára radostnú a povznášajúcu atmosféru.

[EN: Sonatina by composer Pavol Krška, melodically simple but dynamic, is primarily intended for oboe or recorder players at elementary art schools. Accompanied by piano, this work is characterized by upbeat tones and melodies that are harmoniously interwoven with the piano accompaniment, creating a joyful and uplifting atmosphere.]


||| Časti:
I. Moderato
II. Andante ma non troppo
III. Moderato


||| Autor:
Pavol Krška (*1949)
Patrí k popredným osobnostiam hudobného umenia na Slovensku predovšetkým ako skladateľ veľkých chrámových vokálno–inštrumentálnych diel, ktorým zasvätil väčšiu časť svojej rozsiahlej kompozičnej činnosti. 

Viac informácii získate na https://www.PavolKrska.sk 

Ďakujeme za podporu slovenskej hudobnej tvorby.
#pavolkrska



###
So súhlasom Konzervatória Žilina: https://konza.sk/
Právne otázky a autorské práva k náhrávkam: legal@pavolkrska.sk

Pavol Krška: Sonatína pre hoboj (alebo zobcovú flautu) a klavír | [Oboe Piano Sonatina] #pavolkrska

A Short Movement for Wind Quintet to Test Acoustic Samples Instruments.

Instruments :

All woodwind instruments are by Acoustic Samples.

Flute --- VWINDS Flutes
Oboe & Bassoon --- VWINDS Double Reeds
Clarinet & Bass Clarinet --- VWINDS Clarinets

You can find me and my music on several platforms :

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Sonatina movement - VWINDS bundles test

My fourth sonata is very much related to the third in that it to a large degree is composed upon old sketches, that have been cleaned up and recomposed. 
The title "Den lille prinsen" means The little prince and that is because of the small format but at the same time somewhat regal, although innocent character of the movements, especially in the slow minuet that makes up the second movement.
This is also by far my easiest sonata to play.
The sonata consists of the following movements:

1. Allegro vivace
2. Tempo di minuetto

Piano Sonata No. 4 "The little prince" in G Major Op. 29 Nr. 2 (complete)

Sonatina

Also romanized/read as "kkum" or it's English title.

Recently, there has been a strange streak of surreal dreams, both good and bad, inflicted upon me. Sometimes, it reminds me of the warm caresses of a mother to its offspring, or the dreadful emotions of a calamity.

A sonatina in three movements.

I. Allegro "The Descent"
II. Andante "The Qualm"
III. Prestissimo "The Calamity"
(IV.) Lento "The Cage"

꿈 (A Dream)

Composed for solo clarinet (A), this sonatina is in three movements.

The first movement is an introduction bearing a semblance to a now-shelved sonatina for flute. The piece is balancing act between flowing melodic lines and broken intensity.

The second movement was composed first, in 2022, as a standalone piece. It was revised, and it serves as the coalescence of material of the whole set.

The final movement is dance-like bacchanale, or more so a dithyramb. It was conceived of as a
satyr play, and it is a lively piece that also bears a likeness to a different, shelved work for violin
and piano.

Clarinet Sonatina No. 2 - II. Fantasia

Clarinet Sonatina No. 2 - I. Introduction

Clarinet Sonatina No. 2 - III. Dithyramb

I loved playing Muzio Clementi's Six Sonatinas when I was a student. I played them very fast and often strayed from the classical style to the dismay of my teacher! I still remember bits of each one. Here I recorded a set of 2 pieces based mostly on the Sonatina in C Major. I recorded them in one session and couldn't make up my mine which parts to take out for one piece. Take a listen to Part 2,also posted,  a remnant of this version. I hope you have fun listening as much as I had creating them!

