download:
https://ilostmygems.bandcamp.com/album/ilmg001-ein-stich-ins-herz



Playlist

Rückblick. Volles Rohr. 
Herzlich Willkommen. 
Außer Nur In Natur Und Wald. 
DJ Goppeln. 
Zentrale Frage. 
Kupfer. 
Normale Informationen. 
Neues Phänomen. 
Bullen Fahren Nach Gorbitz. 
Und Wo Bist Du. Rübe. Akkurat. Alkoholische Getränke. 
Boost 1: Crunk Aus Leidenschaft. 
Spektakulärer Einbruch. 
Boost 2: Jumpstyle Prager Straße. 
Heterogenität. Schnittstellen. 
Suspekt. Fotomaik. Großer Bogen. 
Rewe. Mindestens. 
Silvester am Gorbitz Center 09/10.
Doppelmoral. Heroin. 
Bermuda Fahrenheit. 
Die Täter. Umleitung Linie 9. 
8 von 10. 
Montag, 25.11.2019. 
Tricky Tricky Nachtkantine. 
Im Verhältnis. 
Ich Zerleg Dich Trotzdem. 
Der Spontane Mensch. Müdigkeitsphase. 
Die Zeit Wird Gerafft. Abbrechung. 
Neue Saison. Richtung Altstadt. 
Pause. 
Skyline Von Dresden. 
Double-D Mentalität. 
Fester Punkt Im Leben.

____________
@
Dampfer.net
Bermuda
Meckes Altmarkt
Der Lingner
Elbepark
Fu Loi Altmarktgalerie
Jeans Live
Nudelturm Backstage
Terminal 1 
P.M. Altmarkt
Dance Factory/SAX
Fahrenheit100
Washroom
Dance Club Blue
Felsenkeller
Melly’s
Pier 1
Arteum
Kecha
Crunk Night
Unity Night
Arni
Konsum Alaunstraße
Elbamare Gorbitz
Kaufpark Nickern
Seidnitz Center
Bibo Prager Straße
+++

ILMG001: Ein Stich In's Herz

Pino Palladino & Blake Mills
Friday, March 1, 2023
Knoxville, TN @ Tennessee Theatre - Big Ears Festival - 7:45pm

01. What Is Wrong w/ You
02. Off The Cuff 5:00
03. Soundwalk 11:54
04. Dried Sweet Potato 16:15
05. Djurkel 20:43
06. Notes With Attachments > Infant Eyes [Wayne Shorter] > 28:28
07.  Ekuté 34:19
08. Just Wrong 45:00
09. Man From Molise 53:43
10. Unsignable 59:33
11. Chris Dave 64:07
12. Benny 67:49
13. Sharrock 72:35

Pino Palladino - bass
Blake Mills - guitar
Sam Gendel - saxophone
Abe Rounds - drums & percussion

Shure MV88 > iPhone 12 > Motiv Audio App > WAV (24/48)
Recorded by Funk It Blog, except first 3 minutes by Brandon with Tascam DR-05x internal mics

Pino Palladino & Blake Mills 3/31/23 Big Ears Festival, Knoxville, TN @ Tennessee Theatre

Dedicated to the Island -soundwalk & music for SAUNTER magazine-
Written & Produced by Kaoru Inoue

Kaoru Inoue’s new work, is based on a field recordings at the World Heritage listed island of Yakushima, was released on 23 Sep 2023 as a CD supplement to a travel magazine called "SAUNTER magazine" (https://saunter.thebase.in) - Yakushima special issue.
It was eventually re-released as high-quality vinyl from Deep Ground Records Japan on 20 April - Record Store Day 2024. (https://recordstoreday.com/SpecialRelease/16573)

井上薫の新作は、屋久島ベースの出版社＝キルティ・ブックスが発行する「SAUNTER magazine」(https://saunter.thebase.in) 9/23発売の第6号、特集「屋久島の現在」CD付き限定版としてリリース。自身4回目の屋久島で敢行したフィールド・レコーディングを元に制作された、珠玉のOrganic Electronic Music。誌面には屋久島滞在時の取材記事も掲載。
またこの作品は2024年4月20日のRecord Store Dayにアナログ盤LPとしてDeep Ground Recordsより再リリースされた。(https://recordstoreday.jp/item/dgr-002/)

Bandcamp

Dedicated to the Island (Excerpt)

An excerpt from a five kilometre soundwalk. The excerpt covers about one kilometre (excluding distances travelled up and down in swift, quiet elevators spanning nine levels - four of which are underground car parking - inside the symbolic/metaphorical 'citadel'). On the one hand, the soundwalk was intentionally pre-'scored' (while allowing for spontaneous detours), based on memory of prior sound-experiences, although most of these locations hadn't been visited for two years or more; on the other hand, it was naturally and necessarily formed by the aleatory/chance events and sounds of the moment. In any case, it was essentially an experiment (both technical and aesthetic). The important thing is that it manages to bear a certain burden of 'logical argument' (albeit in an 'oneiric realist' form). Like any logical argument, it has a point to illustrate and substantiate. In that respect, it is essentially also philosophical in intent. (But that is the case for most of my work.) The piece is essentially unprocessed and unedited: no mixing, no effects. The goal is to capture the 'whole' in one take, as one actually-occurring complex and self-unified fact. Nothing added, or removed. That speaks to its 'realism', its 'documentary' aspect, alongside its metaphoricity/symbolism and oneiric aspects.

