"How to Believe in Magic" by Scott Gendel, 7 songs for voice and piano on the poetry of Camille Inkwell.  Demo versions performed (both voice & piano) by the composer.

How to Believe in Magic

in love with love

too much time

"The Masculine" excerpt from mvt. 1 of "Women Who Kill" a contemporary song cycle by Victoria Malawey. Score available from dulcamarapress.com

Women Who Kill

Women Who Kill Mvt 1 Excerpt

"The Witch" excerpt from mvt 5 of "Women Who Kill" contemporary song cycle by Victoria Malawey. Score available at dulcamarapress.com

Women Who Kill Mvt 5 Excerpt

"Come slowly, Eden" excerpt from 3rd movement of "Four Poems by Emily Dickinson", a contemporary choral song cycle by Leslee Wood. Sheet music available at dulcamarapress.com

Four Poems by Emily Dickinson

Four Poems by Emily Dickinson mvt.3 clip

"To Make a Prairie" excerpt from mvt 4 of "Four Poems by Emily Dickinson", a contemporary choral song cycle by Leslee Wood. Sheet music available from Dulcamara Press. dulcamarapress.com

Four Poems by Emily Dickinson mvt. 4 clip

"Wild Nights" excerpt from mvt 2 of "Four Poems by Emily Dickinson", a contemporary choral song cycle by Leslee Wood. Sheet music available from Dulcamara Press. dulcamarapress.com

Four Poems by Emily Dickinson mvt 2 clip

The seemingly unconnected nature of words mingling with instrumental sounds lend themselves to an air of pretentious flourishes of superficiality, whose echoes of veracity and untruth reverberate in equal measure. Our realities and perceptions shaped by the expectations of what may be expressed, a palimpsest of all our cumulative experiences makes us question, anticipate, and judge the message or the art of the poet, their intention. Funnily enough in this absurd notion of how or what should the work of the composer be with the text, in all its tedium and criticism, they deftly try to fuse their and the poet’s figure in a bizarre pentimento to make every inquisitive notion both suggested and negated. To share their words and the poet’s music. Accepted and denied. North and south. Up and down.

Nada, poem by Julia de Burgos

Premiered at Elebash Hall, Graduate Center CUNY by:
Christopher Herbert
Josh Modney
Yezu Woo
Martine Thomas
Mariel Roberts

II. Nada, from reflejo cristalino, onírico, pétreo

Pentimenti means 'regrets' in Italian, yet it is also a term used in art history to describe a visible trace of earlier painting on a canvas. The music and the words play with that double definition in this piece. 

Recording by Eve Codman (soprano) and Helena Zyskowska (organ).

Pentimenti | Regrets

Dreamer, a song for soprano, piano and violin, written for soprano Megan Mead's final recital at Trinity Laban Conservatoire of Music and Dance. Performed in the Peacock Room, Old Royal Naval College, Greenwich, London. Soprano - Megan Mead, Piano - Rianka Bouwmeester, Violin - Grace Byrne.

Dreamer (Live) - from 'Just Keep Blooming' song cycle

Composer / Pianist / Vocal Coach / Tenor / Composition Teacher / Rock Musician / Musical Polymath

Known for his compelling, expressive and socially aware music, Puerto Rican composer Julio Elvin Quiñones writes works that are imbued with visceral gestures, intuition and represent every aspect of his identity.

His music has been performed by many ensembles like the Conservatory of Music of Puerto Rico’s Symphony Orchestra and Concert Band, the Omnibus Ensemble, the JACK Quartet, loadbang, Ensemble Dal Niente and Talea Ensemble; additionally he’s also been performed by known soloists: Katsyarina Shaposhka, James Alexander, Hakeem Davison and Katherine Needleman. 

Julio is currently pursuing his doctoral studies at the Graduate Center CUNY, having studied with Suzanne Farrin, Jason Eckhardt and Jeff Nichols. He holds a Master's degree from the Peabody Conservatory with Michael Hersch and a Bachelor's Degree from the Conservatorio de Música de Puerto Rico with Alfonso Fuentes.

Leo Holder, a London-based composer, orchestrator, arranger and producer.

New tracks tagged #songcycle