Jennifer L. Jones
Music Dreams Productions

A Pianist's Folly

I. Allegro ma non troppo 
II. Larghetto
III. Allegro ben preciso
Dúo Promuisca     Alfredo Muñoz | violin     Maria Victoria del Collado | piano 

Grabación del concierto en vivo ofrecido dentro del Festival de Música Contemporánea de La Habana, 2014. Gracias a Duo Promusica por esta interpretación tan expresiva y poderosa. Un homenaje sentido al maestro y amigo Alfredo Muñoz.

Javier IHA _ Sonatina para violin y piano I

For more information, please visit my TikTok, where I post highlights from my pieces. The first of those drawing moments from this work can be found here: 
[https://www.tiktok.com/@jareddestro/video/7573326490100682014?is_from_webapp=1&sender_device=pc&web_id=7561127569929602590]

Harp Sonatina No. 1 - I. Esquisse

Harp Sonatina No. 1 - III. Nocturne

Harp Sonatina No. 1 - II. Morceau

Composer, pianist and pedagogue Javier Iha Rodríguez graduated with a degree in Composition from Havana’s University of the Arts (ISA) in 2017, with "Gold Title" distinction, and earned a Master in Management of Historical Heritage - Music from the University of Havana in 2019. As a composer he has participated in Cuban music festivals such as the Havana Festival of Contemporary Music, Festival of the Arts, Festival "A tempo con Caturla" and the Festival of Chamber Music. Rodríguez has won numerous composition awards from the National Union of Writers and Artists of Cuba (UNEAC). He has been a professor of Harmony at the National School of Art (ENA) since 2014 and a professor of Orchestration and Analysis at the University of the Arts since 2020.

Rodríguez has created works for piano, voice, choir, chamber ensembles and electroacoustic media for ensembles such as the Dúo Promúsica, the Trío Emanuel, the Trío Lecuona, and the Orquesta de Cámara de las Tunas among others. He has collaborated with audiovisual producers and with the Gaia Teatro theater company. He is a member of the Hermanos Saiz Association (AHS), the National Union of Writers and Artists of Cuba (UNEAC) and the Musical Copyright Agency (ACDAM). Part of his work has been recorded under the Colibrí record label as part of  the "New Music" compilation of the UNEAC Composition Awards and "Portrait and Pilgrim Scenes", which won the Cubadisco Prize in Chamber Music in 2021.



Patrí k popredným osobnostiam hudobného umenia na Slovensku v oblasti vážnej hudby.

Account mostly will upload singles or non-self releases (if they were permitted). Will repost songs that were either made by me or I REALLY enjoyed listening too.

I am a music teacher at Oskarshams Folkhögskola, where I teach classical singing, composition, music theory and chamber music. 
I am also a singer with primarily art songs on my repertoire, a hobby composer and poet and a founding member of the Mönsterås Jazz and Chamber Music Society.
I studied composition at Ingesund College of Music and Baroque counterpoint at Uppsala University and mostly write vocal music for song and piano, and/or choir but eventually compose for other instruments and ensembles as well.
I have been called "a radiant talent in finding the essentials in different musical styles" (Arvika Nyheter, December 4, 2006) and regional news paper Barometern wrote that my music shows "good insight in choice of melody and harmonic part writing" (September 25, 2012).
My music has been performed in Austria, Canada, England, Germany, Sweden and USA.

Notable works are:

"Three nocturnal Songs Op. 11", song cycle of three songs for soprano and piano. Premiered by Cecilia Alrikson and Natalja Shakova in Oskarshamn, Sweden in 2018.

"Night songs Op. 6", song cycle of five songs for baritone and piano. Premiered by Anthony Schneider and Rosemary Barnes in Vienna, Austria in 2013.

"Ave Maria - String quartet in d minor Op. 12", string quartet in three movements. Published by Gusthold Music, USA in 2020.

"Av hjärtat, sjung! Op. 22", cantata in five movements for STB soloists, SATB and childrens choir, string quartet and piano. Comissioned for the opening concert of the four day festival "L'Esprit - upplev 1700-talet" (L'Esprit - Experience the 18th century) in 2020.