2024.10.10 Into the Citadel. (Soundwalk Sample.)

Recorded and mastered by Chris DeLaurenti, To the Cooling Tower, Satsop is a soundwalk documenting my journey through a tunnel intended to connect WNP-5 and WNP-3, two aborted nuclear power station cooling towers. The tunnel is now closed.

The entire album is an unedited, single-take field recording. Released by GD Stereo on compact disc, To the Cooling Tower, Satsop appeared as part of their Improvisational Architecture series in 2015. 

Designed to deliver water to cool the reactor core, the tunnel is long; it took me the length of the album, about 44 minutes, to enter and exit.

Much of the tunnel is a perfect tube, however the occasional turning passageway, pools of water, debris, and unexpected  vestibules contribute to the unusual acoustics heard in To the Cooling Tower, Satsop. Sounds near and far reverberate, smear, and echo.

My movement through this architecture co-composes the soundscape. Presence becomes performance: With eyes often shut, I walk through the tunnel. Performing blind belays most of the habits I have developed with other instruments and ideas as an improvisor. With no light, I cannot know how the tunnel - My instrument? My collaborator? - will change, or even where I and the passage ahead will go. 

Wanting a flashlight for a mere moment reminds me that darkness, nighttime, "the dark," shadows, and even the poetic adjective umbral deceptively connote mystery, the unknown, fear, the Other, menace, and evil, as if "to see is to know." To those who listen, darkness becomes a place of discovery, an aurally radiant invitation to re-listen and remap the world.

So I navigate (bypass, stumble over, probe, kick, step on, jab, echolocate) obstacles and small dangers with focused listening. My ears map the walls, the floor, the ceiling. I listen to the drones ahead and what flutters behind. Detecting changes in air pressure, my eardrums bend as oxygen thins. Sounds feel different inside and against me. This tunnel has an architectural, acoustic pulse.

To the Cooling Tower, Satsop embodies my notion of phonography: Vivid, possibly transformative field recordings made in unpredictable locations, amid accidents, and by often unorthodox means in tandem with an open embrace of the recordist's presence - all crucial components in the urgent quest towards new ways of listening.

- excerpted from my essay "A Length of Sound" slated for the book "Sonic Contestations of Nuclear Power."  Skyward photo of WNP-5 at Satsop by Chris DeLaurenti.

GD Stereo

To The Cooling Tower, Satsop (excerpt)


‘listening’ is an audio tour around an enigmatic site at Goonhilly Downs on the Lizard peninsula in Cornwall. Walkers follow a track skirting the edge of the former Satellite Earth station following instructions included within the commentary. It was part of Happidrome One which took place during summer 2007.
 
Over the course of a mile the tour encompasses: Mediterranean dry ponds (temporary pools formed in trackways supporting short lived ecosystems for toads, insects and specialised plants); turf stacks (designed to prevent enemy gliders from landing during World War II); the flat horizon of the Downs; the ancient Dry Tree standing stone and Bronze Age burial mounds. Stories, facts and observations are threaded together to make a twenty minute auditory experience.

listening

Soundwalk highlighting familiar sounds of the art department.

Soundwalking the Art Department

For this soundwalk to be right, you should listen to it in a bus. Find a route that takes about 6 minutes and start the audio when the bus leaves.

BUS SCENES SOUNDWALK

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@redrummusiclabel is proud to release the third edition of our new VA called 'Soundwalk' focusing on the roads of techno music from all over the world.

Today we premiere David Maters' contribution to the V/A, titled "Me & Michael Caine" Amsterdam-born techno producer/artist David Maters has a taste for heavy bass lines and rolling techno tracks, as we see showcased in this track here.

Follow David Maters
SoundCloud: @david-maters
Facebook: www.facebook.com/DavidMaters.Official
Instagram: www.instagram.com/david_maters

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Soundwalk / Road Three

Premiere: David Maters "Me & Michael Caine" - Redrum Music

Soundscape composition from original Bali sound recordings. Spoil yourself and use headphones for the aural big screen!

www.intraversal.de

Pulau Dewata - Isle of the Gods

Visual artist working with sound and narrative related to place.

“live audio, live video, always funky”

Funk It is a blog dedicated to live funk recordings, past and present.
Audio, video, downloads, and streaming.

https://taplink.cc/funkitblog
www.FunkItBlog.com
http://www.facebook.com/FunkItBlog/
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http://www.youtube.com/user/RLBayers/
http://www.youtube.com/user/TheFunkItBlog/
http://www.youtube.com/user/FunkItBlog/

My sound work encompasses field recordings, electroacoustic and acousmatic music, text-sound scores, free-improvised low-tech electronics, and compositions for acoustic instruments. 

Global techno & house community empowering the culture of work & rave
Est. 2008 Los Angeles

https://linktr.ee/kaoruinoue
DJ/Composer/Musician based in Tokyo
also known as "Chari Chari"
running a label "Seeds And Ground"

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

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