"Joie de vivre - Piano sonata No. 2" Op. 23, sonata in four movements for solo piano. Composed in 2020.

"Jaktsonaten - Violin sonata No. 1 Op. 13", sonata in four movements for violin and piano. Composed in 2016.
 
I have been published by:

Gusthold Music Publisher (www.gustholdmusic.com) 
- String quartet in D minor "Ave Maria Op. 12" (May 2020)

Flauto d'Amore Editions
(www.flautodamoreproject.com)
- Danza, for Flauto d'Amore or C-flute (June 2020)

Psalmportalen (www.psalmportalen.se)
- Three congregational hymns (Herre Gud, vi lovar dig, När det känns som att allt ljus försvinner and Ett litet barn, Marias son) (Summer 2017)

I hope you will find something here to listen to that you will enjoy!

Photography for my profile image: Anna Broette

Composer of contemporary classical  and electronic music, with background in jazz.

Bartosz Lasecki is a Polish-American composer and producer from New York whose forward-thinking style fuses cinematic orchestration, modern electronics, and intimate human performances. Building on classical traditions, advanced production techniques and his passion for experimentation, he creates immersive soundscapes that push the boundaries of contemporary music.

Website, Commissions, & Contact
jareddestro.com

TikTok
https://www.tiktok.com/@jareddestro?_r=1&_t=ZP-91ygt1P0uCc

YouTube
https://youtube.com/@jareddestro?si=jQkN0b3TZ2LMPwXb

Welcome friends and to my profile! I hope to celebrate 300 original tracks on Soundcloud this year!  Thank you for listening and helping me in my musical journey. Recently I was blocked out of SC because of a 2-factor authentication problem. It has been a difficult year for me personally.  I experienced a very bad fall in July... broken bones and the works!  I'm finally whole again and the music has kept me going.  I am infinitely inspired and humbled by the extraordinary creativity I hear from your music each day and the wonderful friends I have encountered from every part of the world! THANK YOU! I am so very grateful for your support and the gift of music in my life!
 
What Inspires Me...I am inspired each day to compose music that touches and connects the listener in meaningful ways that are personal to their own experiences and feelings.  I believe what the world needs is more songs about love for all living things and the earthly treasures around us. The power of love is magical, mysterious, and miraculous!  And, it is essential to our survival like water and the air we breathe.  I believe that through the universal language of music, love can heal, bring joy, and create an invisible chain that pulls all of us together, not apart.  

A Little About Me...I started composing in 2016  after not touching the piano for many years. A career, raising a family and just every day life got in the way of making music. After retiring as a music teacher in the public schools, I started dreaming of playing the piano again and my years of classical training slowly came back to me. I love every genre of music, and the talent and creativity on SoundCloud has inspired me at every level!

For those of you who follow me on Soundcloud, I have been experimenting with adding tracks to my piano compositions.  I create and record everything myself using a Yamaha 660DGX, including the instrumental tracks built into the keyboard. Then, I edit on my laptop using Sony Sound Forge Music Pro.  It's a simple set up, and I have lots to learn.  I am not afraid of receiving feedback if you have any to give.  Sometimes, it's the most simple thing I may be doing wrong that changes everything!

If you have time, check out my first music book called Music Dreams: Six Original Pieces for Solo Piano through Barnes & Noble.  I welcome your feedback.  Here is a link in case you are interested. https://www.barnesandnoble.com/w/music-dreams-jennifer-l-jones/1143986955?ean=9798891455641

Hi, I'm a french composer from Nantes, I compose mostly with classical instruments. I like contemporary, modern classical, videogames and films music.
I work on several games :

- Pokémon Gemme
- The Depths
- Imperial Grace
- Other games made during a GameJams

Bonjour, je suis un compositeur de Nantes. Je compose principalement avec des instruments classiques. J'aime la musique classique moderne, contemporaine, les musiques de jeux vidéos et de films.
J'ai fait plusieurs compositions pour des jeux :

-  Pokémon Gemme
- The Depths
- Imperial Grace
- Des jeux faits lors de GameJams

In recent years Paul Brantley’s compositions have been performed or commissioned by The Knights (at Tanglewood, BRIC, Dumbarton Oaks and Naumburg Concerts), Minneapolis Guitar Quartet, Horszowski Trio, Flux Quartet, New Esterházy Quartet, Memphis Symphony Orchestra, U.C. Berkeley Chamber Chorus (on tour), Monadnock Music Festival, Bridgehampton Chamber Music Festival, St. Bartholomew's Summer Festival of Sacred Music, The Young People’s Chorus of NYC, Philharmonic Orchestra of the Americas (NYC’s Town Hall), Left Bank Ensemble (Kennedy Center), Ethel (Kimmel Center), Excelsior Trombone Ensemble (NPR’s Performance Today), The Goliard Ensemble on tour, The Manhattan School of Music Symphony, Belladonna (Schubert Club, St. Paul, MN), L’Opera du Village (Pourrieres, France), SONYC (the Kitchen), and as featured composer on these various series: Bargemusic, Ecstatic Music (Merkin Hall), The Harry Jacobs Chamber Music Society, HVG, North River, MOSA and Concerts in the Heights. 

His cello concertino, The Royal Revolver, was premiered in December 2017 by cellist Eric Jacobsen (The Knights, Silk Road Project) and members of The University of Michigan Symphony conducted by Kenneth Kiesler. The Washington Heights Chamber Orchestra will give 25th anniversary performances of On the Pulse of Morning this May, with Abigail Fischer, soprano, Spring 2021. It was recently announced that Brantley is one of three winners of the Aliénor Composition Competition sponsored by the Historical Keyboard Association of North America to compose a new full-length piece for solo harpsichord. Boyd Meets Girl recently gave the premiere of Filles de l’Elysee which will featured on their forthcoming CD.

Paul is a six-time MacDowell Colony Fellow who has also received fellowships from Banff Centre and Anderson Center. Brantley has been composer-in-residence for Monadnock Music Festival, Gabriel Fauré Conservatoire (Angoulême, France), Goliard Ensemble, Yara Arts Group, The Seal Bay Festival, Children’s Choral Celebration, Sewanee Music Festival, Washington and Lee University, and the Sophia Institute at Union Theological Seminary in NYC. He has given composition seminars at Yale School of Music, Hunter College (Anthropology Dept.), and The University of Michigan School of Music.

Multifaceted musician, Brantley has performed or recorded as solo cellist with Trey Anastasio (Phish), Cantata Profana, CITH, Cassatt Quartet, Jeff Coffin Mutet, Béla Fleck and the Flecktones, Dave Gregory (XTC), Heartbeat Opera, Jimmy Page and Robert Plant, Lenny White, and SONYC. Brantley has arranged and conducted for David Binney, Ethel, Todd Rundgren, and Christian Scott.

Paul studied at Manhattan School of Music (B.M), Curtis Institute (diploma), Eastman School of Music (M.M.) as well as Fontainebleau, Tanglewood, and The Yellow Barn where he was later artist faculty. His principal teachers include Samuel Adler, Leonard Bernstein, Eugene Eicher, Alan Harris, David Loeb, Ned Rorem, and David Wells.

He co-founded the Seal Bay Festival of American Music and was artist faculty at Yellow Barn Music Festival for many years. In addition to positions at Syracuse University and Washington and Lee University, Brantley was a Manhattan School of Music faculty member from 2000 to 2014.

Paul Brantley currently resides in New York City where he free-lances as a composer, cellist, and conductor. His music is published by Bill Holab Music and Oxford University Press. He has recorded solo cello for Sony/Columbia, Rounder, Warner Bros., Polydor, Compass, and others.

New tracks tagged #sonatina